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I used to do a lot of comedy. I don't know what happened. I think it's my face.
I'm used to being in front of camera and knowing what to think. But if you're asking me to be me, I get very self-conscious. My job isn't to be me. Being an actor, people think you can do a eulogy at a funeral, a speech at a wedding. I find all that very nerve-racking.
When I think of character actors, I think of Spencer Tracy; I think of Gene Hackman, Robert Duvall. When I was a young lad watching films, my eyes were on them - watching 'On the Waterfront,' my eyes are on Rod Steiger and Karl Malden, not on Brando.
I always think of Gilbert Norrell as being Salieri to Jonathan Strange being Mozart.
I don't think more concentration is required for Robert De Niro to do what he does as for Jim Carrey to do what he does.
In the original script, my character was a basketball player rather than a boxer. I didn't think I could pull that off. I'm a little short to be a basketball player!
In a movie like this, the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job.
I'm a comedian who got into movies, so I don't really think of myself as an actor.
I think I have enough of a sense to know what works for me and what doesn't, without going into some big thing and analyzing what I do. I'm in a position that allows me to do what I want to do, and I do it.
And like I said, I appreciate my older brothers because they would not allow me to win. They made me learn to play with them, which I think is the most important thing that I learned.
If you haven't understood the world you're living in, it's impossible to think that the solution you're coming up with fits.
Making a film or doing a play are completely different experiences and entirely fulfilling, but completely unique. I also think one complements the other. People often say that theater is about flexing your muscles, and is actually real acting, whereas I sort of disagree.
A lot of people think theatre must be much harder work than film, but anything histrionic or superfluous gets seen on camera so you have to work to distil it into a complete sense of what's true.
Filming is about continuing to be alert and to think, and I find it quite exhausting.
There's been a huge history of cisgender success on the back of trans stories, which is something I'm deeply aware of. My take on it, I suppose, was that I do think actors should be able to play anything.
I can give you a six-word formula for success: Think things through - then follow through.
I would never think of asking a girl out on the High Street or the disco or at school. But on the ski slope, I would chat to all the girls.
Some people thought I was bringing the sport down. I don't think so. I was the best and only jumper my country had.
A lot of people think I'm really outgoing and confident, but I'm not. I'd much rather sit in a corner and read my book and my paper. I'm quite happy with my own company.
I don't regard myself as an entertainer. I don't think that's where my talents lie. It always feels a bit uncomfortable.
It's hard when you win the title to not think, 'I'm here. Now what do I do?'
We have to think about the future and what it is we want to accomplish from this party.
I think anybody that is going to stand with Nick Diaz and try to throw down, that is a big mistake.
I think we can all learn things if we really want to. It's fascinating how that can get expedited when you have a support system around you.
It's not the last one. Five's out, six is coming out in November, that's a single chapter, and then seven is the big horrifying one. And I think a couple after that to wrap the thing up.
I think in the corridors of power these dangerous kinds of orders are issued in a much more vague way, passed down two or three levels of command before they're given to the assassin.
I came in on the decline. Phil Elliot was in first, he got his book out, he sold thirteen thousand, I think he got two issues out before I got mine in, this was March '87. He was out in December '86.
I think there are some people who are just kind of born to create drama and then capitalise on it.
History is full of examples of regimes that were oppressing at home and aggressive abroad, and I can't think of too many liberal democracies engaging in counterfeiting, drug running, missile proliferation, and just about any other illegal activity you can think of as North Korea does.
I do think that every super power on the globe has a very poor record on human rights.
If you're going to have an exchange of ideas, the only thing you can do is to meet people face-to-face in front of a crowd who may think differently than you do. I mean, that's what democracy is about, isn't it?
I think that you have to get out there and get with the folks and push the flesh and be connected to viewers and listeners.
I feel very comfortable about being fair to Trump. I think I've been very fair to him.
I think you can be in disagreement with a president you support without being disrespectful or nasty or snide.
I think, in any workplace environment, the atmosphere trickles down from the top.
I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
I think it's really important whilst you're a young actor to try as many new things as possible... to try and do something you haven't necessarily been seen doing before.
I'm a big fan of British cinema; I think we make some unbelievably brilliant films, but they can quite often have a dark feel.
When anybody goes to L.A. from London, there's always this slight sense of, 'What are you doing? Who do you think you are? It's never gonna happen.' It's the classic, good-natured British cynicism.
I think the accent is what a lot of people find attractive. If you take the accent away, I'm a very troll-like individual.
I don't get involved in recruitment like people think I do. There's a myth that I look at YouTube and choose players. I don't. Having an eye for players is an art. I have no interest in doing that.
If you don't ponder the end of the world on a regular basis, I don't think you're really human.
If I started worrying about how my constituents are going to react to every move I make, I wouldn't be able to do my job here. I'll do what I think is right and explain it later.
I love this country very much, and I'm proud to live here, but I think our current administration is extreme. These are not merely conservative people, these are extreme right-wing people.
I think most people that are looked upon as doing something daring don't necessarily think of it that way-they do what they have to do.
