Francois Nars Quotes

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A woman who hides behind a mask of makeup is still going to have to take it off at some point... and deal with reality.

Wearing colourful eyeliner in a graphic shape is the epitome of make-up as an accessory.

I'm very nostalgic - and I don't care.

I love the architecture magazines and all of the French magazines for decoration or whatever. I end up enjoying them more sometimes than the fashion magazines.

I loved working with Avedon.

I like shocking, but I don't like to shock as an automatic process. Sometimes it happens, but it's not my main drive.

Sometimes people are very not sure of themselves, so you really have to give them that confidence. Even models - they need to warm up sometimes on photo shoots.

I think everyone deserves to look better and to look good.

My interpretation of the word 'ugly'... I like ugly beauty. That can happen. In France, we have phrase 'jolie laide.' We like certain women who are not pretty or cute - it's the opposite in France of pretty. It's more strange and interesting.

My mother and my two grandmothers, I was lucky to have three women around me growing up that were very special, very elegant women, very beautiful women. They were my first step into the beauty world, let's say, and then the fashion world, of course.

I was a very lucky child because at the age of 16, 17 years old, my parents would buy me clothes from Yves Saint Laurent, which was an incredible luxury at the time, but I was attracted to that whole world. I had a pretty nice little wardrobe by the age of 17.

I really wanted to have a different approach of beauty because when I came to America, they were still heavily, heavily plastic. The ads were so heavily retouched.

My goal was always to make the girl look real and look beautiful. It didn't matter how much makeup. Sometimes it was none at all.

I think it's important that you know every detail when you open a store, that you pay attention to everything.

I always had a vision about beauty in general, so probably that's what really drove me into that direction of creating a makeup brand.

Was I a businessman to start with? I'm not sure. I mean, that comes slowly, when you start having the products out. But at the same time, I was very determined. I knew that I had to make it work. I had no choice.

I'm always scared of trends. The runways are always so trend-oriented, but I always feel for the women. The real women that buy cosmetics want to see the trends, but they don't necessarily go for them. And I always encourage women to find what looks best on them.

Women have to find their own personality, their own style, and what suits them the best.

I think if you take good care of your skin, you can achieve better make-up.

Even with - the best make-up in the world won't look good if you don't cleanse and exfoliate and have a good basic regime. This is why one of my goals has always been to create a skincare line.

As a make-up artist, you always want to be in a good light, whether you're walking down the street or in a restaurant. It is a very key element to me; you can't apply good make-up in a bad light.

I think less is more when it comes to make-up; this really helps achieve a lighter complexion. Heavy make-up creates a canvas and can dull the skin.

I fell in love with New York. I moved here 25 years ago in 1984 after I lived in Paris for six years. In the 1980s, it was the place to be. Here I was able to create NARS, which I would not have been able to create if I stayed in France.

You are born with this love; fashion and beauty are a part of who I am.

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