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I'd like to think that my films are personal enough to exist without hearkening back to their respective novels.
I think it's important that you know every detail when you open a store, that you pay attention to everything.
I think less is more when it comes to make-up; this really helps achieve a lighter complexion. Heavy make-up creates a canvas and can dull the skin.
I really think that if I had met Picasso during peacetime, nothing would have happened.
To change your mind about something is always difficult. I think that people who are big enough to admit they were wrong can be counted on your fingers.
I think the next best thing to solving a problem is finding some humor in it.
Many folks think they aren't good at earning money, when what they don't know is how to use it.
If I decide to leave Bayern Munich, it will be for a Spanish club. I have to think about what my family wants as well and my wife would be delighted to move to Spain. She doesn't like all the rain and snow and is reluctant to go to England.
I didn't act professionally before going to drama school. I don't know if I had the confidence. I didn't think I'd get in when I first auditioned for drama school, and then I did.
I think there comes a point in probably most father-son relationships where the son kind of starts becoming the parent.
Today, the Pope is only a religious figure. At the time of 'The Borgias,' he was also a political leader, a financial leader, and the head of an army. I think popes are much less relevant today than they were then.
As an actor, as much as I'm interested in how you make movies and TV shows, even as a kid, I've always hated making of featurettes and special features on DVDs. I think it breaks the spell.
The curiosity of the human mind is essential if you want citizens who think rather than accept the first nonsense they come to.
I think that France has not made it clear enough recently to our German friends how important it is to introduce euro bonds as a tool against speculation. And how the necessary budget discipline needs to be accompanied by growth.
In Cameroon, kids have many problems. They think everything is lost before they are born. It seems like they are not allowed to dream. They are not allowed to be ambitious. They just accept being the victim of their life.
If you based your knowledge of the human species exclusively on adverts, you'd think that the normal condition of humanity was to be a good-looking single person between 20 and 35, with excellent muscle-definition and/or an excellent figure, and a large disposable income.
I have never liked the memoir form because I tend to think that memory fictionalizes anyway. Once you claim that you are writing a narrative purely from memory, you are already in the realm of fiction.
I believe that the process could be fun, I just think that making movies is really tough. And it's stressful as it is, and I think that most of us got in this business because it's fun to make movies.
I think that the thing that is really strong with 'The Hunger Games' is just that it comes from a very strong idea.
One of the big themes - if not the big theme - of 'Mockingjay - Part 1' is the battle of the airwaves. I don't think teenagers really understand the role propaganda has in our lives in terms of politics, advertising, and the general manipulation of imagery.
I remember 'Battlestar Galactica' shot at the college that my dad taught at. I remember trying on a Cylon helmet. I think I was 6 or 7 years old.
'Last Man on Earth'... Vincent Price is one of my favorite actors; I think he was miscast.
If we do what we think is right, not try to point-score, people will begin to trust us.
They don't think we're in touch with modern Britain, or understand modern Britain or like modern Britain.
It is simply the view, and a view I think shared by most members of the party, that it is very difficult to have a leader that does not command the support of the parliamentary party.
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
I'm basically an optimist because I do think there's this historical modernisation process, and by and large it's been very beneficial to people. But there are blips. History doesn't proceed in a linear way.
I think poets are much more dramatic, more theatrical than fiction writers.
I think of myself as someone with a kind of Tourette's. I cannot help saying the thing you're not supposed to say.
They are ill discoverers that think there is no land, when they can see nothing but sea.
People usually think according to their inclinations, speak according to their learning and ingrained opinions, but generally act according to custom.
I could fill my whole time doing interviews, speaking to crowds, and there's this natural human tendency because of our culture to think that the more people I talk to, the bigger the impact I'll have, and yet Jesus didn't spend His time just speaking to the masses. He spent the bulk of his time with a small group of people.
I actually do not believe that there are any collisions between what I believe as a Christian, and what I know and have learned about as a scientist. I think there's a broad perception that that's the case, and that's what scares many scientists away from a serious consideration of faith.
As a Christian, but also as a scientist responsible for overseeing the Human Genome Project, one of my concerns has been the limits on applications of our understanding of the genome. Should there be limits? I think there should. I think the public has expressed their concern about ways this information might be misused.
I think there are people who's lives have been saved because of the study of the genome.
For simplicity one can think of the + class as having one extra base at some point or other in the genetic message and the - class as having one too few.
I think about all the kids that look up to me now... Things are possible if you go get it.
I think winning at Wimbledon's huge. This is the biggest tournament in tennis for so many different reasons. You can see the history around the grounds. The Village around you, everyone lives for it.
I think my serve and trying to come forward a little more are what I need to work on.
You start to take those opportunities when you do get a wildcard, but also you're allowed to say no - just because you get a wildcard doesn't mean you have to say yes. Some weeks I think its OK to take a wildcard, some weeks its not.
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
I do think it's important to live in the present because in that way you won't be living in a state of regret.
I think people have surgery for psychological reasons more than because of their looks.
I like working in theatre now and I think that once you've done a certain amount of films most actors love working in the theatre because of the camaraderie.
