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Some people lose all respect for the lion unless he devours them instantly. There is no pleasing some people.
The trouble with most people is that they think with their hopes or fears or wishes rather than with their minds.
It may be true that you can't fool all the people all the time, but you can fool enough of them to rule a large country.
We Americans are the best informed people on earth as to the events of the last twenty-four hours; we are the not the best informed as the events of the last sixty centuries.
Consideration of any kind are a crime against the German people and the soldier at the front.
Most intellectual people do not believe in God, but they fear him just the same.
Quite frankly, I think political correctness is the worst form of censorship. You're not allowed to speak your mind unless you're black, or unless you're a terrorist, or unless you're an Arab or a minority people. Then you can say what you like. But if you are like a lot of us you are not supposed to say certain things.
I'm not a good father and they're not children any more; the eldest is in his fifties. My relationship with their mothers broke down and, because of what the law was, they went with their mothers and were imbued with their mothers' morality in life and they were not my people any more.
There is no quick way of making money. People come to you with tips for the races or offer the latest Ponzi scheme, but I can see them coming a mile off. I just go with the adage that if it sounds too good to be true it probably is.
The mistake the apartheid government made was they gave the black people nothing, so they had nothing to lose. But now a lot of the former freedom-fighters are big-time capitalists. They've been given directorships in every major company. They're billionaires!
Many people have compared me to the Victorian adventure writer, Rider Haggard. I accept that as a compliment. As a boy growing up in Central Africa I read all Haggard's African novels.
The place was built on the premise that people want to gamble, and they may as well do it here. They look after their clientele, and, hell, they treat me like I'm one of their family.
I have been represented as a Protestant minister; there was not one of the canvassers of the honourable gentlemen opposite that did not represent to the people that I was not a Minister of the Crown, but that I was a Protestant minister.
I would advise you to write, my dear friend, because with your active nature, solitude is simply intolerable to you, and after some time your solitude would become perhaps attractive if you were to people it with creatures of your own fancy.
Two races share today the soil of Canada. These people had not always been friends. But I hasten to say it. There is no longer any family here but the human family. It matters not the language people speak, or the altars at which they kneel.
People think your life's different because you've got money, you've got fame, so they don't treat you the same.
Obviously, I have arguments with people on the pitch, with all the emotions.
At the pace I'm running, trying to get the ball, the slightest touch could trip me over. You don't have to literally push me over. That's what people don't understand. But unless you're able to run that fast, you'll never understand.
Liberalism seems to be related to the distance people are from the problem.
My advice to most people is don't short stocks. It's a very, very difficult business. And you can really get clobbered.
I think most people agree with the idea of shared sacrifice, but for many, when push comes to shove, that principle goes out the window.
I think that most people who complain about our government have no idea what they're talking about because they've never been to a country with a bad government.
My experience is that very few people have what it takes to be a successful investor, as I discussed in The Arrogance of Stock Picking.
I'd say the general outline of a sound investment approach is, first of all, you have to decide are you going to try to be an investor yourself? The answer for most people is probably they shouldn't try. You should put your money in index funds and not try to be a stock picker.
Bumble really sets the stage for an empowered and modern way to connect, which educated and forward-thinking groups of people have really gravitated to.
You have to accept people for who they are. You can guide. You can give people chances. But you cannot hold on to people in fear that you are bad because you can't keep everyone you've hired.
Anyone can replicate a product. There are lots of brilliant minds out there that know how to code, but there's unique DNA to a brand. You cannot have a brand without people. That is the most important asset you will ever have.
I want to avoid locking people into solutions that work only with Postfix. People should have a choice in what software they want to use with Postfix, be it anti-virus or otherwise.
Qmail out of the box works fine, so people will want to use it regardless of licensing restrictions, even when the software does not ship with their system software.
For many people my software is something that you install and forget. I like to keep it that way.
If the world were a bar, America would currently be the angry drunk waving around a loaded gun. Yeah, the other people in the bar may be afraid of him, but they sure as hell don't respect him.
Even when I was little, people would always ask me if I wanted to be a movie star, and I would always say, 'No, I just want to be an actor.'
People who don't want to give a creator money are never going to give a creator money.
Someone who I would describe as a 'geek' or 'nerd' is a person who loves something to its greatest extent and then looks for other people who love it the same way so they can celebrate loving it together.
It probably wasn't until I was a freshman in high school and I met the people who became my gaming group that I finally found people who were weird like I was: that loved reading and playing games and not just watching a science fiction or fantasy movie but talking all about it.
I'm basically a professional nerd, and I'm still not cool. I'm around people who are cool sometimes, and I know I'm not them. But that's OK; I don't care.
