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A real thank you does not come by e-mail. They come in the mail in an envelope. And what comes out of an envelope is a beautiful thing to touch and to handle and to pass around for everyone to read.
The big percentage is us, the real people, and we have to say something. You have to speak up. You have to.
When we did this reboot, I thought 'Ghostbusters' fans would be so excited: 'They've got the new technology - the ghosts are going to look real now.'
I think the real problem is it's easy to persuade young kids of particular kinds of ideas, because they are flexible.
Out of the thousands who are known or who want to be known as poets, maybe one or two are genuine and the rest are fakes, hanging around the sacred precincts, trying to look like the real thing.
I've always wanted to be the biggest real estate man to come down the pike.
Foreman had annihilated every single one of his opponents to that point, but here was Ali, going to Africa, selling himself as the 'real deal' black man.
Yeah I do and I don't mind, in fact that is one of the real encouraging things about this whole career of mine is that there are tunes I wrote almost thirty years ago that I will still play in front of an audience and I still like the old tunes.
Miramax didn't introduce the actors at any of the screenings. That's why a lot of people thought 'Kids' was a documentary. I still meet people who think it was real.
With fantasy and sci-fi, it's based in a real fandom. You're presenting to experts, and their source material is really important to them. They'll come up and ask: 'so when you turned your head slightly in that scene, what were you thinking?'
I'm concerned that Islam has not just been politicised but that it's becoming an identity. This is like turning religion into a football match; it's a distraction from the real thing.
Handouts are not going to end global poverty, but work - real work - just might.
The amount of work that a for-profit has to do to get real money is minimal compared to the amount of work it takes a non-profit to get even a very small grant.
I'm not handled. I'm not crafted by slick, high-priced consultants. I'm a real person, a genuine person, a struggling person in Connecticut.
Names and theoretical things don't occur to me. If they do, I'm not doing my real playing mode.
Fiscal crises often turn into financial crises, dealing a blow to the real economy.
When I was on stage in the '50s, it was a glory time, a golden time with Tennessee Williams and Arthur Miller. There was real talent. And now, the theater is a little Disney-fied.
To be physically fit is just a small aspect. You can be a beautiful physical specimen, but you're empty as far as what it takes to be a person, and that shows up real fast.
Beginning with exercise, the best training program available for real results is circuit training.
I want to bring real music back but make it marketable and mainstream. To me, real music isn't everything being synthesized, computerized.
We may win when we lose, if we have done what we can; for by so doing we have made real at least some part of that finished product in whose fabrication we are most concerned: ourselves.
We try to be real nice and friendly to people, but sometimes they take advantage of that.
From 1950 to 2000, the U.S. economy grew at an average rate of 3.5 percent. That generated a massive gain in real GDP per person from $16,000 to over $50,000. A huge win for the middle class.
The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous, not commercially exploited, and no longer available as a result.
The universe has a much greater imagination than we do, which is why the real story of the universe is far more interesting than any of the fairy tales we have invented to describe it.
When it comes to the real operational issues that govern our understanding of physical reality, ontological definitions of classical philosophers are, in my opinion, sterile.
What I would say to filmmakers, if I may be so bold or so arrogant, is to draw inspiration from other filmmakers, but go to the place in your own gut where everything is nothing. That's a very Zen thing to say, but that place of nothing is where real creativity comes out of.
The real literary editors have mostly been fired. Those that remain are all 'bottom line' editors; everything depends on the money.
When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
We don't have real hours and we don't have a boss, so artists create rules for themselves that they then break. It's transgressive in such a personal way.
The thing about Sheeran is that he is an incredibly real artist and songwriter. He is not trying to be anybody else other than himself.
Once you get into a real good situation, where somebody really believes in you, that's what you can take off to a whole other level.
I'd seen the movie 'Paranormal Activity' and was convinced for weeks that it was real.
Had I known toxic shock was real, and had I seen someone that had either lost limbs or spoke about it publicly, I would have never used tampons.
I often write two books simultaneously. Usually one of them starts out as a fun experiment designed to give me a daily break from the real book I'm writing. And then that becomes a real book too.
I try to write characters that are as real, emotionally and psychologically, as I can make them; I feel the same way about setting. This often means that I'm drawing from my experiences and observations.
Sure, there are moments that you can escape, and you can sit back and just enjoy it, but one of the most fun things about 'The Witcher' is that it reflects on our real world, in big thematic ways, in political ways, and in cultural ways.
If your dream sounds like a real stretch and everyone around you is looking at you like you have completely lost it, it might just be exactly what you need.
I got into writing in college... well, in elementary school. But in college, I started writing seriously and had a professor who read my writing and gave me permission to pursue that as a real effort and time-consuming effort.
In real life, I'm a large character, and I need the space and platform to be large.
A woman isn't complete without a man. But where do you find a man - a real man - these days?
Right Wing watch falsely accused me of harassing Oliver Darcy, a reporter for CNN. However, I was practicing real journalism at a Conservative conference where it is the consensus that 'CNN' is fake news.
I still have a fear of theater. I don't know if I will manage that. I used to do it. I developed a bit of a phobia. It's not a real phobia. I can go in and watch.
