Myself Quotes
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I just always wanted to play guitar. I though that was, like, really dope. And then in high school, I learned how to play trumpet and, like, French horn because if the instrument's right in front of me, I'm going to just teach myself.
I sent in tons of submissions and proposals, and I collected my share of form rejection letters. Eventually, I found myself working at a comic book shop, where I met my future collaborator Brian Hurtt.
I used to visit kids with cancer all the time. Now I'm in the club. I understand what's happening to these little kids with brain cancer, and I ask myself, 'How do they make it through the day?' So you see a little 5-year-old and you say, 'If she can do it, I can suck it up.'
You know, if you ever listen to your voice on an answering machine everyone thinks we sound dreadful. That's sort of the way I think when I hear myself speak.
New York was a fantastic place to disappear because no one cares who you are. No one bothers you. In my ten years living there I was never once asked for an autograph or stopped on the street. It was an absolute joy. I gave myself time and space to get to know myself more.
When I get into collecting things, I get a little obsessive. Which is why when I start buying comics, I buy way too many, and I have to stop myself.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
From the moment I turned 39, 40, I really turned a corner and became a person who really enjoys working out. When I don't get a chance to, I miss it. I also just recognized that it would give me career longevity if I kept myself in the best shape I could possibly be in.
Man, I got to say I love my haters because they challenge myself... it challenges me. It challenges me to be better. It challenges me to show who I am and that I deserve to be who I am.
I'm just a human being that is in touch with myself. And I'm honest with myself. And I really, at the end of the day, don't care what people say. I never cared about what people say.
Well to be perfectly frank with you I never created art or have done demonstrations for anyone before myself artistically. I always do it to try to push my own envelope to be the best I can be.
I'm actually tougher on myself as I get older. It's a vicious cycle. The things that are important in life are the things that you can't buy in life: love, health and happiness. I say that, and I believe that, and I try to live that.
I know I'm a good professional, I know that no one's harder on me than myself and that's never going to change, under any circumstances.
I really like playing other people. There is no other feeling like it, to have a different voice come out of you and to have a different life for a couple of hours. I like being myself. But maybe it's like you ride a bike every day and someone says, 'For two hours tonight do you want to ride this Harley?' You'd be like, 'OK yeah!'
A lot of people, myself included, are excited about blogging and stuff like that, citizen journalism, but I do remind people that no matter how excited we are, there's no substitute for professional writing, no substitute for professional editing, and no substitute for professional fact-checking.
I used to go to clubs and sing as myself but people weren't interested. And then I turned up as a woman and suddenly everyone was interested.
I feel as though I'm constantly defending myself. I'm up against challengers from the ballroom world, from the dance world, people on the couch who hate what I'm saying about their favourite celebrity. Then you're up against the press, who will always want to put you in a box.
I hear a lot of girls say, 'I can be myself around you,' and I'm always thinking, 'Who are you when you're with somebody else?'
That's when I'm at my rawest. When I'm performing with the band. It's just like the groove is going, whether we're fast or slow, I can just transport myself.
It's funny to see how people react to the project, to read their thoughts, and I wonder aloud, 'Did they even watch the movie? Did they even get it?' I know we, myself and the entire cast, put a lot of heart, love and humor into 'Meet the Peeples'. I'm very proud of that film and what we were able to accomplish.
I enjoyed my 20s - they were torturous and beautiful. I learned so much about myself and about life and about the nature of people.
After 'Blankets,' I was sick of drawing myself and doing this autobiographical, mundane, Midwestern sort of comics. I wanted to create something bigger than myself and outside myself.
One of the fundamental discoveries I made about myself - early enough to make use of it - was that I am driven to seize life and to understand it. The motor that pushes me is propelled by more than scientific curiosity.
Like many men who play tennis, when I hit a ball into the net, I tend to look daggers at my racket, reproaching it for playing so badly when I myself have been trying so hard.
Speaking for myself, I spend a good ten minutes a day deciding whether or not to read the results of new surveys, and, once I have read them, a further five minutes deciding whether or not to take them seriously.
