Asif Kapadia Quotes

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I just loved films. I knew I wanted to work on film, not video.

I used to live in Pillgwenlly, and there was this old Italian pizzeria that used to be there with a really amazing character who ran it.

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I made three short films of my own which I wrote, produced, directed... you did everything in those days. My favourite one was something I shot on VHS... a little documentary.

It's always great to be able to go to a premiere with the actors there.

My interest in filmmaking was always very much the visuals and images.

Weirdly enough, I live in London - was born there and have lived there all my life - but I hadn't made a film in London for a long time. I hadn't found the right subject. I liked going away,...

There's this great TV show we have called 'Later... with Jools Holland', a live-music show on Friday nights. Anyone and everyone's been on it.

I never know going in if I've even got a movie to make. Once you start making a film, you hope there's going to be enough material! My job as a director is always to push for more.

A lot of the time when I'm working, I'm abroad.

My family didn't film anything. But then you look deeper and realize, maybe there are photographs, there are things. It's also context: You give something a context, and suddenly it becomes really deep or meaningful footage.

The Tour de France would make a great movie. Drugs, corruption, political chicanery, guys risking their lives - everything you need for a great sports drama.

I wanted to make a film that wouldn't just appeal to Formula One fans. That's what the great sports documentaries do - 'Hoop Dreams,' 'When We Were Kings' - they're human dramas first, sport second, if at all.

My films often have a spiritual dimension which comes from my Muslim background, and I'm happy to tackle that in cinema.

As a kid, I thought movies were boring. My parents would hire VHS recorders for the weekend and watch Bollywood movies. I'd get bored and go out to Stoke Newington common to play football.

'Amy' is somewhere in the middle of authorized and unauthorized.

A big part of my filmmaking is that I can go somewhere new and, visually, be excited by it.

I lived in Camden, Primrose Hill and Kentish Town for 10 years.

The subjects have to come with questions for me. I don't make films where I'm a massive fan.

On 'Senna,' it got to the point where there was so much footage that our first editor had the wild suggestion that we only use the archive.

I worked in TV for a short time and couldn't stand the fact that we'd always be filming someone talking, just giving information.

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