Sound Quotes
Most Famous Sound Quotes of All Time!
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It might sound odd, but I want to thank Michael Bay because he's been saying how important it is to show 3D with the right luminescence. And that's very important for this film, a lot of which was shot at night or with very low illumination.
If a policy is wrongheaded, feckless and corrupt, I take it personally and consider it a moral obligation to sound off and not shut up until it's fixed.
I just play intuitively and work the same way in the studio. I don't have any magical effects or anything that helps me to get my particular sound.
I absolutely think the Seattle grunge sound was instrumental to my music education.
There's many ways you communicate. With colour, texture, sound... Even words can communicate.
Not to sound too pathetic, but there have been long stretches where I haven't been able to get a job.
I really like the European carols, and I like that captivating sound that they have that isn't usually in Christmas songs.
We are a categorically obsessed culture, where we have to compartmentalize everything in reference to another thing, like, 'What does it sound like? Does it sound like this?'
The danger with running for president is sooner or later some sound bite is going hit.
I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound.
Intense study with Indian musicians such as Gaurav Majumdar and Zakir Hussain has inspired me to rethink my view of instrumental sound.
In the beginning, there was silence. And out of the silence came the sound. The sound is not here.
Most of the dramatism in Wagner comes from a very close link between the music and the language of the text. So much of the expressivity of Wagner's music dramas comes from the singers' capacity to play with the sound of the language. This kind of thing you can do very well in concert performance.
In order to lift a certain object from the ground, we have to use energy. But then to sustain it at that level, we have to keep on adding energy, or otherwise, the object falls to the ground. It's exactly the same thing with the sound.
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
I had different bands. I played with the Acoustic Warriors for the most part, without girl singers. It was the same kind of sound, acoustic guitar, bass, with violin and sometimes accordion, and the guys would sing, that kind of thing.
I did 'Christmas Carol' off and on through my teenage years, so I always had that dialect and that sound in my ear, which was so helpful. It became second nature.
We're approaching things quite differently this time, but it will still sound like Marilyn Manson.
I made that a point when I was creating my sound from the beginning, I didn't want to sound like anybody. Once I kind of found my own sound, I mastered it.
We took dancehall and hip-hop and mixed it in the middle. I knew we had something. I thought, 'This sound is Puerto Rican sound.'
I don't really follow genres. I have a bunch of really poppy tracks and then another super-low-fi, tape-recorded sound. It's actually really random.
I'm not a singer. I double-track my vocals. I'm just not secure in my voice. I can't do single-track - I sound weird.
I saw a band called The Electric Guitars, from Bristol. I described them to Roland, and he just started playing a riff on guitar and said, 'Do they sound like this?' And they did.
Carrie Underwood clearly drove 'The Sound of Music.' For 'Peter Pan,' we had terrific actors but not stars, and we did not do nearly as well.
Neil and I are most thrilled that we were able to bring musical theatre to the enormous audience that 'The Sound of Music' reached.
If anything's going to go wrong, it'd go wrong during 'Peter Pan,' not 'The Sound of Music.'
By fusing R&B with a U.K. garage sound, you can create energy. 'Fill Me In' showed me that.
Many years ago, when I lived in the mini-Siberia they call East Anglia, I was awakened in the early hours by the sound of a pantechnicon being loaded. Peeping through the curtains, I observed the grocer doing a runner with all his chattels and his family.
Plays are frequently infected with ideas that came from actors or even sound engineers. Some Shakespeare scholars wonder whether some of the Bard's lines came from onstage improvisations by actors.
Never try to make the same record twice, even when people are screaming for the same sound.
I love British cursing - the cadence of it, the joy in the sound of the words, and the vulgarity of it.
I find it hard to get excited by just a sound. I have to have a song there, then I'll find what used I can make of that sound within the song.
A sound discretion is not so much indicated by never making a mistake as by never repeating it.
Of course, Paul McCartney's sound is different from mine, but it's the way you hear things, really.
Your head is a stereo input. The density and cartilage of your ears embed certain extra characteristics into stereo sound sources. Your brain decodes that and gives you sound plus conscious directions.
What formed me as a musician, a songwriter, the sound and personality of my band, a whole lot of that happened well before 1991.
We incorporate various electronic devices - the echo plugs and things like that. Actually, all we're trying to do is make that sound musical. As opposed to just making sounds, we do musical things with them.
The sound of the orchestra is one of the most magnificent musical sounds that has ever existed.
I've learned a lot about my voice, and about things I can do with it. Maybe that's why my sound has become a little more pop.
The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.
This nation's elected leaders owe all Americans the duty of formulating an Iraqi policy based on sound analysis of the actual facts.
A MIDI file contains coded instructions to play a particular series of notes on an electronic music synthesizer. A MIDI file is more like a piano roll in a player piano than any type of sound recording.
A future at Wal-Mart may sound a less-than-stellar prospect, but it's a whole lot better than no future at all.
The poem, for me, is simply the first sound realized in the modality of being.
The only sound approach to collective bargaining is to work out an agreement that clarifies the rights and responsibilities of the parties, establishes principles and operates to the advantage of all concerned.
The first issue of The Register was printed in London, and gave a glowing account of the province that was to be - its climate, its resources, the sound principles on which it was founded.
I do sing a bit, a solo called 'Rubies,' and the female vocals on 'In Paradisum,' 'The Sound of Silence,' and 'Sapphire Clouds'.
One of the goals we had when making 'Moth' was to have the vocals sound less treated and less processed than we'd ever had before, to just let them be exposed and very audible.
I don't even know what sound is, much less what it's for. It isn't to make money that's for sure. I've never made any.
It's going to sound ridiculous, but knowing how to pose, how to maintain a level of engagement and variation for a day of shooting, is actually a skill.
As far as I'm concerned, 'whom' is a word that was invented to make everyone sound like a butler.
I go out with a lot of British people. Some of them say I sound a little tipsy.
I can't think of any punk who's put on an acoustic and hasn't just tried to sound like James Taylor.
Applause is the most powerful thing... people talk about the sound of it, but what I hear is glee.
The biggest compliment I get is that I don't sound like anybody else. I think I value that as the highest compliment.
I miss the noise in New York: the sound of taxis and that constant buzz the city has.
It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
I'm pretty basic as far as technique is concerned. I don't use many gadgets, and I like the sound my guitar makes, anyway.
Movie dialogue is movie dialogue. It can sound real, but no one speaks that way.
All writing is the same: It's just making up lies until it starts to sound like the truth. That's what I do.
For me it's always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it's always sound first and then the line afterwards.
I don't like listening to my music, not even new pieces. Generally, they sound pretty much like I expected them to sound, so it's what I wanted, and that's it.
I still sing because I love the sound of applause, because it's who I am, and because I still can.
I needed to explore my talent and versatility and see if I had another side to me, another sound.
If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?
I love performing. I love the people. I sound like Liza Minnelli right now, don't I?
I don't want to sound too critical, but we're taking a wait-and-see approach on UltraViolet.
Look, when I started out, mainstream culture was Sinatra, Perry Como, Andy Williams, Sound of Music. There was no fitting into it then and of course, there's no fitting into it now.
I might not have the best flow, sound... but when it comes to wordplay, cuz, come on bro.
I don't want to sound too carried away, but from what I've seen, 'Bingo Long' is going to be a big one. A classic.
I sound like an Englishman impersonating an American impersonating an Englishman.
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