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I never knew anything other than wanting to be an entrepreneur. I tried my first business when I was 6 years old, and I started another business when I was 8. I don't think I knew anything besides that.
I think that in the earlier days, when I was a 'wantrepreneur,' I was really doing things because I thought what I wanted was to be rich.
I believe the last thing I read at night will likely manifest when I'm sleeping. You become what you think about the most.
I think African Americans are resilient and hustlers by nature. I think they need to understand that you can take that hustle to the boardroom, but it has to be an education process.
There are some great songs - like, I really like 'Snowcone' and 'Whelk Then' and 'No Problem.' I think I'm dissatisfied that it's not written from start to finish; it's over a year's worth of work that doesn't correlate.
I like to think of 'the studio' as a laboratory where I can go in, learn tricks, apply, revise, and release. I'd figure I had about the same emotional attachment to my craft as a guy over at NASA does over... NASA stuff.
EDM is, like... Event-Driven Marketing, I think, is the acronym there. It reminds me a lot of disco. That had some hang-time, like, 10, 15, 17 years tops... Not too many people are forward-thinking about electronic music. They're just kinda like, 'Now, now, now - do it, do it.'
I don't think anyone's career is so big that they can't know where their major synchs are or where their publishing is going.
I'd like to think I wouldn't get booed off stage if I chose not to wear the head - I did gigs prior to having the head made and never had any problems. I'm aware though that, as a gimmick, it can create its own little monster as a brand.
I think NXT has opened up the doors for a lot of guys to come in and create different opportunities.
Hollywood's a very weird place. I think there's less of everything except for attitude.
Any sort of bullying is a terrible thing, but I think online bullying is so much worse because it's psychological bullying.
My mom is an OK cook. She'll skewer me for saying that openly, because she claims to be a very good cook. She can make about, I don't know, 10 dishes, I think, which is four dishes more than I can make.
I think if we did 'Stargate' right, the fans would like it, and we could do something really good. But if we screw it up, they'll reject it. As they should.
I always wish I had another shot at it. But, listen, 'Godzilla' is something that I grew up loving. We worked hard to go make one. We kind of blew it. I think everyone gets one.
I think there's a lot of factors that go into the whole awards thing. I've never been that big a fan of it.
We're often accused of trying to manipulate opinion or that we're trying to elevate society. I think that the greatest thing we can do is to give you a vacation.
I think we have a culture that creates heroes and then needs to knock them down, and then you have to see what the third act brings.
I think my time on 'Australian Idol' really helped train my voice for a lot of genres.
I grew up in the middle of dairy country in Wisconsin, about as far from any major metropolitan area as you can get. I always assumed I was going to be an actor. I don't know why. I didn't have any reason to think that. In fact, when I finally did try it, when I was in college, I was really bad at it and didn't enjoy it.
I love 'The Stand;' I read it when I was a kid - it was one of my favorite books when I was growing up. I love Stephen King; I think he's a remarkable writer.
Chevy Chase and Bill Murray - we thought those guys were funny. We love Bill Murray, but we didn't think they were right for Airplane! because it would step on the joke if there was a known comedian.
I don't take reviews very seriously, but in their totality I think they are representative of how the audience feels, and of what their reaction is. There's always one guy who doesn't get it.
I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.
I think once we started directing separately - we each have different kinds of interests now, and the kinds of movies we want to do. I wouldn't hold your breath for that one.
I think that came out of watching all those serious movies for all that time. If you watch a movie like Zero Hour, Sterling Hayden is pretty funny, and so are the guys in the cockpit.
I think up until the point when we started in the business, which was in the early '70s, most of the humor was political. The smart humor was political satire.
I think we grew up thinking that the funniest things on TV were the old, serious movies. I always liked the Marx Brothers, but the thing that always made us laugh were movies like Zero Hour. That's what inspired us.
Oh yeah, I believe in God. I think there's much more evidence that there is a God than that there isn't. I don't believe that Mother Theresa and Hitler go to the same place.
Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.
Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.
Woody Allen has done some excellent serious movies, too, like Crimes And Misdemeanors. Very overlooked movie, I think, and really his best. And currently I like Big Fish!
I have no problem with people having plastic surgery. But I do find it bizarre we think it's OK for women to have a foreign body put into them just for the sake of looking like Pamela Anderson.
For the information of young hunters, I will just say, in this place, that whenever a fellow gets bad lost, the way home is just the way he don't think it is. This rule will hit nine times out of ten.
America changed my life, but I still think of home and working in Scotland was an important part of that.
Make yourself an example, achieve it, but don't hurt anyone on the way up. I don't think I did that.
I think, my entire life, I was a bit different. And I didn't think I was different; I just kinda always stuck out.
I just want to be a storyteller, and I think the way to do that is by your lyrics, by your visuals, by your choreography, by your dance. It's imperative as an artist.
'Goldenheart' is like a modern-day Joan of Arc. Think of it like medieval times-cum-2045 or Lancelot and Guinevere in 3025. It's a new version of these battles - age-old stories for the now.
I had no idea that what I thought was my low wasn't really my low. That's what a lot of people think - then life reminds them, 'No, there's lower.'
There's definitely that tribal Africana thing going on in my sound. It's that marching band, second-line music, that Creole-influence in the kick, and the snare that drives everything for me. I think it's really what's separated my sound from a lot of the R&B and pop music out there.
I come from an era where lyrics were full of imagery and metaphor, and that's all I know. I think people miss that.
There's a fine line between artist and product. I don't think the industry purposely does it, but I think that's just the way they maneuver. You have to be careful that doesn't become your story, where you become a product, and your art is tarnished because you're just seen as a tool to make money.
