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I think of a monument as being symbolic and for the people and therefore rhetorical, not honest, not personal.
I cried most days working on the first draft. The last scenes were the hardest. I had a feeling where I wanted to end - the exact note - but I couldn't see how to get there. Sarah Murphy, my editor, asked the right questions to help me. I think of 'The Bear' as a hopeful book.
I was five when I did my first show with the Mountain Play Theatre company in Marin County. I started young, and since no one in my family was involved in the industry in any way shape or form, I think everyone thought I'd do a few plays and that would be it. But then I kept doing it.
I think, reading the Grimm's fairy tales, they all have some sort of moral component to them, teaching you a lesson.
I have a huge, active imagination, and I think I'm really scared of being alone; because if I'm left to my own devices, I'll just turn into a madwoman.
I think because I am as earnest as I am, people were accepting of my evolving into a certified, legitimate, and grown up and I did take three years off.
I think it's important to never play 'crazy' - you have to know what kind of crazy you're playing.
The camera is not your eye, and it's not the eye of the audience. I don't think it's my eye, either. It belongs to the film.
I was never very interested in my own experience, I think, in fact, if my films have a common link, maybe it's being a foreigner - it's common for people who are born abroad - they don't know so well where they belong.
I think cinema is linked to literature by a lot of social ways. Our brains are full of literature - my brain is.
We don't all look alike - some people think they're tough, some people think they're fragile - but in the end, we share a lot.
A film takes a lot of time, and yet not enough to share with the people you're making the movie with, I think.
I think working as an assistant was a part of knowing people who like cinema, and to learn from a movie, you have to watch it.
I don't think I see the way bodies move in any special way. People say I do, but everybody moves. I don't see why all of a sudden I'm a specialist in the way bodies move.
When I was younger, I think I intimidated people much more because I was far more insecure.
I wouldn't have been able to go to drama school when I was 19. I don't think I was even conscious of life... I was like a zombie. But when I finished uni' I just realised... just go and do it, stop being a knob.
I think, generally, British people are more culturally cynical about the things that involve our own country. Especially the royals.
I think, whenever you're doing anything, you don't want anyone anywhere to watch it and think that what your character is doing is ridiculous. You don't want anyone to watch it and go, 'Oh my God, that's just fortuitous.'
I just think, in every acting choice that you make, you've got to go for the least obvious choice.
I think, Queen Victoria's diaries, I think you can get them if you go to the British Library.
I always like to do quite a lot of homework; I quite like to do the research. If I didn't do this, I think I would like to be a researcher.
I think you can't have the monarchy without the coronation. I think you would have to get rid of the whole kit and caboodle.
I was always taught about the importance of giving back and helping those less fortunate. I think it's also incredibly rewarding.
I think, first of all, you know, Washington has a bad habit of a very short attention span.
I think I'm the last Democrat left in the Senate after Russ Feingold was defeated that won't take earmarks.
There's nothing that irritates Americans more than the fact that some members of Congress think they are entitled to their own set of rules. And it's true - too many people in Washington live in an alternate reality.
Corporate governance is a huge issue too. We don't have women on these corporate boards. More than half of the students in law school are women, more than half of the women, I think, in medical school now are women.
There are three legs of the stool; spending, entitlements and making the tax code fair and equitable. That's the three legs of the stool. If we do all of those in a responsible, bipartisan way, I think the American people would all be very, very happy.
You know I think the president has to really focus on getting elected to a second term in 2012. And I need to focus on making sure I'm accountable to the people of Missouri.
I'm going to work with Republicans when they do things I agree with and I'm going to fight Republicans when they're doing things that I think are damaging.
Sometimes you have to stop to think, regroup and regather yourself and realize how lucky you are to still be living and to still be breathing and still be able to even have a chance.
I think that when you carry a certain kind of energy, if you have, like, a funky energy that you hold within yourself, you just can't grow.
I go down the street thinking, 'Oh my God, I live in New York.' But then I think, 'Oh my God, I'm on Broadway!'
I think we see too much female-on-female hating each other on TV. We should stick together.
I don't hold much of care for 3D. I think it's a passing fad. It came and went in the '60s. I don't see what it adds to the story.
I don't think I'm very fashionable. I drink a fair amount of Barry's Tea, from Cork - but might that be fashionable? I don't know.
I'm actually a very dark person, so I really want to get into some really dark roles, maybe some thrillers. I've never done one of those, so I think I'd really want to get into that, but definitely something that would get lots of people talking.
I enjoy all aspects of it, I don't have a preference for any medium. I think each of them has its attractions and I would hope they each inform the other in some way.
I don't think they'd ever make a movie about Chuck Baker but I'd love to play Chuck Baker.
How many girls, models or not, are secure about their bodies? I think I'm more realistic about what to expect of myself now. I also have a lot of other things than modeling going on in my life that I'm proud of.
I'm not a fan of fillers at all. If you've gone 35 or 40 years without big lips, I don't think it's time to start plumping them up artificially.
There are things I'd wish weren't part of ageing. But what you gain is much more than you're giving up. I don't think you come into your own until you're 35 or so.
I think the way kids learn most is not by what you say, but by what you do.
I think if people are passionate about something, it could be real estate or biochemistry, and that spark gets turned on in them, everyone's beautiful in that zone.
Having inner beauty is something you develop on your own, and I like to think I have that.