To be sure, anonymity online has it uses and is very important. Governments hoover up people's telephone and e-mail records without oversight, and companies track astonishingly granular personal information.
'Ghost Adventures,' 'Mountain Monsters,' weird alien UFO shows like 'Ancient Aliens.' The people who are self-appointed experts in these fields are really a series of national treasures.
I fell in love with Dungeons & Dragons, and the storytelling of it, and the weird dice, and the fact that it didn't use a traditional board. It felt like I was a part of something special and almost kind of like a secret club because a lot of people didn't know what it was and didn't understand it.
To the best of my knowledge, a lot of people who play video games also play tabletop games and vice versa.
I go around the country, and I speak to colleges, conferences and thousands of people at a time, and I'm like, 'Great. Fine. Whatever.' Coming to speak to about 60 kids, I am scared to death.
Many of the smaller banks have had to get to the point where they now have more compliance people than they have lending offices. That's crazy.
China is the world's biggest exporter, but they're also the people with one of the highest tariffs on imports in the whole world. That seems a little bit oxymoronic.
The fact that you're successful doesn't mean that you can't relate to working people.
I don't think that women necessarily always write like women. I was a writer on the 'Comedy Central Roasts' for a while, and I always wrote the jokes that people assumed the men would write.
Saying women aren't funny is now like saying Asians can't drive or saying black people have bad credit. It's just really, like, so obsolete.
Being known doesn't get you anywhere; it just makes the bar and the expectations higher, especially if the venue wants to charge a certain ticket price because you're known. So people are like, 'I paid $60 to see you, and you're on TV'.
We're socially constructed to hide our flaws, and that breeds pain for a lot of people.
When a lot of people are distrusting the news they watch, comedians are stepping up talking about things that most people are too afraid to talk about, shining light on problems nobody else will admit, whether it's Samantha Bee or John Oliver or Trevor Noah.
I've turned down a lot of arena dates because I've done the big-arena thing. Now, I want to do something where people can feel me and I can feel them.
I'm not crazy about arenas just because I can sell them out. It doesn't do anything for my ego at all. I want to play places where people don't have to sit in the nosebleed seats and wonder what the hell is going on.
Being around people like Aretha Franklin and Gladys Knight, Dionne Warwick and Roberta Flack, all these greats, I was taught to listen and observe.
My sign is Leo. A Leo has to walk with pride. When he takes a step, he has to put his foot down. You walk into a room and you want people to know your presence, without you doing anything.
Nobody wants to get locked up, although 'locked up' is a matter of perspective. There can be people who are out who are in prison mentally and emotionally and worse off than those who are behind bars.
When I was a little kid, I was a huge fan of 'The Kids in the Hall.' They were like my boy band. I was obsessed with sketch comedy. Being raised Christian, I was somewhat sheltered from the more radical high-art world. So to me, comedy was where people got to express themselves in an abstract way. It was a big part of my growing up.
I don't exclusively talk to people on social media; I don't meet people through Tinder. I try to keep it face-to-face, and to be aware if my phone is sucking me away from the rest of the world.
A lot of people in the film industry are fatalists who think a worthwhile film will always achieve its destiny, and the films that aren't worthwhile won't. It's all sort of pre-determined, etc. And I don't think that's true at all.
So much of selling a film in the industry is about creating a fulcrum where all the pressure comes to bear, and something seems suddenly valuable and approved by an audience. It's amazing how people could pick up tons of films on the cheap, but they don't because they wait until everything is laid out for them.
One of the downsides of money is if there's no money, there are very few real jerks who are attached to your project. And if there is money, you do attract some very difficult, unhelpful people.
Coming out of university, one of my obsessions was that in the novels I was reading, they seemed to be portraying a world that had a social fabric. People knew each other in 'War and Peace.' They went to all the same balls. These were societies with tightly wound, woven, social textures.
I have to embrace the fact people find me divisive, but I find it remarkable. I was very disturbed by the hatred 'Damsels in Distress' received.
My biggest false steps have actually been when I tried to do very different projects. I found I was getting people saying, 'Why does Whit Stillman think he can do a film about blacks in early '60s Jamaica? Or the Chinese and the cultural revolution?' Those were the two biggest failures I had getting off the ground.
The dull externals of the screenwriter's working life are well known: We are the people taking up too much table space at cafes.
Coming out of college, back to New York, where I didn't really know that many people, I thought our world was very atomized.
If you're sort of interested in politics but sort of upset about contemporary politics, it's kind of wonderful to read about periods who were very eloquent and admirable - generally. People are articulating ideas you can sympathize with or understand both sides of. Or at least feel like one side is saying the right things.
Some people asked me if I would be interested in managing the A's. I said a definite no thank you. At night, that place is a graveyard with lights.