I think anything which promotes heterogeneity on the Internet promotes stability. Diversity in services, service providers, and separating the layers of the networking stack are all important.
Before you decide to have an argument, think about what you really want to accomplish. Do you just want to let your feelings out, or is there a point you are trying to make? What is it?
I know somebody from university who's called Phil Collins, and I think there's something terribly unfortunate about sharing a name with somebody who either is famous or becomes famous.
People think writing a children's book is something you could do in an afternoon but it's actually really hard.
I have a pathological fear of being on my own. When I'm with my own thoughts, I start to unravel myself, and I start to think really dark thoughts, self-destructive thoughts.
I don't think comedy is necessarily an attack. It's finding humour in life. I don't think if you're making a joke about something you're automatically demeaning it.
I have straight married friends that other friends think are gay, and I have gay friends who don't throw that vibe at all. I know there's a full range out there, but I feel that gay men who aren't flamboyant are underrepresented on-screen.
I think a lot of guys you see - there seems to be this thing where you can have all the fun in the world, but in the end of the day, there's no one to share it with.
I'm trying to think how I impressed my wife. We had an on-stage kiss, and I really went for it. Because I liked her. Usually you can get away with it being just technical, but it was a problem when I ended up kissing my wife on the set. I'd say I stopped acting and kissed her on set.
I think what's most fun is playing someone who's sort of selfish and in a lot of ways unlikeable, but there's this really big heart underneath it that you get little glimpses of.
Americans who have travelled and who have English friends know we are not necessarily all baddies, but I think that seeing us being so incessantly nasty on screen has a drip, drip, drip effect on the rest of them.
I'm not even close to those guys, but I don't think anyone loves the game more than me.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
It might be liberating to think of human life as informed by losses and disappearances as much as by gifted appearances, allowing a more present participation and witness to the difficulty of living.
There are the people who read my horror novels - the first two of them - and they found them scary or whatever, and then there are some people who are maybe not entirely stable who think that they're real, who think that they're being stalked by the same demons or ghosts that are mentioned in the books.
I actually don't hope for a legacy. I think that it impedes your ability to make the hard decisions if you sit around saying, 'How will this affect my legacy?'
I think anyone who doesn't say that they'd like people to think that they're doing the right thing is wrong. I mean, I'd like it to be that way, but I've never allowed it to influence my actions.
I think it's... I don't want to become a social crusader on this issue, but I think sports, male sports, has traditionally not been an inviting environment for gay men to identify themselves. But eventually... we will get to a place where it is not an issue in sports.
I would say the referees have the toughest game to call. I would say that there's a lot of officiating done by announcers, local announcers. Sometimes you should listen to a game from both feeds, and you'd think you were listening to completely different games.
When you're creating a character out of nothing, you have to make all the guesses as to how they walk, how they talk, how they think. It was all there on the table for us to pick and choose for Murrow.
I'd love to be remembered as a character actor who brought illumination to roles in wonderful plays and who delivered performances that made people think and rethink those roles.
I'm three-quarters Russian, so I've always felt an outsider. But I don't think you can be in a play with John Of Gaunt's 'This sceptred isle' speech and not feel proud to be British.
Acting-wise, I haven't done a lot of comedy, so I would love to work with Jane Lynch. I think she's hilarious.
Think about a seed. Once it lands, it's stuck. It can't move to find better soil, moisture or sunlight. It's able to create every part of itself to grow and reproduce with the help of air, water and sun.
I think nowadays it doesn't really matter where we are physically located. We create our own culture around us to a large extent, whether it's what we're listening to, what we're watching, what we're reading - it can have very little to do with one's immediate cultural environment. We are in a global culture in that respect.
I think that the most important thing we look for in partners is that they can help build companies and, you know, we have the - we have the opportunity to do that at different stages.
I think that it will be the mobile technologies, both from the enterprise and the consumer side, where super unicorns will come from. I still believe that social networking in combination with mobile will create opportunities for super unicorns.
I think there are a lot of companies that are staying private longer. Much more of their growth is happening while they are on the private side. So their valuations are hitting $1 billion while they are still private more often.
I think there is a difference between Slate and Salon. I think we both serve important functions on the Internet. As more and more Websites disappear, I'm thankful Slate is still around because it makes things less lonely.
I don't think Fox News or Rush Limbaugh need Clinton it turns out. I think there's a hunger out there for - whether it's on the left or right - a more lively and provocative type of political journalism. I think Salon and Fox on the other side have both benefited from that.
I think we're really getting it right the last few months and hopefully we'll get better and better at it.
I think we've broken story after story that the rest of the media refused to break even when they had the story because they were scared of the story, or they just didn't think it was appropriate.
I know that doesn't sound very radical and webby of me to say that but I think the New York Times is important. I also think there's an occasional piece that will pop out.
I've always wanted to go to Timbuktu. First of all I think it has the best name of anywhere in the world.
It's going to be impossible in the 21st century for anyone to think about anything without a Chinese aspect.
Drama school is a pretty intense experience, and I think it changes who you are.
I think when it comes to decisions, I try not to be emotional. To drown out the noise and look at the important facts.
I don't think Alfonso was a big expert on Potter either. He was feeling his way through it more than I was.
Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance.
Yeah, well that's the best thing about it, I think, is knowing kids and kids getting mental when they know you're in it. Any kid you meet and anyone I know tells the kid you're in it and they get short of breath.
I usually do watch what I've done because I think it's important. I think you can learn from it and see what you thought you were doing and what ends up on the screen.
What we do is ridiculous! I think that even when what I'm doing is serious, even when I'm not turning into a werewolf. It's a silly thing to do, isn't it? It's what you do in the playground when you're kids - but actors just never stop doing it.
I like tourists. I think it's nice to live in a town that people come from all over to visit.
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