Myself Quotes
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It's hard for me to see myself as meaningful, but people seem to like my music, so who knows. Maybe my music is empowering some more young women to pick up songwriting/playing.
One of my biggest problems is I get bored too easily, and I like to experiment too much, to the point where I confuse myself and I confuse my fans.
I never really focus on writing for other people, to be honest. Every song I've ever written was for me to sing. Maybe if I'm writing for a rapper, but I'd still write it as though it was for myself and then sometimes I'm actually asked to do the part.
I do consider myself British. I have very strong feelings about my British heritage.
I - and I still consider myself, I'm sorry to tell you, a Marxist and a Communist, but I couldn't help noticing how all the best Marxist analyses are always analyses of a failure.
Music is my thing. In fact, that's what I wanted to do. I thought of myself as a musician. I had never thought about acting.
Even if I delete something, I know somebody probably will have a screen shot. I portray myself how I want people to view me.
I'm hoping to dive into the producing aspect of this industry. I don't want to limit myself to just one thing, so I kind of want to dip my toe in every field and see what clicks with me.
We were very athletic growing up. My dad basically trained us like boys when we were little, so being able to physically challenge myself and to be able to do crazy stunts and not use my stunt double was super exciting for me.
People said, That's great for your career, but what have you done? I kept feeling I had to defend myself.
The thing about awards is that a lot of those moments are about the whole world telling you that you deserve it and rah, rah, rah. I'm very appreciative of that, but I love experiencing stuff by myself. Because it feels different. You know the truth, and you can hear what the voice in your head is saying properly.
I have a song called 'Young Voorhees,' because I like to call myself the new Jason Voorhees, and it samples 'Courage the Cowardly Dog.'
I didn't grow up in a regular upbringing. I ended up at my grandmother's house past a certain age, so I took care of things myself. I moved out of home when I was 16.
When I write songs for myself it's really personal and I just can't have someone else singing it.
I remember when I was little, my mom asked me, 'Would you like to play the violin or the piano?' I looked at that giant monster and said to myself - I am not going to lock myself on that bench the whole day. This is small and lightweight. I can play from standing, sitting or walking.
I tore myself away from the safe comfort of certainties through my love for truth - and truth rewarded me.
I like to write books that touch my heart. I want to entertain, and I love to entertain myself.
I think I've kind of carved out a sweet spot for myself by combining science and comedy.
I swim for myself. I love it, I have fun, and just representing my country is the greatest honor I could ever have.
The biggest thing I'm seeing - and I have to be careful what I say here - is that people are tired of the old guard and the familiar brands. They're looking for more individuality and creativity, and that's coming out of this whole new wave of younger brands: Thom Browne, Michael Bastian, Robert Geller, myself.
'The Searcher,' as the title suggests, is about someone in search of something, and I have always loved quest stories and so was drawn to writing one myself.
Survival is a privilege which entails obligations. I am forever asking myself what I can do for those who have not survived.
I tune it all out because if I let other people's stress get to me, then I stress myself out more than I need to.
Mentally, I have to get my body and mind in the right place before I start the routine, but once into the zone, it's like I turn on a switch. I envision myself doing the same thing for the Olympic Games.
And so, at the age of thirty, I had successively disgraced myself with three fine institutions, each of which had made me free of its full and rich resources, had trained me with skill and patience, and had shown me nothing but forbearance and charity when I failed in trust.
I did an audiobook for 'Rough Crossings,' which I thought was one of the best books I had published. But it was an absolute embarrassment to read it. All these horrible mucked-up bits of syntax, over-the-top adjectives. I found myself editing it while reading. Alert listeners will notice the difference.
I actually struggled through teaching myself to cook because I'm completely ignorant in the kitchen. So I did really macho things like trying to make my own curry. Really hardcore stuff.
In all the poems I've written I've not really engaged in politics, and when I've found myself moving in that direction I've always stopped myself.
I have to make myself write, sometimes. In the space between poems, you somehow forget how to do it, where to begin. It was good to be task - based for a while. I just came downstairs each day, picked the one I was going to do that day, and wrote.