Lots of people working in cryptography have no deep concern with real application issues. They are trying to discover things clever enough to write papers about.
Some people make sharp distinctions sort of between their recreational musings and their professional work. I don't make that distinction very much.
Intellectual work is essentially a lonely process, and if you can find a way of doing something so that you're in company without being disturbed, that, for me, is the critical thing. I often get to feel isolated so often if I'm sitting either where there aren't people or isn't a view.
People constantly face problems they've never seen before, and they have to solve them somehow. So a million people come up with a million solutions that are just a little bit different. If computing is being done by fewer resources, there will be enormous security gains by pushing things into standard practices.
I think that the people who are trying to shut down WikiLeaks are going to have to accept this as a fact of reality that cryptography allows you to do this kind of thing.
Without strong encryption, you will be spied on systematically by lots of people.
We have experienced an utter explosion in investigative techniques. Walk the streets, look at the cameras! They are now recognising people automatically from photos; we have DNA fingerprinting, infrascan photos that can identify you from the veins in your face.
People are leaving trails everywhere they go; automated web crawlers tell you an awful lot about their social activities. The flow of information in fundamentally unobtrusive ways into social control organisations has risen dramatically.
The interesting thing about fiction from a writer's standpoint is that the characters come to life within you. And yet who are they and where are they? They seem to have as much or more vitality and complexity as the people around you.
I am excited to show people how, when you get older, you get deeper, you get more raw, you get more honest, and you stop pretending to be the person you think people want you to be. I stopped worrying about what people wanted me to say and just sort of dug deep into my personal arsenal of my mistakes and shameful thoughts.
I have a lot of fans who are people of color. I think, if nothing else, I kind of understand that sense of being on the outside looking in, culturally.
I've done a few interviews where I realized that 9/11 was the ultimate home invasion, not to be glib about it. You know, where the place that you think is safe and the people that you think are safe and far from evil are suddenly just slaughtered by it, and you have no control over it.
I think everybody goes off and does their own vision. And I don't take responsibility for other people's work, frankly. It's bad enough taking responsibility for my own.
I was anathema in polite society after I made 'Last House.' People literally would grab their children and run from the room.
The thing of sitting in an audience and going into a dream-like state with several hundred other people that are sharing exactly what you're feeling is a profound event.
I think the experience of going to a theater and seeing a movie with a lot of people is still part of the transformational power of the film, and it's equivalent to the old shaman telling a story by the campfire to a bunch of people.
I like to be able to raise people's consciousness, yes. And to remind that those of us involved in the receiving end of the oppression, we have a duty.
In the '70s, with movies like 'Little Big Man,' westerns began to have a little different flavor, and I think casting people and filmmakers began to realize, 'Hey, maybe we can get a little more authentic in terms of who we cast here.' That kind of opened up the gates.
I came from a family that was pretty insularly Cherokee. We kept to ourselves - the white people were there, and we were here, and it was practically a segregated kind of thing.
I can be a teddy bear, but more people tend to see me as the other side of the coin, and that has to do with casting, more Iago than Hamlet. But I don't play villains; I play people doing the right thing for the circumstances and time.
When I'm answering questions from the Denver media, I'm not worried about what the Broncos' people are going to think. I'm worried about what Belichick will think. Isn't that crazy?
I remember in the spring of 1971, a hundred thousand people converged on the Pentagon in June of 1971. They threw blood; I guess it was goat's blood or something, on the steps to the Pentagon. People were being accused of being murderers and baby killers. You just can't imagine the civic outrage.
I worked for the troops my entire time in the United States Armed Forces because we know in the United States Armed Forces that it's not the generals and the colonels that win battles, it's the soldiers: it's the people at the front, the mechanics with their wrenches, the drivers moving the logistics back in the rear.
Ukraine is a big country. It is 45-46 million people. It has got a lot of modern industry; it also has a lot of very key resources. There is no reason for it not to be one of the leading countries of Europe.
People make mistakes. And one of the mistakes that the United States consistently made was that it could intervene and somehow adjust people's governments, especially in the Middle East.
'Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.
There are a lot of obligations when you put out a record and it does well. People want to talk to you, which is nice. So then you make sure you do that.
Many clubs wanted to know when I was leaving Inter, and Liverpool was one of those clubs, so people were surprised I chose Galatasaray.
There is a great difference between discoveries and inventions. With discoveries, one can always be skeptical, and many surprises can take place. In the case of inventions, surprises can really only occur for people who have not had anything to do with it.
Our house was destroyed in 1943, and I moved the family to a cottage I owned before the war in the Bavarian Alps. This cottage was meant for a very few people, and at the end of the war, there were about 13 people in this very small house.
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