I think most families have a few secrets or some strange aspect to their history. We're all fascinated by family dynamics, but I'd much rather sit in an audience and watch someone else's problems!
If I've been an architect of my own career in any fashion, one thing that I've attempted to do is not get typecast, in order to be able to play all different kind of characters. I think I've done a pretty good job of that over the years.
I happen to think singing is hilarious, especially when it pops out at the wrong time.
When you're in New York City or Los Angeles, even if you're not dealing with show business, there's still this sense that it's the center of the universe. And I think that's a really dangerous, limiting mindset.
I am an Alanis Morissette fan. I think that she has a fantastic voice, and I would love to sing with her someday.
If I were to sit around and think about all the things that were said about Live, I'd never get anything done.
I think the message of the Live/Counting Crows tour is that, aside from what's going on trendwise, if you dig a little, you can always find something to inspire you.
What I think shines through for us is that we have a real respect for the music and a real reverence.
I think that every band, whether they admit it or not, is going out there to succeed. I've always worn that on my sleeve.
Those first big concerts we played as 'Throwing Copper' started to really reach people worldwide - I think we played our first big arena show at the George Estate basketball arena down in Atlanta. I remember showing up and standing on stage and just being like, 'I can't believe this is going to be full of people. This is huge.'
I've never allowed my specific personal practice or belief to be overtly integrated to the music. Because that's crossing the line into, 'We want you to think this.' And that's not what we're about.
You're living in a fantasy to think that music can actually change something.
At the end of the day, tech workers are not robots: they feel, they think, they have values.
I think sports is good for goal setting, and I think it teaches you some important values.
Yeah, I don't think I'm taking my shirt off to play flag football in the park with the kids.
Look, there is a sort of old view about class which is a very simplistic view that we have got the working class, the middle class and the upper class, I think it is more complicated than that.
Think of how we challenged the impression that we taxed for its own sake and that we were hostile to business. We were right to change.
And think of how we challenged the idea of a male dominated Parliament with All-Women shortlists and made the cause of gender equality central to our government. We were right to do so.
I think the Labour government did good and important things, and it's really important not to undervalue them. I see in my constituency how it helped with education and all those things.
There just isn't a version of 'socialism in one country' around in the 21st century. I think it's really important that we don't fall for this nirvana of 'Let's just get out, and we can create a socialist Britain.'
No one is going to persuade me that eight people arriving in South Shields is going to overwhelm the local system. I think that 25,000 refugees would be more in line with the U.N. That would be a substantive contribution.
I think a moratorium probably is legal, and we should probably for a short period of time impose a moratorium so that we don't permit any additional landfill permits for the time being, so we don't exacerbate the problem.
I think to a certain extent, Clinton may have expected as the senior president that Obama would've reached out to him and asked for his council; he's done that very little. So, I think the relationship has not been good over the years.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
If there is a good musical reason, I think it might draw more attention and sell, though it is not guaranteed. To make a record without a musical reason, you have to either be a pop star who sells automatically or just be lucky.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
I think the PC will continue to be around for a long, long time to come. We see a new range of products evolving around the PC, but it's not going away.
Many people identify their sense of self with the problems they have, or think they have.
If small things have the power to disturb you, then who you think you are is exactly that: small.
Jesus said, 'The Kingdom of Heaven is within you.' I think if he lived nowadays, instead of 'kingdom,' he would have said, 'dimension.' And 'heaven' refers to a sense of vastness or spaciousness.
They're sheep. They like Bush enough to credit him with saving the nation after 9/11. Three thousand people get killed, and everybody thinks they're next on the list. The president comes along, and he's got his six-guns strapped on, and people think he's going to save them.
You could get a cheer by saying: 'Let's withdraw from Afghanistan', but I don't think that's where the public's at. It wouldn't be responsible.
I think three or four years ago, people would have said my biggest weakness was that sometimes I was awkward on television, with my stammer, but I think they'd say that much less now.
One minute you're a slug and the next minute you're a hero, so you don't know what to think.
I don't know where I got the idea for 'The Great Thumbprint Drawing Book'; I just told my brain to think of a book, and it did.
So I think that our foreign policy, the president's strong and principled leadership when it comes to the war against terror and foreign policy is going to be an asset.
I think one of the problems the Democrats have today is that they are an elitist party.
But I think there was a sense amongst the House Republicans especially that we didn't just want to be opposed to Bill Clinton; that we wanted to tell the country what we were for and to brand ourselves in a more positive manner.
I think Karl Rove saw that in George W. Bush early on and understood the impact that he could have on Texas politics and probably on national politics.
If you are a good writer - and I think I am - you are able to handle any kind of group and imagine their lives.
I don't think I think when I play. I have a photographic memory for chords, and when I'm playing, the right chords appear in my mind like photographs long before I get to them.
I think that any time you're able to get a guy like Carmelo Anthony to be on your team, you're going to be a step up.
My friends have to remind me that it's OK to own the fact that you're good at something. I think it'll just come with getting older.
It just happens to be that people like to associate poetry and rap music. I think that idea is kind of corny.
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