Think Quotes
Most Famous Think Quotes of All Time!
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People don't understand fighting. They think you just go there and stand in the middle and swing for the fence. People who fight like this are idiots.
I think myself I ought to be shot for writing such nonsense... But it's unquestionably good escapist literature, and I think I should rather like it if I were sitting in an air-raid shelter or recovering from flu.
I think all of you know there is no adequate defense against massive nuclear attack.
I love to think of nature as an unlimited broadcasting station, through which God speaks to us every hour, if we will only tune in.
I don't want my title to define my character. I don't think, as a president, I will change.
Many people secretly think that gays are a lot happier than they are, and want to punish them.
I dream about 'Cheers.' Like when you go on a diet and you dream of pizza. I always think of those wonderful years. I loved working on it.
I sometimes think that when he was at Harvard Law School, Mr. Obama cut class the day they got to the separation of powers, 'cause he seems to consider it not just an inconvenience but an indignity that, although he got 270 electoral votes and therefore gets to be president, he didn't get everything.
I think we ought to take the world as it is and not as we would like to have it.
Ah, to think how thin the veil that lies Between the pain of hell and Paradise.
I lay this down as a fundamental proposition, which I do not think will be denied, that whoever controls the taxation and trade policy of a country controls its destiny and the entire character of its civilization.
I really think a good host is just a connector. I'm more traffic cop than star. My job is to get people on and off the program, and hopefully keep the audience entertained.
If an interview just serves the idea of celebrity, then I think that sucks. I don't want to do that.
I don't do gossipy interviews because I don't think that helps; I think that's a distraction.
Did I think it would last 30 years? No, I didn't think it would have those kind of legs.
When people come to the show they think we are a legendary band because they hear us on Classic Rock radio all the time. It is psychological. That's okay - I'm down with that.
I think it's important that a director be able to know his characters inside and out.
Perfect retention. I don't think I could do that-I've never disciplined myself to do it. I suppose a lot of it is a question of discipline. Which improvisation is not.
I think it was Duke Ellington who once said that we're always most pleased with our current record. I mean, you have to assume that you learn from one, and you do something better next time.
I don't like freedom jazz - I think it's void of roots and void of foundation.
Teddy Wilson, I think, said a little while ago that it's much easier to come in and play whatever comes into your mind, without obeying any of the laws of bass line and harmony and so on.
I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to do.
I think we all want to know where we came from and how we fit into the world, but some of us need to know how it all works in great detail.
I always think of space-time as being the real substance of space, and the galaxies and the stars just like the foam on the ocean.
I think there's a lot of merit in an international economy and global markets, but they're not sufficient because markets don't look after social needs.
I put forward a pretty general theory that financial markets are intrinsically unstable. That we really have a false picture when we think about markets tending towards equilibrium.
Don't talk to me about aesthetics or tradition. Talk to me about what sells and what's good right now. And what the American people like is to think the underdog still has a chance.
I don't think that anybody should be suspended for life for anything, other than murder. How is it helping someone to say, 'You're done forever, your life's over'?
I was often misquoted. I was supportive of my managers, even though they all may not think so.
For me it's absolutely necessary to start from the very beginning. I can't think of coming and contributing something anywhere along the line other than the very start.
What people see the first family do has an effect. And from a slightly different aspect, I think that family living in the White House is going to have a profound effect on many Americans.
I support the death penalty. But I also think there has to be no margin for error.
I don't know that we do. I had thought ours worked well, but I had never examined it too closely. A lot of media people will be looking for a case that might make Texas Governor George Bush think twice about what he's doing.
It is a revenge the devil sometimes takes upon the virtuous, that he entraps them by the force of the very passion they have suppressed and think themselves superior to.
I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application.
I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that's my issue.
Sometimes I think fiction exists to model the way God might think of us, if God had the time and inclination to do so.
I'm always aware of writing around things I can't do, and I've come to think that that's actually what 'style' is - an avoidance of your deficiencies.
I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?
The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.
There is reason to think the most celebrated philosophers would have been bunglers at business; but the reason is because they despised it.
I sometimes think that the price of liberty is not so much eternal vigilance as eternal dirt.
War against a foreign country only happens when the moneyed classes think they are going to profit from it.
We need to think deeply about whether we can sustain banks that are not only too big to fail, but potentially too big to bail.
Sometimes political correctness runs amok in our public education system where we think that every kid can go to a four-year university.
I received endorsements from Tea Party to moderates alike. And I think that's unique, and that's something I'm proud of.
Americans in general, I think, don't understand the weight and gravity of foreign policy and how to engage the world at large.
I'm willing to stand behind this concept, that as conservatives, we can win the Hispanic vote without selling out the values. I don't think we need to compromise.