I try to force myself to travel light; otherwise, I tend to bring a million things that I end up never using!
I rolled myself up into a tight ball of resistance and it was thus that I went through my school years.
I don't want to be known as a serial entrepreneur. I like doing one thing at a time and making sure that gets my full attention until it's well established. I enjoy the initial years of a company because they are the most dynamic, and that is when I can give the best of myself.
I find it very hard not to be myself and maybe that does attract attention, but I'd be miserable if I wasn't.
My office has a view of low-cost housing, old East German prefabricated apartment buildings. It isn't an attractive view, but it's very helpful, because it reminds me to ask myself, whenever there is a decision to be made, whether the people who live there can afford our decisions.
Mostly, drawings are things I make for myself - I do them in sketchbooks. They are mental experiments - private inner thoughts when I'm not sure what will come out.
I love all dots. I am married to many of them. I want all dots to be happy. Dots are my brothers. I am a dot myself.
I'm no Ripley. I had doubts that I could play her as strongly as she had to be played, but I must say that it was fun exploring that side of myself. Women don't get to do that very often.
Communism seemed to be an ideal experiment in trying to achieve a state where all persons have greater democracy. I might add, like other persons here and elsewhere, I found myself concerned with the problem of increasing need for greater economic and political democracy for greater numbers of people.
But I cannot bring myself to believe that I was intended for a musician, because it seems so small a business in comparison with other things which, it seems to me, I might do. Question here: 'What is the province of music in the economy of the world?'
I have frequently noticed in myself a tendency to a diffuse style; a disposition to push my metaphors too far, employing a multitude of words to heighten the patness of the image, and so making of it a conceit rather than a metaphor, a fault copiously illustrated in the poetry of Cowley, Waller, Donne, and others of that ilk.
So I had to be careful. I recognized the responsibility that, whether I liked it or not, I had to accept whatever the obligation was. That was to behave in a manner, to carry myself in such a professional way, as if there ever is a reflection, it's a positive one.
I never had an occasion to question color, therefore, I only saw myself as what I was... a human being.
I am astonished, when I pause to think about it, to discover myself to be an author of humorous novels for children. Or an author at all. I had a childhood much like everyone else's. What went wrong?
Starting with the lyrics, 'Only scared of myself and the truth in the stars/I'm a king, I'm the dirt, God within me shine,' the first half of '6 Weeks' delves into my attempts to balance the notion that I have an existential purpose with the realization that I am nothing against the vastness of the universe.
I began wondering, can one really write a biography of an illness? But I found myself thinking of cancer as this character that has lived for 4,000 years, and I wanted to know what was its birth, what is its mind, its personality, its psyche?
The trick to my writing, it turned out, was doing so exclusively in bed. The minute I even dared to discipline myself and write at the desk, I produced mounds of nonsense. Yet, sitting in bed, I wrote easily, effortlessly, fluidly. I became the master of perfect indiscipline.
I once set myself a deadline: half a chapter a week, 20 minutes a day. The thought froze me instantly, like literary Botox. I returned to my non-schedule: sleeping, writing 20 minutes, and then back to sleep. Breakfast in bed, with juice congealing on the sill: pages and pages began to pour out again.
Be it television, theatre, or radio, I can work in any medium. I don't want to limit myself to just movies.
I'm worried about myself. Glizzy gang, that's it. I'm not worried about no other rappers.
I liked myself much more before I got famous. I was much friendlier and had more energy.
Like when I'm singing live I can't hear myself. I'm just listening to the rest of the band. To listen to my voice, it doesn't even feel like it's me.
We have so little control as actors, but there are ways you can maintain your integrity. I have to say I've never compromised myself in this career once. I've never done something I didn't believe in.
Every single one of my girlfriends who's had a big breakup has gone and done some kind of makeover, including myself.
If I prepare myself for a character, for a role, I always try to understand her.
When I did comedy I made fun of myself. If there was a buffoon, I played the buffoon.
I personally believe that I'm a very unconventional heroine. And for me to be cast in some very nice films and whatever little name I have made for myself, I feel proud of myself.
