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Victorian racehorse owners frequently named their horses after murderers. That was so astonishing. Can you imagine the equivalent today, with a horse named, say, Boston Strangler, running in the Kentucky Derby? This was a new discovery. The Victorians didn't think it was odd, so no one ever mentioned it particularly.
Sometimes you are being interviewed by someone and you think, if I knew this person they'd be my best friend. Other times you're being interviewed by a complete jerk.
I think commercials get a bad rap, that there's no creativity to them, but I haven't found that to be entirely true. The process of auditioning for them can be tedious, but actually doing them can be really fun.
Dancing is bigger than the physical body. Think bigger than that. When you extend your arm, it doesn't stop at the end of your fingers, because you're dancing bigger than that. You're dancing spirit.
I haven't had a family, but I don't think of that as a sacrifice: my dancers are my family.
I have a good sense of humor. I think everything we do should have whimsy in it.
The question now is does Obama have any hope of raising money? I don't think he'll raise it out of the New York people, I don't think he's going to raise it out the Hollywood people, so where's the money going to come from for Barack Obama?
When I get on a plane, I got to tell you, if I see people who are in Muslim garb and I think, you know, they are identifying themselves first and foremost as Muslims, I get worried. I get nervous.
I think you learn how to fall well when you're figure skating. Your reflexes are very acute.
I had not met Tina Fey before I auditioned for '30 Rock'. Some people think we're old friends from 'Second City' days. I had always been a fan of Tina's. But I actually never planned on being in a sitcom.
I think a lot of studios today are run by women, and we are entering a time when a lot of women have evolved in Second City and Upright Citizens Brigade and wanted to become writers and comedians.
I think a lot of Hollywood is in retreat right now trying to figure out how to make money and make the safest bets.
I think, like everybody else in New Hampshire, when I pull up to fill up my car and I pay $50, I get upset. And I'm wondering if these prices are legitimate.
Actually, I have been very supportive of a very robust stimulus package from day one. I think this economy has to have a major stimulus initiative because the only group with liquidity is the federal government.
I don't think the American people want unilateral government control over the entire health-care system.
I don't think anyone can really make up their mind and say, Now I'm going to be a director.
It is very important not to try too hard because in the past I think I have done that.
People see the way I play and the balls I pot and then sometimes think 'how does he miss?'
But I do believe this - I believe that fundamentally, society is headed in the right direction or wants to head in the right direction, and I think judges have an obligation to try to help it head there.
I think racial profiling is wrong. It cannot be defended. It's just flat wrong. And if a matter came before me, and it could be established that the arrest was made strictly on racial profiling, when I was on the bench, it would be gone.
Well, I think every now and again, some people deserve to get their butts chewed. Every now and again some people deserve a pat on the back. What I try and do is compliment folk who deserve a compliment, and chew folks out who deserve to be chewed out.
I think, unfortunately, some people are just bad, they're just born bad, and I don't know why.
Uribe and I have very good relations. I owe him loyalty, I admire him, he did great things for our country, and I think that because of what he did, I can now concentrate on different issues, different from what he concentrated on.
You had to pitch in and out. The zone didn't belong to the hitters; it belonged to the pitchers. Today, if you pitch too far inside, the umpire would stop you right there. I don't think it's fair.
I think every footballer, after 20 years playing football, the first thing that comes to your mind is to relax.
You know, I think in Europe NASCAR is not regarded as high as it should.
I think it's good for sports cars to be united, to be just one. I think it's good for the fans. When you have two different series, fans don't know which way to go, when you only have one I think it's good for the sport.
I think Lil Uzi is dope. Future is dope. I love Young Thug. I'm a huge Young Thug fan.
I don't think rappers have a responsibility, but for me, I gotta say something. I can't just look at injustice and keep quiet.
For me, the gallery legitimates the art production and helps build collections. I don't think an artist should do everything by himself forever. I did it for years and then slowly built my circle of trust.
As a director, you never think about how an audience would respond. You can think about that, but you will never change what you're going to do.
I think your behavior is different when you work on digital or film. It seems that... I feel most focused if I'm working on film.
You're watching the movie for the first time when you're working with the actors in front of the camera. You don't think about how the audience will react. You discover the film.
It's always good to have a limit because it forces you to think about all the ways to get what you want.
Filecoin is a decentralized storage market - think of it like Airbnb for cloud storage - where anybody with extra hard drive space can sell it on the network.
I think it's really unfortunate that academics have been sidelined in most important policy debates.
I think that there's been an unfortunate tendency for right wing think tanks to dominate these discussions. They often produce very shoddy studies and policy recommendations, which are nevertheless taken very seriously.
I don't like to fill up my schedule. It's easy to do, but then that year arrives, and you find that you have no time, so you are desperately trying to cancel something. I have to think of my family.
I don't think I am even the best I can be. I like to listen to other singers and learn from them, but I'm always working on myself, trying to improve, trying to be very tough with myself.
When I'm doing sports, I always think of how it's related to singing, and when I watch tennis, I learn a lot for my singing: how the players are focused, how they use their technique, and, in the case of Roger Federer, how effortless it is and how beautiful it is to watch - like bel canto, in a way. That's how singing should be.
I think we're going to move from a Homo sapiens into a Homo evolutis:... a hominid that takes direct and deliberate control over the evolution of his species, her species and other species.
I think I am an artist. I think I am Juan Gabriel, who has given so much with my songs.
I think, today, television is asking too many loaded questions, pushing further for ratings.
