Myself Quotes
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Not for one second do I not, like, pinch myself that I've had a successful acting career for 24 years. I am so grateful. But it's unfortunate that we live in a society that really puts a lot of pressure on women to look a certain way and to age a certain way. I think that sucks.
It's extremely difficult and very challenging to be a woman in film and television. Just showing up in this business forces you to know yourself. But I learned how to deal with rejection and get tough when I was working as a model - it taught me how to put myself out there. In a way, my time modelling was a preparation for life.
There is so much conflicting advice for mothers. Women finding out what works for them is the most important aspect. For me, being connected to myself helps me make decisions better to take care of my children.
Even though I thought of myself as soft and squishy, I always had this great will and focus and was just so driven.
'Red Planet' was a tough movie to make, and I learned a lot about myself. To me, that's a lot more interesting than how a movie does.
The only one I feel pressure from is myself to go and give my all for every match and, obviously, I'm a competitor.
I try to be myself and, of course, be a good role model. I don't really find it hard, but you think about what you do and that other people look up to you.
I think that's my personality, to have a good laugh and not to take myself too seriously. And of course I have my things on the court but when I'm off the court I just like to have fun.
I want to do well for myself and my sponsors... but I feel no pressure, because I don't play for the money.
Frankly, I think if I won the lottery and won a billion dollars, I'd still want to continue doing this job. I love expressing myself through it. I've gotten to really love acting. And I've gotten to know Big Bird from the inside out so thoroughly it's like playing my kid. I can't imagine deliberately stopping.
When I was eight, I bought my first puppet. It was a monkey, and I paid five cents for it. I collected some scrap wood and built myself a puppet theatre. I made 32 cents with my first show, which I thought was pretty good, and that's when I knew I would be a puppeteer when I grew up.
I've been enormously fortunate. People say, 'How do you feel about your reputation?' My real belief is that I have exactly the reputation I deserve... on the whole, I feel comfortable with myself.
The biggest thing I've learnt is not to limit myself by the norm or what I should be doing.
Any race I go into, I've always got the attitude of throwing myself into and wanting nothing but No. 1.
BMX is never over until the finish line, and I am always trying to challenge myself for that world stage.
I've always stayed pretty fit. I felt I needed to give myself energy by exercising and things like that.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
I like when things are completely absurd. I like when people take risks. I want to be able to challenge myself and challenge the viewer and challenge the back of our mind - the subconscious mind.
A lot of the time, people think I have a high opinion of myself when I really don't.
I always said I was never going to be one of those people to Instagram myself in the gym. But as soon as you get into exercise and get a taste of how brilliant it makes you feel, you want to share it!
Your morning sets up the success of your day. So many people wake up and immediately check text messages, emails, and social media. I use my first hour awake for my morning routine of breakfast and meditation to prepare myself.
I begin to cut myself off in a digital shutdown at about 10 P.M. Phone, laptop, and iPad go down. If I'm at home, I'll leave my laptop and iPad in the living room. Those things don't go into my bedroom at all.
Tiny slices, no frosting, forty-five minutes on the StairMaster: These are the conditions, variations on a theme of vigilance and self-restraint that I've watched women dance to all my life, that I've danced to myself instinctively and still have to work to resist.
I tell myself that some names can be mistakes, like Mxyplyzyk, a store in New York that lost customers because few could spell its name to look up the address. I tell myself that lots of writers agonize over titles, and often get them wrong at first.
I write about what haunts me, and I write the books I myself am dying to read. I love it. I can't think of anything I'd rather do.
Being in therapy is great. I spend an hour just talking about myself. It's kinda like being the guy on a date.
I'm not afraid of putting myself out there to someone and then them passing on it. At least you could have gotten a 'yes.' So it's worthwhile to have the cojones to do it.
From the minute I got to 'Fortune,' I loved my job. I knew myself to be a virtual dunce about business, and I was wide-eyed about how much I was learning.
Turning 50 changed me and I'm far more accepting of myself. I'm not thin, but I am a size 10. I go in at the middle and very much out at the bottom and top. And now I think, 'Well, that's how I am.'
As a kid, I thought of myself as stupid because I needed remedial help. It was not until much later that I figured out that I was dyslexic and that my trouble with spelling and sounding out words did not mean I was stupid, but early impressions stuck with me and colored my world for a time.
I don't consider myself part of the Kennedy family. It's almost like a little point of honor. I'm a DiFalco at the end of the day. An Italian-American from upstate New York.
I never call myself a Kennedy cousin. In fact, when I signed my contract with Bravo, I made it very clear that they were not allowed in promos to refer to me as a Kennedy cousin. I'm not that person. I don't feel it.
As hard as I try I cannot get myself to three museums in any one city. The only museum I've ever really enjoyed was the Picasso Museum in Barcelona and I think that's because it's small and you can touch things.
The first painting that I realised I liked was 'The Garden of Earthly Delights' by Hieronymus Bosch, when I was six years old, at the Prado in Madrid. I still find myself returning there every time I'm in the city.
I'm never sure who I'm writing for, or who's reading me, but I definitely see myself in conspiracy with my readers.
I love the writing. I love the idea of typing and seeing it on the computer and printing it out myself and, you know, moving sentences around. I like that.
My grandmother and I would go see movies, and we'd come back to the apartment - we had a one-room apartment in Hollywood - and I would kind of lock myself in this little dressing room area with a cracked mirror on the door and act out what I had just seen.
New York, to me, even though I grew up here, there's something magical about it. I remember, every time I used to go to L.A. for work, when I'd come back and get off the plane and be driving towards the landscape of the city, I'd be beside myself with joy. It doesn't matter how many times!
