Myself Quotes
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I could be myself. I'm very shy and awkward. I think the best thing is to embrace it.
I have a string of competitiveness in me. It's really strange 'cause it's not something that I would even expect myself to have, but every now and then it kinda sneaks out, you know.
Writing by myself, I spread that out more. I'll spend more time on a song then. I'm more critical about it, because there's no one else in the room to tell me, 'That's really not translating. I'm not getting what you're saying.' So, I'm constantly rewriting it, thinking, 'No, that's fine,' and going back.
I almost went to Central Saint Martins for fashion design. I deferred for a year when I graduated high school so that I could go model and make some money and immerse myself in the fashion industry for a year.
Ever since I can remember, I drew, and visual arts have been my main way to express myself. I like dancing, although I've never done that very seriously. It's something I'd like to explore more.
I had been interested in trying acting, and, like, I went to school with actors and whatnot, and I was interested in the craft but didn't really push myself to do it.
I do find myself missing the energy of New York more and more often as my time away from the city progresses.
I'm starting to develop my practice, learning how to come home after a really long day of shooting and letting myself breathe. I'm drawing and painting and listening to my music and keeping those things separate.
Everyone tries to be so slick and modern and computerized. I've always done everything myself with little money, so I guess it's become 'my look,' but it's not really intentional.
I have so many photos of myself in my room when I was a kid; I had one wall that was all TLC posters that I got free at some record store, then another wall was all Public Enemy, and the last wall was all '90210.'
I can be working on a collection and a film at the same time. It can take a lot out of me, but the processes come from the same source. From a brief I set myself I can make a film, I can make a collection, I can make an installation.
I've spent the last 50 years or so steeping myself in the world's religions, and I've done my homework. I've gone to each of the world's eight great religions and sought out the most profound scholars I could find, and I've apprenticed myself to them and actually practiced each faith.
I've never been in a Sweat Lodge. I, myself, personally don't even like sitting in a sauna, so I've never been to a spiritual retreat so I don't understand the whole process.
I'm real critical of myself and if I take the bandana off my head I'm completely bald headed and go from being 58 to looking 68 instantly.
I'm finding it increasingly difficult to simply walk down the street. In New York, I dashed in to buy a big pair of sunglasses to conceal myself, but the guy behind the counter shouted 'Hey! It's Dr. House.'
It's a natural thing for people to say, you know, Who's in this book? I find myself get ting a little defensive. People come along and I'm waiting for that first question.
To live for results would be to sentence myself to continuous frustration. My only sure reward is in my actions and not from them.
Sometimes I doubt, and sometimes I believe. I like not making myself believe when I am doubting and not making myself doubt when I am believing.
If I hold back any part of me, I suppress that much energy and potential. The question I want to ask myself now is not what behavior is good or bad, but in what ways would I express myself with greater energy if I didn't hold back.
Doing 'Mamma Mia' was scary full stop, so playing a young Colin Firth was even more intimidating. I just had to keep reminding myself that I was playing Harry and not Colin Firth, which psychologically felt better.
A mentor long departed told me that the greatest gift in political life, in any life, is to view yourself objectively, at arm's length, to make an assessment of yourself. So whom do I rely on? I rely on myself.
What I respect as far as in myself and in others is the spirit of just doing it. For better or worse, it may work and it may not, but I'm going to go for it. Ultimately I probably prefer to be respected for that than whether it works out or not, either winning or losing.
I just love making a fool out of myself. I made my living as a clown at kids' parties for about three years.
I'm not a kid. You don't get in this business for anonymity. It's not like I have posters of myself on the wall, but at the same time, I'm kind of ready for a little bit of it, but I worry for my little one, and my family - their privacy. That's what I'm more protective of.
People still get shocked when they see me eat a whole box of chocolates. I don't psyche myself out - I know how to balance my meals even when I am not on a strict diet.
I've never let myself give up, because I believe in myself. I want to get stronger than I have ever been, and I will continue to tell myself that I can do it, no matter what the odds.
I drink bullet coffee, and I make it myself because I hate coffee. I get a shot of raw coffee, mix it with butter from grass-fed cows and coconut milk. It's amazing!