I actually think that self-interest is overrated as an all-purpose guide to political motive. It leaves out something at least as powerful and immovable - individual psychology.
I have my sympathies and also my critical views, and they aren't much of a secret, but my first job is to see and hear and think about what I've seen and heard.
I think the mix of narrative and analysis that the 'New Yorker' requires is a perfect expression of what my parents each gave me.
If giving money to a politician prejudiced my ability to think and write honestly, I wouldn't do it. Fortunately, it doesn't.
I don't think they need to be nice to reporters, but the White House seems to imagine that releasing information is like a tap that can be turned on and off at their whim.
I think there are steps that can be taken that haven't been required or energy to make that fight more secure and we are going to continue to push the federal government to do that.
Sometimes I think 'The Wire' said it all, and I might as well not write any more crime novels.
The cliche is that Washington is a transient town of people who blow in and out every four years with the new administrations. But the reality is that people have lived in Washington for generations, and their lives are worth examining, I think.
One of the big breakthroughs, I think for me, was reading Robert A. Heinlein's four rules of writing, one of which was, 'You must finish what you write.' I never had any problem with the first one, 'You must write' - I was writing since I was a kid. But I never finished what writing.
In my 10 years that I spent out in TV and film, I had my shares of frustrations and annoyances and disappointments, but also I think it was, in the long run, it was very good for me in a whole bunch of ways.
What you think means more than anything else in your life. More than what you earn, more than where you live, more than your social position, and more than what anyone else may think about you.
If I can just live further from the spotlight I think that'll be better for all really.
I don't really think that there is anyone in the modern pop business who I feel I want to spar with.
The '90s were a bit of a disaster for me in so many ways. On a personal level, I don't think I could have toured. Also, I had some physical problems with my back that are now sorted and I just wasn't in the right state of mind.
I really have no plans for any kind of career in TV or anything, but if I wanted to become good at it, I could. But I don't really think it's in the cards.
Humour is a fine line to walk in poetry, as in fiction. I just think it's harder to write. It's harder to keep the respect of the reader too.
I don't think there's anything wrong with someone having to read a poem twice. Or even a book.
I think the main influence has been living in New York City. Aside from all the crap around 9/11, I find it very demanding to think amid all the noise and visual pollution.
I think any politician, regardless of their religious conviction, has to be a megalomaniac - they have to be! Anyone who works in that kind of job has to be so full of himself to do that kind of thing.
I go to the Catholic Church. God is an important part of my life. If he was not, I don't think I could have survived.
If somebody says to you, 'MTV,' you think of Mick Jagger on a phone screaming at that phone: 'I want my MTV.' That, to me, was always the epitome of great advertising.
The secret is not to give up hope. It's very hard not to because if you're really doing something worthwhile I think you will be pushed to the brink of hopelessness before you come through the other side.
I'll drop something for a while, a year or maybe several years, and then pick it up again. I think that's the way successful innovators work. They keep juggling ideas, keeping them in the air, in the back of their mind, to inspire them or enable new recombinations.
I like to keep the median age in my lab low because they will indulge me in my dreams. They don't yet think things are impossible.
I think something very simple that everybody can do is they can participate in medical research as subjects. Personal genome project, for example, will take on as many subjects as we can find.
It sounds a little bit too arrogant, but I think I certainly have a working model for how I conduct my life, and it may or may not be a correct worldview.
If we can come up with a way of backing up my brain into another that I have in my back-pack, we'll do it. People talk themselves out of things very easily. Things that they think are a million years away, or never, are actually four years away.
One of the issues in electronics is that we work only in two scales - transistors and collections of transistors - and that's the device. But to take full advantage of nano, we're going to have to think about that full hierarchy of levels of structure.
When we are out of sympathy with the young, then I think our work in this world is over.
I think little of people who will deny their history because it doesn't present the picture they would like.
Tony Blair is not just the worst prime minister we've ever had, but by far the worst prime minister we've ever had. It makes my blood boil to think of the British soldiers who've died for that little liar.
You would not get out of bed in the morning if you were constantly worrying about the possibility of something happening to you on your way to work. But it is still something to pay attention to, I think.
Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.
I was very inspired by Les Blank's film 'Burden of Dreams.' I think what's unique about his film and the two I've made is that they're close examinations of filmmakers and how their own emotional experiences reflect in the material they're rendering, and vice versa - how that material sometimes colors their own lives.
There's been a vacuum with movies that people can relate to. There's been a paucity of dramas that people can relate to. I think audiences are clamoring to connect - particularly after 9/11 - with things that are genuine and real and I think documentaries are filling that need.
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
I have yet to find a man worth his salt in any direction who did not think of himself first and foremost.
In the NBA, you win, and you think you're going to win tomorrow. But as soon as you lose, you don't think you're ever going to win again.
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