I don't think the media circus has ever been a shock to my life seeing as I was with Richard Burton and Elizabeth Taylor when I was 17.
I was seen dancing at school by a director, who asked me to be in a TV play. And it had a huge impact. So I think that's what really started me off.
I think people should do whatever they want to do. That's the point. Why should you care what other people think or say? You're not living in their pocket.
I think what's been really awesome about the Internet is the ability to reach people from so many different walks of life and stages in their life.
My mum is still present in my life. Every goal I score, I dedicate to her. When I am not doing well, I also think about her.
We're trying to win a World Cup for our country, and I think everyone who supports football can get behind that.
I don't model unless I think the project is cool, and I don't put my name behind something that I don't genuinely believe in.
I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.
I don't think of myself as a movie star and I can pretty easily convince other people that I'm not a movie star.
When I began we did not really have a lot of First Amendment law. It is really surprising to think of it this way, but a lot of the law - most of the law that relates to the First Amendment freedom of the press in America - is really within living memory.
It has something to do with the facts and the law and who the judges are. So I think lawyers sometimes exaggerate their role in winning and losing. Lawyers do have a role, and a major role, but they're not the only players in this game.
I think that it is important for people to understand that whether a good-guy or a bad-guy wins a case is less important than what the law is that the case results in.
No other country in the world gives protection like that, but it is not absolute protection. People sometimes meet that high burden and win libel suits, and in those cases I think they ought to win.
I think that the very fact that CBS fought and fought and fought in Texas, in New York.
If the word gets out, if the perception exists that by speaking to a CBS journalist you are, therefore, inevitably, immediately speaking to the police, I don't think there's any doubt but that people won't talk. And, therefore, the public won't learn.
Were this not Texas, were there not a state where there were no protections at all and where the law was clear on that, I think CBS and Mary Mapes and Dan Rather and all of us had a very good chance of winning. So this is an ongoing battle about an issue of principle.
I think my grandmother saw my potential first. When I was young, I told her, 'I think I should get a job.' She said, 'No, just keep boxing.'
I think I already proved that I wasn't just fighting for the money, because I fought as an amateur. I fought 90 fights for free.
I think one of the primary themes in my work is the paradox of memory, at once fundamental to our sense of who we are and yet elusive, ever-changing, fragmentary. One way to look at this is to say that, therefore, we ourselves are elusive, ever-changing and fragmentary to ourselves.
I think at first the Flume project really started out as an online thing. I used Facebook and SoundCloud, and I think we got lucky because it felt like a bit of a golden age of those social media platforms. So I managed to create quite a solid fan base online.
I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.
There's a lot of creativity in the industry, but I don't necessarily think that the most creative DJs or producers are always the biggest ones.
With Spotify, I think people are discovering a lot of artists they might not discover otherwise.
Every kid has a laptop; everyone can make music, so in order to stand out, I think it's important to find that sonic identity, I think my sonic identity - and mine is finding these weird sounds that may not necessarily sound that musical, and make them sound musical.
It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
I think I put a lot of special attention towards creating interesting textures and unique sounds. Music essentially boils down to two main elements: rhythm and melody. I feel tones and textures often get overlooked, so I like to take my time finding the right sounds.
I think, in the early years, my biggest influences would have been... Daft Punk was a huge one for me, I bought their main record when I was nine; at a young age, I was into music. The Prodigy, Gorillaz were big ones.
I'm not the kind of person who's always out at the club if I don't have to be. I like chilling. I think that comes across in my music.
I do think your environment really plays into how you create. I lived in San Francisco for a bit, and I felt like I lived in the Matrix - so my music had that paranoid-of-the-outside sound to it.
When it comes to art in general now, we've become so aware of our influence. We know when people are listening, when people are watching. It's not healthy. We start creating with that in the background of our mind. I think it's ruined my mind.
I like Philip Glass. I think he's made some really great contributions to his field. I love his style of playing - it's very loop-style.
Truth be told, I think jazz is a mind-set. It's not necessarily, like, this guy picked up a horn and did this or whatever.
I never went to a university, and I am proud to say so because I don't think I have done too badly.
I think I didn't know whether I wanted to keep acting deep into my career. I kept trying to see if I would be able to do it well enough to make that part of my destiny or part of what I was supposed to do.
I think I've made some choices that maybe I wasn't so sure about for some reason or another. But I'm one of the lucky ones. Even when I was young, I played Bird, and that's a role people wait for their whole lifetime.
I'm from a small town in North Carolina and went to a small college and didn't think that someone like me could make a living in L.A. doing comedy. I worked hard, especially in college, but at that age, you don't know what's next.
I think of all the guys that strap a gun on their backs and head to Afghanistan and Iraq to keep us free and safe and maintain what America has stood for.
I think culture precedes politics, and I think the attempts to try and legislate people's behavior... isn't going to be productive until the culture decides what they want to achieve.
President Obama's over in Indonesia when guys like me were at a paper route. President Obama, I don't know what experience he had at that same age when he was in Indonesia. So I think it's hard for him to grasp that America entrepreneurial spirit.
Whether it is a super PAC or not, I have been blessed with wealth, and I think I have responsibility to use it properly.
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