I got sober. I stopped killing myself with alcohol. I began to think: 'Wait a minute - if I can stop doing this, what are the possibilities?' And slowly it dawned on me that it was maybe worth the risk.
I used to psych myself up before the show and now I do the complete opposite: I psych myself down. It's 12:30 at night, you don't want some guy yelling at you. You want some guy just talking to you.
A lot of people come to L.A. looking for something. What I came here for, I realize now, is to be okay with myself.
So what I do is supervise the boarding process trying to get the shows the way I'd like them to be. And in some cases I've completely redone a board myself even though I'm not credited for it.
If I like myself at this weight, then this is what I'm going to be. I don't have an eating disorder.
I'm at peace with myself and where I am. In the past, I was always looking to see how everybody else was doing. I wasn't competitive, I was comparative. I just wanted to be where everybody else was. Now I've gotten to an age when I am not comparing anymore.
The questions I'm asking myself are, 'What makes me happy? Where do I want to be? What will make me happy at 50, 60 and 70?'
I have a lot of glass in my house, and I remember saying as a joke once that I clean my stuff with Windex while my friends are over, but then I found myself actually doing that the other day. It's horrible.
I always like to write myself into a corner. I think the best stuff comes from only having a few ways out.
The Spice Girls and Fran Drescher were such important parts of my childhood. There was something about them that allowed me to be myself.
I just feel like, at any moment, a drag or a trans or a gender-diverse artist that doesn't fit in a box is ready to break into the mainstream. I want to do my best to put myself in the best position to have that happen for me.
I'm very hands on with my music - I do all the artwork and everything myself - and the songs I write aren't necessarily the most commercial.
I'm self-deprecating - I spend a lot of time telling myself that things are OK, as opposed to having to tell myself to get over things.
I just get bored really quickly and want to push myself to the next level.
When I was on the road with Billy Bragg, it was cool because I was doing the whole thing solo and travel a lot by myself, which I quite like. I mean, I love being with friends, but it's kind of nice having that alone time.
With 'AGT' I was allowed more freedom to be myself. It was also quite a different scale.
I think the stage is the place where I feel most comfortable and most myself.
I always want to look like myself - that's key for me. I don't want to look like a different person, I don't want my face frozen.
Never say never. I always want to look like myself - that's key for me. I don't want to look like a different person, I don't want my face frozen.
I try as hard as I can to push myself. I try to create as much as I can. I try to grow on a daily basis.
I see myself as a different sort of Welsh. Because we are from Cardiff, we see Wales as Cardiff. This is Wales; outside Cardiff is beyond. It's a strange one. You are really Welsh, but you're not, if you know what I mean.
John Hartson, he speaks fluent Welsh and has the tattoos all over him to prove his Welshness. But in my own world, no one is more Welsh than myself.
I let football drive me crazy. If we lost, I would shut myself away for two or three days, not sleeping, torturing myself about what I did.
I knew I needed to move away when I was 15, but when I got to Norwich, I spent nights crying myself to sleep with homesickness. For any young kid moving away from home, that is the biggest thing you have to deal with.
I do have to pinch myself at times when I look back at some of the things I have achieved. I really do.
I surround myself with family. I have got the most incredible wife in the world and unbelievable kids.
In the past, before games, I would near enough make myself ill. Nerves and stuff.
Naturally, I've always felt more like a writer myself, and I've always written. I have people who are writers who've been promoting that side of me. I also draw, too. Those things I feel most comfortable in.
A lot of actors I had worked with seemed mentally unbalanced. It's only a matter of time before I go nuts myself.
I always wanted to ride a dragon myself, so I decided to do this for a year in my imagination.
If something evokes a strong emotional reaction in me, I need to push myself in that direction.
I have to take care of myself because if you get sick, you still have to work. I'm not much a party animal, anyway. I lay low.
I feel like, with myself, I ruined myself to the point where I wasn't functional enough to work for anybody, even myself. I wasn't working.
I think I have an addiction to pretty much everything. I mean, I have to be very careful with myself as far as that goes, which is why I have a support group around me consistently.
I have family that are diabetic and I've seen the hell it's put them through and I've told myself, I'm not going down like that.