I think in vitro is a miracle and it has given me my precious little baby boy.
I think that's the great thing, ya' know, that women can do anything that they want now.
I grew up with my dad. I'm an only child. My father was a cowboy, and he really loved me very much, but I think he wanted a son occasionally.
Men think they already know me. But as they get closer and closer, they become that 14-year-old again. A lot of men do stammer and blush a little bit.
I would love to support Hillary for president if she would come out against the travesty in Iraq. But I don't think she can speak out against the occupation because she supports it.
I think some of the people on the Left... were extremely jealous of me getting what they thought was all of the attention.
I think that there are some people on the so-called Left who might say we have to circle our wagons around the first African American president, and to me that is racism in reverse because his policies are actually still the racist policies of empire.
People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
I don't analyze what I'm doing. I've read convincing interpretations of my work, and sometimes I've noticed something that I wasn't aware of, but I think, at this point, people read into my work out of habit. Or I'm just very, very smart.
I think people are more apt to believe photographs, especially if it's something fantastic. They're willing to be more gullible. Sometimes they want fantasy.
Quite often, I will do something and think, 'Oh, no, she looks a little too much like me.' I have tried to learn not to be afraid of that when that happens. I am not trying to obliterate myself and completely hide within the images like I used to.
A lot of people have this strategy where if they have a hard question they wait to ask it to the end of the interview because they think the person is going to walk out. But what they have to realize is, is that if the person walks out, they have a pretty successful story.
I've been asked about this constantly, and I compare it to how if you're walking down the street and some schizo guy comes up to you and vomits on you: You wouldn't be hurt by that, you'd just think it's weird.
At a magazine, everything you do is edited by a bunch of people, by committee, and a lot of them are, were, or think of themselves as writers. Part of that is because magazines worry about their voice.
Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available.
I think some of the most important exercises are all the core exercises that you can do to maximize training in certain areas of your body.
I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.
I think setting a goal, getting a visual image of what it is you want. You've got to see what it is you want to achieve before you can pursue it.
I think a lot of my shyness and non-athleticism came because I didn't have a father to instill those in me.
I like Ben Stein. I think he's funny, creative, and an insightful commentator on a host of issues.
But I don't think the Democratic Party is at eye level with the middle class.
I made education the highest priority of my campaign - actually education and jobs - and the reason is a simple one: I think the future of America depends on it.
So I want my kids to go to public schools because I think it's a better education overall.
I think teaching should be an exalted profession, not a picked-on profession.
Middle class people, I think they realize that Romney is not for them because of his narrowness, but they want to make sure that Barack Obama is focused on them with things that will make a difference. They know he tried, but they also know that it didn't do as well as they would have liked.
You have to walk in the other guy's moccasins. You have to think what they think. If you want to bring somebody onto your side, you have to figure out what motivates them. What do they need?
What the public hates the most is when they think the politicians aren't listening to them. They understand that we can't solve all their problems with a snap of our fingers, but they sure want us to try because we are public servants.
I think it's a little insulting, a bit insulting to American workers when Rand Paul says that unemployment insurance is a disservice.
I don't think a manager should be judged by whether he wins the pennant, but by whether he gets the most out of the twenty-five men he's been given.
Voters definitely believe Washington is corrupt - but most think it's bipartisan.
Presidential money is almost like the housing bubble. It's growing at such an astronomical rate, you think it can't get any bigger.
We may like to think politics is a battle of ideas and that the best idea wins out. But that's not true in most elections. Most elections are about the worst ideas losing, not the best ideas winning.
I don't think that artists of any kind would or could sacrifice their artistic freedom by being more responsible with their influence on people, especially young people.
People always think that if you eat anything as a model, it's amazing. I used to tease them and say, you know I'm going to throw up afterwards.
I have good skin, but it's dry - drier than you would think, considering I have Latin skin. It's fairly transparent, too, so I'm constantly trying to give it nourishment and moisture, but nothing really holds.
It's public knowledge that there have been efforts - as U.S. intelligence sources have said - by Russia to destabilize the U.S. political system. I think that Canadians and, indeed, other Western countries should be prepared for similar efforts to be directed at us.
I do think that there is both a very powerful sense of entitlement and a kind of bubble of wealth which makes it hard for the people at the very top to understand the travails of the middle class.
Talking about income inequality, even if you're not on the Forbes 400 list, can make us feel uncomfortable. It feels less positive, less optimistic, to talk about how the pie is sliced than to think about how to make the pie bigger.
When you think of technological revolution, you probably think of geeks in cool coastal spaces like the Google campus, or perhaps of math wizards on Wall Street. But one source of rural prosperity is the adoption of radical new technologies - and a consequent surge in productivity.
I think of myself as a Russophile. I speak the language and studied the nation's literature and history in college.
Our culture is a very diverse one, and I think now it is incredibly dangerous and very wrong to persecute Muslims and say there is something wrong with being a Muslim.
I think Obama and the economists around him have a very sophisticated understanding of both globalization and the technology revolution and the impact they're having on the world economy and they way they're creating these winner-take-all spirals.
It was surprising to me to hear a member question whether another member of the House was an adult. We're all adults in the House of Commons, and I think it diminishes us all to suggest otherwise.
That's all there was in our house: poetry and choir rehearsal and duets and so forth; I listened to Dad and Mother discuss things about poetry and delivery and voice and diction - I don't think anyone could know how much it really means.
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