I can communicate what I want to in Tamil, but I can't express myself in the language very well.
I tend to detach myself from movies once I'm done shooting them, because after that, it's in the hands of God. And it doesn't help if I panic.
I've never considered myself a feminist, but I'm happy that I've been raised as a strong, independent woman.
I'm a lesbian. That's how I identify myself, but I think there's a massive spectrum for everyone.
I started playing when I was about 13, mainly because Dad had guitars lying around the house. My dad taught me my first three chords, and I taught myself from there.
I proud to say that most of the Iranians love me and love my work. I love them, and I always have them in my mind when I work. There are few people who do not agree with me, but truly, I don't care. I call myself an actress with a mission.
I will never permit myself to give in to American taste and lower the standards of art.
My style statement is to be myself! Because if you try to imitate someone else, you will end up feeling uncomfortable.
I always wanted to do something different with each film. So I guess that means that I wanted to not repeat myself. There has to be some kind of a new element in each project that I take up.
I wasn't a friendly child. I was reserved and mostly kept to myself. My family tells me they've noticed a sea change in me after I've grown up. But I guess that's natural. Your surroundings, friends, college, etc. do make a lot of difference to your personality.
I very much dislike writing about myself or my work, and when pressed for autobiographical material can only give a bare chronological outline which contains no pertinent facts.
I think of life itself now as a wonderful play that I've written for myself, and so my purpose is to have the utmost fun playing my part.
I class myself with Rin Tin Tin. People in the Depression wanted something to cheer them up, and they fell in love with a dog and a little girl.
I did an imitation of him to make the crew laugh. To my shock, there was Cary Grant behind me. He got very angry. I was sent all the way from RKO to David Selznick's office and was told not to do it anymore. I thought to myself, 'I must have been pretty good to make him that angry.'
I consider myself an embodiment of the American dream: an all-American Indian.
I think people like myself as a person of color are tired of being called Nazis and white supremacists.
How can you defy fear? Fear is a human instinct, just like hunger. Whether you like it or not, you become hungry. Similarly with fear. But I have learned to train myself to live with this fear.
Magical realism allows an artist like myself to inject layers of meaning without being obvious. In American culture, where there is freedom of expression, this approach may seem forced, unnecessary and misunderstood. But this system of communication has become very Iranian.
I think of myself, an Iranian/American artist, and wonder what would I want if I'm ever imprisoned by the Iranian government for the work that I make? I answer: I would hope that the United States government comes to my rescue.
When you live in a safe place like Monte Carlo, you can walk home at any time of the night and you don't have to worry. I don't feel at risk there. If I drive myself, I can leave the car doors unlocked.
What I've realised is that when I walk into a club, I don't feel good, I feel uncomfortable. I wonder what to do, I look for my drink... it's not necessarily an enjoyable experience, so why would I put myself through that?
A lot of people had misconceptions that I throw tantrums and am very arrogant, and I knew 'Bigg Boss' will change that. You cannot pretend for 105 days in front of more than 100 cameras. I know myself, and I was confident that the world will also get to know and understand me through this show.
Wherever I go, people want to come and meet me. At times, I feel a bit suffocated too, as I am unable to be normal and myself.
In 'Space Dandy,' I'm trying to challenge myself and do stuff I haven't done before. I'm aiming for a really funny, cool, and crazy creation.
Some people compare Spike Spiegel to Dirty Harry, and they're both antiheroes. But Spike is an extension of myself.
I don't set goals for myself too much, but I'm always trying to write that one great song.
I grew up in Colorado - went back there, tried to heal myself and grow and learn, then got a call that David Lynch wanted me to fly back to Seattle so he could meet me for Twin Peaks.
What I tell everyone, and I really do for myself is, I have a long-run dream, which is I want to work on stuff that I think matters.
I don't hold myself out as a role model. I don't believe that everyone should make the same choices; that everyone has to want to be a CEO, or everyone should want to be a work-at-home mother. I want everyone to be able to choose. But I want us to be able to choose unencumbered by gender choosing for us.
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