I like the idea that the body is a vessel, that it's not necessarily representative of the real you that's inside of it.
I recognize that I'm in a band, and part of being in a band is doing interviews, and I do have a platform so I want to use that platform to talk about things that are real.
When I emerge from filming I feel slightly out of synch with real life, but it's also a relief.
My goal would be to make Frank Capra-type films about real people, how they define their reality.
I wasn't real quick, and I wasn't real strong. Some guys will just take off and it's like, whoa. So I beat them with my mind and my fundamentals.
But Tommy Lee Jones is just smooth. He's just the real deal. I'm captivated by him because there's so little of that in Hollywood, and he just embodies it.
I remember - when I was little, I remember playing 'Tecmo Bowl,' and I would be so excited to be Bo Jackson in the game that I wanted to watch him play in real life.
The real 1960s began on the afternoon of November 22, 1963. It came to seem that Kennedy's murder opened some malign trap door in American culture, and the wild bats flapped out.
I think, I think we need a Republican president from the real world to remind ourselves sometimes of what we need to do.
I play real men that I can identify with. I have a lot of guys tell me that they relate to me because I represent the real, everyday dudes.
Oh my gosh, I was so nervous at Wrestlemania when I debuted. I never had a live match ever. I'd had practice matches, but a practice match in front of no one is very different from a real match.
I want to be in some Willy Wonka-type weird stuff, a role where I'm an alien. Anything that's new and challenging and real. I like real stuff.
When I approach guys in certain situations and talk to them about Christ, they know that I'm speaking to them in a way that's real.
I don't think Christ becomes real to us until we hit a low point in our lives and realize just how much we need Him. That's why faith affects every area of your life.
It is when I am working that the real me comes out - that is when I am the most real and honest.
When I got signed with WWE, I got to choose names, and I originally wanted Macey Evans, my real maiden name. And then I chose Macey Loretta because I love Loretta - it is different.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.
Arizona is in the midst of a fiscal crisis. We've cut school funding. And they pass a bill questioning Obama's citizenship? For real?
I played a waiter on 'Will & Grace,' a waiter on 'Medium' and on 'Weeds.' They all got cut out. I'm an awful waiter in real life. Maybe I was an awful waiter on screen, too.
Oh, man, if in real life I was as cool and suave as Coach Taylor and had all the answers, things would be easier.
I like to take fictitious characters and circumstances and wedge them into a real world.
When it comes to the teapot tempest that is the Hillary Clinton email imbroglio, the real controversy isn't about politics or regulations. It's about journalism and the weak standards employed to manufacture the scandal du jour.
Assess Bitcoins? All you can do is examine the trading patterns, which do not provide a real analysis of any underlying economic value. The economics of investments are not solely based on supply and demand, and that is all that goes into Bitcoin prices.
Bitcoins are not a real investment; they are bets inside a casino. If the price goes back up, don't be fooled. In the parlance of popping investment bubbles, it's something called a 'dead-cat bounce.' People who are desperate to keep the game going rush back in, hoping to bring the price back up, but it never lasts.
I went to UC Berkeley. I graduated in 1976, immediately moved to L.A. with a degree in English - which did no more for you then than it does for you now - then sold real estate and did theater for nine years.
Well, I was a real late-comer to listen to music, actually, because my parents - first of all, my parents weren't big music fans. They didn't listen to music. We didn't really listen to stuff in the house.
Even with so many artists using auto-tune, there's still a growing group of artists rising up and going in the opposite direction, making music that's real and fresh. And those cats are getting back to the basics without auto-tune. And a lot of those cats are packing out venues without getting played on the radio!
In real life, there are names that surprise us because they don't seem to suit the person at all.
I make things up for a living. It would be pretty boring to just fictionalize real people.
I'm very used to playing the tomboy or the sarcastic cynic. That's my go-to. Playing the vulnerable of a real girl that's in real womanlike situations, where it's romanticized, I'm a little nervous about it.
This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.
No one knows who the real me is, so I can be a hundred different kinds of me.
I've been working as an actress since I was very young, and I know a lot of people who are actors who don't have to deal with having a persona... You know, if you look up the word persona, it isn't even real. The whole meaning of the word is that it's made up, and it's like I didn't even get to make up my own. It can be annoying.
I'd rather have a real South Dakotan who has lived in this state and made her living here instead of someone with a fancy East Coast law degree any day.
I like to say that I'm tracing the intersection between big ideas and human experience, between theology and real life.
I would never make up a character who didn't exist or an event that didn't transpire. If you're a real writer, you have other tools in your toolbox to build drama.
I think I've been good at getting into lonely and troubled characters because, not to brag, but I'm the complete opposite in real life.
I have very few real friends because I don't really feel like I fit in with a lot of people.
Journalists know other journalists - that's the only reason my engagement made it into the papers. I don't think real people are interested - just the media, just Twitter!
One should judge a man mainly from his depravities. Virtues can be faked. Depravities are real.
Sometimes, if a country's currency is overvalued in real terms, and it looks like the current account is going to be in deficit for the foreseeable future, devaluation can make sense.
I won't say there aren't 'smart' roles for women, but the variety is limited. I feel the real representation is not widely available in Bollywood.
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