One is always enthralled, I think, when a young writer you're just beginning to read and comprehend dies.
A writer starts out, I think, wanting to be a transfiguring agent, and ends up usually just making contact, contact with other human beings. This, unsurprisingly, is not enough.
Accept that all of us can be hurt, that all of us can and surely will at times fail. Other vulnerabilities, like being embarrassed or risking love, can be terrifying, too. I think we should follow a simple rule: if we can take the worst, take the risk.
I think all art comes out of conflict. When I write I am always looking for the dramatic kernel of an event, the junctures of people's lives when they go in one direction, not another.
After my parents passed away - in 2000 and 2003 - I felt I could take the time to think about the past and imagine what it would have been like to be my grandmother.
I think yoga builds strength, flexibility, and calming of the mind - which is never a bad thing.
I think of myself as a realistic writer, not a creator of soap opera or melodrama.
If you want to have sustained joy, you have to not only make sure that you think right, but you also have to make decisions now that are going to guarantee some joy in the future.
I just really believe people have to get hungry. I think maybe what we need to do, instead of trying to stuff our beliefs down people's throats, is just pray for them to really be hungry and to see their neediness.
I think, almost, the film industry thinks that by making gay characters super masculine, it's an attempt at saying being gay is OK if you act like straight people. I don't think we should just have gay characters who are 100 percent femme, either. I just think it's about that mix and creating more diverse gay characters.
I think everyone who makes movies should be forced to do television. Because you have to finish. You have to get it done, and there are a lot of decisions made just for the sake of making decisions. You do something because it's efficient and because it gets the story told and it connects to the audience.
Everybody who labels themselves a 'nerd' isn't some giant person locked in a cubbyhole who's never seen the opposite sex. Especially with the way the Internet is now, I think that definition is getting a little more diffuse.
I had older brothers, and I don't think there's anything worse than an older brother. They pretty much told me the end of everything they got to see before I did.
We need narrative; it feeds us in a particular way, and deconstructing it completely before you've actually experienced it, I think it leaves us unfed.
My mom being raised in England, her father always wanted to pursue the arts and wanted to have a stage career in England. According to her, he never had the courage to actually pursue it full-time. I think that my grandfather's parents thought that it wasn't a formidable job to have.
I think, so often, people go quick to that nepotism: 'I should be OK; my cousin's a producer. I can get into the movie.' How about audition, earn the part, and feel confident in knowing that the director felt you were the right person for the job versus hiring you because you know somebody?
I'm Italian, but some people think I'm Jewish because I work the Yiddish. I also work the Italian, by the way.
I can't really speak to the other parts of the economy, but what I think is very true of the tech world is that it's easy for talented people - whatever their gender, age, or race - to rise up and succeed.
There aren't too many people out there who can start one of my books and not finish it. I don't think too many writers can say that.
Sometimes, I think, in order to get to something that we really want or we really love or something that needs to be realized, that we're tested.
When I wake up, I think, 'What can I do to help others?' I think we all owe the world something. That's the way I am when I'm designing a product.
There's a great energy and drive that takes precedence in a lot of rock and pop. It's about making a strong visceral connection. That's something that I think great classical music can have, too.
I don't think of it so much as the shows I did or the film sets. I mean, sometimes you'll get a nice location, but it's more, 'Who am I meeting on a day-to-day basis?' Often the rehearsals are a lot more fun than the show itself.
I love dancing; my kids love to dance. I think it's just another way for children to learn they can be themselves.
The anti-elitist values in America, I think, are very destructive to education.
Mike and Heather and I rapped once or twice in New York and then we all wound up on a train together on the way out to Maryland. I think it was about a month and a half from the time we got cast until the time we shot the thing.
I think as long as there are folks on the fringe who want to make movies, the indie scene will still be around. I do think it's getting harder to get them seen though.
I plan someday to do a one-man show based solely on the e-mails of Bellamy Young. And people will think I've written a brilliant comedy myself when, in fact, all the text will be directly from Bellamy.
I think it's a great pity in the Anglophone world that we conflate cinema verite and Direct Cinema; they're, in fact, ontological opposites. In Direct Cinema, we create a fictional reality with characters and pretend we're not that.
I don't think there's a morally perfect way to do anything in life, but I'm not a filmmaker who tries to hide my mess.
I still receive very regular death threats that make it impossible for me to return to Indonesia. I think I could get in, but I don't think I could get out again.
I think that our task as filmmakers is to create the most insightful reality given the most pressing questions.
I think 'Bittersweet' is one of the best songs ever written. The idea of it just really spoke to me.
I have songs that sound like this and songs that sound like that. I think it's just my vocal that keeps it all together.
You can't just keep telling a story the same way over and over again. And I think it only helps the world to be more honest with young kids, to show them the world that they go walk outside and see.
'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.
I remember those days right after I graduated from college. All I had to do was wake up in the morning and think about writing songs. It's not like that anymore, needless to say.
I think Judas was a very devout religious Jewish person. He realizes that Jews had been persecuted and enslaved for thousands of years, and he wants to keep his people from going through that anymore.
We have to go in places no body would ever think of going into were it not for the necessities of war.
I think if German literature could survive the '40s and Russian literature could survive Sovietism, American literature can survive Google.
I don't think any book of mine will ever come as close to pure fantasy as 'A Heaven of Others.' I'll never again set a book in a world or after-world in which it's impossible to buy a cup of coffee or take an undisturbed afternoon nap.
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