I am the kind of guy who has never taken myself too seriously. I mean, I am very serious about what I do; I'm very serious about the creative process and everything, but at the end of the day, I am just another lucky geek who got to live out a dream, you know?
The first year I was sober was probably the worst year of my life. My immune system was screwed. I completely isolated myself. I was weak all the time. I didn't know who I was.
I like good stories. Quality products and character are what's important. Even if the script isn't that strong, if I challenge myself with a great character, I'll go for it.
Around 17 to 20 years, I became, myself, a poacher. And I wanted to do it, because - I believed - to continue my studies. I wanted to go to university, but my father was poor, my uncle even. So, I did it. And for three to four years, I went to university. For three times, I applied to biomedical science, to be a doctor. I didn't succeed.
In high school, I discovered myself. I was interested in race relations and the legal profession. I read about Lincoln and that he believed the law to be the most difficult of professions.
It's my privilege to be able to play somebody not myself. I'm an actor who creates characters based in voice, movement, emotional quality, speech.
When I was a 12-year-old middle-schooler in Richmond, Virginia, my local newspaper published an op-ed that I wrote all by myself.
The one dream I have is to do a musical. I love singing, but most people don't know because I don't sell myself as a musical person. My dream is to play Audrey in 'Little Shop of Horrors' - it would be so interesting to have an Asian Audrey because it's all about achieving the American dream in a sinister, success-driven way.
I don't have the best family life. I'm not going to have a sob story and be like, my parents abandoned me, because they didn't. But they also are not that present. When I'm alone, I'm alone. I don't have anybody to call, and so I have to create meaning from myself.
I'd rather lose all my stuff than lose myself, because I've done that before, and that feels way worse.
I try to swim against the current as much as possible when it comes to the tribalism that defines the way people do politics on social media, and I try to present myself as an individual and humanistic voice. I'm interested in people, not just factions.
I don't consider myself a gangsta rapper. But I'm probably more qualified to be a gangsta rapper than people who call themselves that. I've been through that life.
Throughout my rapping career, I always cooked for myself and anyone I worked with. It's what actually kept me grounded through those crazy years.
I love working for myself. I've grown to dislike the Hollywood machine. Too much bull, disappointment, and quite frankly, untalented, mindless, and hugely disrespectful people involved in the process. I'll take carrying the load on my back, all the way up Everest if needed, to be able to steer away from it.
I watched a million coming-out videos, and that was kind of how I accepted it myself.
I never got into training to be an All-Ireland boxing champ or to win a belt. At the start, I just got into it to learn how to defend myself when I got into situations.
To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still write the songs myself.
I don't think of myself as a director or writer. I think of myself as a filmmaker.
For me, half the joy of achieving has been the struggle and the fight, the pitting myself against the world and all its competition - and winning.
I think the motion picture industry is a stupid business and I despise acting the scenes in short snatches, one at a time. I hate this film work. I am disgusted with myself. On the stage I could never play a part unless I felt it with all my heart and soul.
My mom has obviously had a powerful influence on my life, and her voice can describe certain things that I couldn't see in myself.
I can only speak for myself - there were times when I just wasn't inspired by creating music.
One thing I have throughout my career, it felt like I did my best to align myself with quality artists, quality work, and it is a situation of steel sharpening steel.
I loved plays, I loved films, but I had no desire to act until I had just put out my album 'Like Water for Chocolate.' Creatively, I felt like I'd hit a ceiling, and I needed something else to express myself, and I just decided to take acting classes.
When I write down my thoughts, they do not escape me. This action makes me remember my strength which I forget at all times. I educate myself proportionately to my captured thought. I aim only to distinguish the contradiction between my mind and nothingness.
Hope is for people who wait. And I don't want to wait no more. I'm not scared anymore. I'm not scared of myself. Of my things. Of my fear. Of absolutely nothing. And that's music.
It has cost me a great deal to become myself. I don't want to be another person.
Being a teenager in a small Austrian village was not fabulous. I tried to fit in and changed myself to be part of the game. I now realise I can create the game.
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