I once missed an appointment because I left my house, I locked the door. And then I thought, like anybody else, you know, 'I don't think I locked the door.' I just kept going back to the door. And I couldn't stop myself from checking and checking.
Being 16 is the worst time to be anybody, there is not enough tea in China to persuade me to be that young again. I wasn't very happy with myself.
I would love to get in trouble with the Catholic Church. I'm not religious myself, but my issue is with the organization. It's an organization of men - it's not about faith.
I am happy for people to talk about my pictures, but I wish devoutly that I was not expected to talk about them myself.
I had worked on the markets with my father before going to university, so I possessed an apparent street-smartness, had access to a colourful costermonger vocabulary, and tried passing myself off as a bit of spiv. But my contemporaries saw through me. At heart, they knew I was as bookish and oversensitive as they were.
Of my old tendency to overdo the dedication and deface the title page with florid compliments and obscure quotes which the recipient cannot read, I will say only that I learnt my lesson when I had to shell out with my own money for a hardback I'd vandalised and now limit myself to 'Good wishes.'
I like a singalong. And I'm a bit of a sentimentalist for the past myself.
I always saw myself wanting to do something deemed successful and good at the same time.
I probably have about four or five cups of coffee a day. I make myself an espresso macchiato when I wake, which is a shot of espresso and just a dollop of steamed milk. Then, if I'm going to do some work at home, I would make myself a French press. It's the best way to make conventional coffee.
Since I believe that a person's philosophical point of view has little meaning if it is not matched by being and action, I found myself willingly wed to an endless series of unpopular causes, experiences which I feel enriched my writing as much as they depleted other aspects of my life.
I align myself with almost all researchers in assuming that anything we do is a composite of whatever genetic limitations were given to us by our parents and whatever kinds of environmental opportunities are available.
Early on, I said to myself that I would like to write a kind of moral and spiritual history of a place. It sounds a little pretentious, I know. But that's really what I set for myself.
I submit all my plays to the National Theatre for rejection. To assure myself I am seeing clearly.
I grew up thinking of myself as an American but also, because of my parents and the Iranian culture that was in our home, as an Iranian. So if there's any such thing as dual loyalty, then I have it - at least culturally.
At this point, I can almost never see myself saying no to a con or a 'Charmed' reunion, because it's so important to so many people I've already met personally.
I never felt hard done by and never wanted for anything, but I grew up in a wealthy area where I saw people being handed things on a plate. So it made me want to earn some money and be able to buy things for myself.
Acting's incredibly enjoyable, but sometimes it doesn't feel quite enough. I've also written a script about the life of Eleanor of Aquitaine. This will make me sound like a female Kenneth Branagh, but I can't think of anything nicer than directing myself from a script I wrote.
I do cook a lot for myself. I tend to cook from scratch, a lot of stews and things, lots of beans, because beans have got lots of protein in them but not fat. I am partial to a bit of cheese - I try to limit myself in my cheese intake, but I do enjoy a good smelly cheese. Stinking Bishop is a good one.
I did a regional car commercial and an internet potato chip commercial. I was seriously thinking I needed to quit and get a serious job where I can feed myself and it doesn't kill my soul.
I did a year at Leeds, studying English. They basically threw me out, because I was taking too much time off to act. So I transferred to the Open University, because I could do it all online. By that point, I had admitted to myself that I had the acting bug.
I come from a very loving, stable background where I've been persuaded to just be myself and anything is possible.
I never want to pick an easy song. I want to continue to challenge myself vocally.
From a young age, watching my father embark on daring, and often dangerous, adventures in the name of Virgin almost become the norm. I'm not saying it became any less nerve-wracking waiting for his safe return - but, over time, it encouraged a new way of thinking for myself and my brother Sam.
I reveal all of myself. I bring all of myself to my roles. You only see me. You don't see anything else but me. That is who's there. They're manifestations of my own self.
The children in 'Nobody Knows' had a resonance with me. The children are projections of myself.
I don't have an exact picture of where I aim to see myself, but I want to do something which will be an example for everyone. If anyone is giving a reference for good work, then they should think of me.
I would only give one piece of advice which I followed myself. Somewhere down the line don't lose yourself. Just be what you are. Don't try to be a different person.
