Solo Quotes
Most Famous Solo Quotes of All Time!
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I've wanted to do a solo album since 2000 when I was writing songs for the 'Machine' record.
By the time I did that third solo album, I'd finally learned how to do it, but I'd also learned that I liked being in a band.
I grew up listening to such strong female solo artists. I love Whitney Houston, Mariah Carey, Christina Aguilera, Britney Spears.
As a solo performer, it's total involvement. What I do is to break down the wall between audience and performer.
I might do a solo album, maybe do covers, or do an acoustic thing. No Sex Pistols tours, nothing!
This is a Solo Flight, but I want aviation enthusiasts and adventurers everywhere to join me in the endeavour.
I had to get out of my record deal that I signed with my previous band and get a full solo record deal going so, with all of the paperwork that, that entails it did take a while.
I think all the bad blood started when Geffen released a greatest hits package of my solo stuff.
I'd like to release solo songs on a regular basis, but it's pretty difficult for me to finish them.
When I was recording my first solo album 'Imaginaryland,' I was listening to a lot of movie scores.
My most favourite gigs that ever happened were solo, before The Monkees ever happened.
Harrison Ford has always been one of my favorite actors. I grew up with Han Solo and Indiana Jones, and 'Regarding Henry' is one of my favorite movies of all time.
I saw Jennifer Batten do a cool guitar solo before I ever saw any other girl do a cool guitar solo.
Between 1963 and 1975, I worked very little. The Beatles had come to New York and changed music - all the solo singers were out of work.
One of the reasons why I started creating my solo show is so that I have a place to put all of the accents that I do.
I went to UCLA and studied studio art. I thought I was going to be a gallery painter, photographer, or ceramicist. Then, when I graduated, that didn't happen immediately. I didn't suddenly get solo shows in Chelsea, and I realized that is actually kind of difficult to break into.
I didn't intend to make one solo record, much less two. It's really a matter of seeing how it goes.
There is something so different and empowering about travelling solo. It's a unique experience and one that is so self-educating.
I thought I'd do everything on four-track, and then I'll record every instrument myself in a studio, and then I'll have a solo album released by spring.
I've always wanted to do a solo record, and in 1999, I went over to Japan and did a project called NiNa, where I co-wrote with Yuki from Judy and Mary. It just sort of unleashed this realization in me that I could write.
I've always wanted to do a solo project. I've always known I wanted to be a musician.
I wrote a whole solo album and recorded some of it, even did a little tour with Sara Lee and Gail Ann Dorsey.
The radio is playing jazz, and I listen to the sound of the trumpet playing a solo until I become that sound.
My solo music - I get up onstage, I improvise and it's my improvisation. When I get up onstage with Fred Frith and Mike Patton, then we're improvising together. Then it's not my music; it's our music.
You have to remember now, I was not being terribly successful at going solo.
That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.
Not everybody likes or understands a drum solo, so I like to bring in effects and sounds to keep their interest.
There was no such thing as a solo career in East Germany. You had to get the best orchestra job that you could.
I often think about starting a band again, doing my solo stuff and a band. I grew up in bands.
I do some solo, acoustic stuff, but I also like plugging in my electric guitar and playing loud with a band.
When I was a kid, I used to pretend I was Han Solo all the time. Running around with my fingers pretending they were a blaster.
Honestly, going solo is the second best thing that's ever happened to me after my kids.
I only do solo albums when songs are screaming at me to be let out of my mind.
The other saxophones, except as solo instruments, really don't have much point in the orchestra.
When I perform as a solo, I think a lot about what I always wanted to do but have not done yet.
I have no want or desire to solo. I'd rather create melodies and accompanying parts.
I had a number of very strong personalities in my family. My father was a concert flutist, the solo flute for Toscanini.
I enjoyed climbing with other people, good friends, but I did quite a lot of solo climbing, too.
I'm into the whole song-as-a-piece-of-music thing: if it literally doesn't call for it, if it already has enough stuff going on, then it's okay not to play a solo.
I was brought up on listening to 78 rpm records from crooners to opera singers to solo piano players.
The fact is, for the first 10 years I toured as a solo artist, I wasn't playing any of the songs I didn't write or sing.
I never imagined that I would have a successful solo career, let alone one in musical theater.
The turnaround is when you have a solo in betwixt the verses. You stoppin' to have a solo.
Since I was the solo artist as well as the writer for the songs, I figured I had enough credits on it already.
I always wanted to do my solo album in English, because I grew up listening to a lot of pop artists and English-based songs.
'Fragile,' of course, was a very successful album for us, especially here in the States. It had a lot of solo pieces on it, though.
I've actually thought very little about solo work up until just very recently.
'Star Wars' is populated by so many great types; who wouldn't want to be a Han Solo kind of dude?
I do a lot of solo work in Europe and the Far East, and my main passion is traveling.
I always wanted to solo at the church and they didn't ever give it to me. But eventually they did and I froze. But then I killed it.
My solos are more tastefully conceived now. But I still get going in places. It's just that I build up to it now. I don't race off on a solo. I take my time.
The whole time I was with 'The Temptations', I was accumulating my own solo recordings.
When I do solo material I definitely tend to overthink it. I make a lot of rules for myself that are a little bit arbitrary and... it's just painful.
When I was 25, Abba was formed. After Abba I made three solo albums. Maybe I have been productive enough.
I knew I was destined to do a solo album, but when I did that first album in 1978, I had no idea it was going to be that well received.
My goal has been to encourage jointness, to push people to think of affiliations rather than to operate as solo entrepreneurs.
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