People do notice me - I'm always so surprised. When I dyed my hair blond for 'Suburgatory,' people would still recognize me from 'The Last Song,' when I had red hair, and I didn't even recognize myself.
I was fooling everyone by surrounding myself with funny people. But then I put myself out there - writing my own sketches, going on stage with nobody surrounding me - and for some reason people were still laughing.
I want to do it for myself. It's my goal and dream. All I can ask for is to get the chance and go out there and do the best I can, be as ready as I can.
I kind of see myself as a cartoon that's on its way to becoming a real person that has to find that special amulet or mushroom to get to that next realm or level. I don't feel like anything is that tangible. It freaks me out, why I feel unhappy or conflicted and why that can change on a dime.
Pretty much everyday, there's a moment where I'm having to pinch myself and think, 'When did this happen to my life?'
I always sang standards because the songs I wrote for myself weren't as easy to sing.
I like to style myself, as my first job out of university was working at 'Vogue' magazine in NYC, and I grew up attending the collections with my mother, so I have a particular aesthetic, which is classic glamour with a twist.
I just love sneakers. When I first started wrestling, I was wrestling in boots, and I felt like I was trying too hard to play a wrestler. I just wanted to be myself. So when I started wearing sneakers, I felt so much better.
There's nothing wrong with being a Diva. If it's because I take care of myself and look good, then I don't think there's anything wrong with that.
I feel it's important to show different sides of my character, and I never take myself too seriously.
I cannot always write at the same time, in the same place. I work, travel and have a vigorous family life. If I'm stranded in an airport lobby - I write. If I have to wait in a doctor's office - I write. If I have a morning or evening to myself - I write.
I don't need to rely on my concealer to have a sense of myself. I should be able to go out without my concealer, without my makeup, and still be able to be joyful.
In my early 20s, I set out to kind of find myself. At that time, if you were different or if you ever questioned your gender identity or sexual orientation, society kind of put you in the gay club.
I don't dedicate my whole life to being a trans advocate. But I do believe that me, and how I represent myself and how I am honest and open to everybody, I do feel like I'm doing something for the trans community.
My experience started in the gay nightlife/drag life. I was just as consumed in ignorance about what is offensive to transpeople because at that time I hadn't found myself. I was living as a drag performer only.
I don't view myself as a 'trans actor' or a 'trans model.' I mean, I am - it's part of who I am - but it's not something that solely defines me.
I consider myself an activist for women like me, who want to be confident and don't want to be judged.
I just want to say that I'm, like, living for myself, because I was onstage at Radio City Music Hall with Christina Aguilera - and my name was on the screen. It was a big moment!
I like to think of myself as an active American in our politics, but I get lost sometimes watching everything.
Soon after my degree, in 1958 I went to the United States to enlarge my experience and to familiarize myself with particle accelerators. I spent about one and a half years at Columbia University.
If I'm going to compare myself to a candidate, it's Rick Scott. It's not Donald Trump.
As a Republican, I know that myself and the overwhelming majority of the Republicans I have served or interacted with understand that Americans have different beliefs, and they have the right to voice those beliefs.
Losing an election is very difficult. I've lost an election myself, and it was very difficult.
I'm trying to get myself in good shape, do my workouts, so that when I am back, I am ready to go.
One performer whose band played my music better than I could myself was Art Farmer. He recorded 'Sing Me Softly of the Blues' and 'Ad Infinitum'.
In reality, I don't see myself as a man hunter. In fact, when it comes to love, I am rarely the one to make the first move.
My Smiths, my Carters, the Cashes - everybody embraced me and held my arms up when I couldn't do it myself.
I always have to just be myself. Anything else, I'm not happy, and it comes out musically.
I challenged myself to carry on the style of guitar that my grandmother did: the Carter scratch.
I was always in a big hurry to do everything. Before I was 20, I was married twice and had two kids. But I don't regret any of it. I learned a lot about myself. I had a lot to say for someone my age, real early on.
When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
I found the emotion that as an athlete you block out, and it really helped me to understand myself as a person. I'm a really emotional person and it helped make me a better person.
The curious paradox is that when I accept myself just as I am, then I can change.
I couldn't see myself filling some definite niche in what is called a career. This was all misty.
My style will be management by being on the street, management by walking around. Third persons won't have to tell me what's going on in our city. I'll hear it, I'll see it, I'll touch it myself.
I really try to take care of myself. I really put forth the effort to make a regimen just a part of my life. When I can't, for instance if I'm in a location someplace and I can't work out because of the schedule of the picture or whatever it is, as much as I normally do when I'm home, I still do something.
Monsieur Saint Laurent was pathologically shy, and he made the Saint Laurent woman in his own image. Like her, I am shy. And to protect myself, I adopted something of an androgynous look, just as his women did.
I always felt myself to be an unlucky person like Donald, who is a victim of so many circumstances. But there isn't a person in the United States who couldn't identify with him. He is everything, he is everybody; he makes the same mistakes that we all make.
To praise it would amount to praising myself. For the entire content of the work... coincides almost exactly with my own meditations which have occupied my mind for the past thirty or thirty-five years.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
I don't prepare myself for a specific fighter. I don't choose a fight to prepare myself for another fighter.
As far being the face of boxing, I don't like to name myself that. I leave that up to the media and the fans.
I'd rather play a tune on a horn, but I've always felt that I didn't want to train myself. Because when you get a train, you've got to have an engine and a caboose. I think it's better to train the caboose. You train yourself, you strain yourself.
I needed to purge myself of all the attention my parents had given me - I wasn't neglected enough as a child.
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