My solo music started as a way to really look inwards, and to spend time completely by myself with an instrument, without any outside dialogue.
You know, I don’t like talking about music very much. I have quite the hard time explaining myself.
Since I'm in the entertainment business, I think I have to hold a mirror up to myself and say, 'Am I complicit in miseducating and misinforming our youth by participating in this business, or can I use this business to re-educate and uplift?'
When I was 14, I bought myself a cheap electric guitar and tried to teach myself.
For the last few years, I've enjoyed writing my own stuff since studying creative writing at school, and as I've grown up, I've realised how much I enjoy escaping into a world that I've created myself. So I've kept that up as a hobby.
There is a certain line that I draw for myself, when it comes to what to post and what not to on social media.
My identity was a big issue when I was a teenager, and I had a lot of questions, like: 'Who am I?' 'Who do I belong to?' But when I was still quite young, I decided that belonging is a tough process in life, and I'd better say I belonged to myself and the world rather than belonging to one nationality or another.
I know myself - I cannot just play a cliche. It has to be a character; it has to be written with the complexity of the human being behind. Could be bad, could be good, could be someone we would hate, but still, I need a reason for that influence, and I need to understand why.
The more time I spend working on 'Sekiro,' the deeper I sink into this zone of blood and gore and conflict. But if I want to get out of it, I can walk over to the other side of the studio and ease myself into a completely different feeling when I work on 'Deracine.'
'Gears Of War' is one of my favourite games that I immersed myself in playing for long time, and Mr. Cliff Bleszinski is one of the greatest game creators that I respect.
I'm considering 'Dark Souls 3' to be the big closure on the series. That's not just limited to me, but From Software and myself together want to aggressively make new things in the future.
For me, 'Dark Souls III' is the end, but that doesn't mean the end for 'Dark Souls.' If someone other than myself, like another staff member, wants to make a 'Dark Souls,' then I don't want to deny others from making future installments.
I think that the World Cup is a big factor for this increased interest. I don't believe all of this is a result of just myself but also because of the others who are playing abroad.
I used to have to think about awful things to get myself emotionally connected to something.
I love clothes. I can't control myself. I have a huge fetish for shoes and clothes and make-up. I'm the kind of person who doesn't like to wear things over and over again.
Every week I read about myself in a magazine, about something that I haven't done or some place that I've never been or don't even know. It's just gossip, rumors, egos, and politics.
So many schools are getting rid of music programs and it's really sad because I know that when I started singing and stuff it was something that I always wanted to do and I never believed in myself to be able to do it.
When I was starting out with record companies, there was a tendency to simplify the image as a prodigy. I have more than one adjective, and I've always tried to be myself and listen to my instincts.
When I was a child, there was very little money, so I've always been concerned for my financial security, which has meant that finding myself as a writer was a bad move. The practical difference the money has made is that I can support myself by fiction. That is what I have been trying to do throughout my life.
For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.
Though I have never thought of myself as a book collector, there are shelves in our house browsed so often, on so many rainy winter nights, that the contents have seeped into me as if by osmosis.
My attitude on skis is different now. I have learned to put less pressure on myself and on the edges of my skis when I'm racing, to be keep myself more under control.
I refrained from writing another one, thinking to myself: Never mind, I will prove that I am able to become a greater scientist than some of you, even without the title of doctor.
I have always written only for myself - to clarify things, to clarify things with myself, to understand in an inner way what is actually happening.
It pulled me like a magnet, jazz did, because it was a way that I could express myself.
I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.
Well, I liked it - that was the main thing. I liked it, but I didn't think of it in terms of a career. I didn't really know; I didn't really think about it. One thing just led to another until finally I quit my job as a salesman and found myself working as a photographer.
Once upon a time my political opponents honored me as possessing the fabulous intellectual and economic power by which I created a worldwide depression all by myself.
He appeared every night, like myself, at about nine o'clock, in the office of Mr. Tyler, to learn the news brought in the night Associated Press report. He knew me from the Bull Run campaign as a correspondent of the press.
He surprised me by his familiarity with details of movements and battles which I did not suppose had come to his knowledge. As he kept me talking for over half an hour, I flattered myself that what I had to say interested him.
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