Myself Quotes
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I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.
If I wasn't making a movie, I was trying to master a new musical instrument or trying to teach myself how to shave with a straight razor. I had to find the weirdest things just to increase my understanding of other cultures or other arts or intellectual pursuits.
I like writing comic pages, discovering the rhythm of the panels, learning how much you can and can't express. It's good to stretch myself as a writer instead of always doing prose work; I write screenplays for the same reason.
One of the first records I bought for myself was a Keith Whitley record. I still love the 'L.A. to Miami' album. There were so many things on there - 'Miami, My Amy,' 'Ten Feet Away,' 'Nobody in His Right Mind Would've Left Her.' I can put that album on repeat and listen.
When I hear myself singing, I hear Iggy Pop and Jimi Hendrix. There's a conversational thing going on. I suppose it depends on which The Pretenders song you're listening to.
I can't force myself to do anything I don't wanna do, really. I never have.
'Sports Illustrated' does extremely minimal retouching. Other publications, however... phew. They do a lot; I've watched myself be Photoshopped before. It. Is. The. Worst.
I always wanted to be a teacher or wanted to do something with food. But modeling, I just never thought I could do it myself, really, ever. I still have trouble calling myself a model. I just never thought I was tall enough or skinny enough.
I'm dying to go to India... because the culture seems so vastly different from what I'm used to in the States. I would love to do some yoga there. And be amongst people who are so different than myself. There's so much you can learn from people who grew up in a different environment.
I actually rid myself of superstitions, but I do a quick 20-minute meditation before games.
My mom is just authentically herself all the time. She loves herself. She loves her sense of humor. She brings people in when she talks. She brings people in when she laughs. Watching her, I think that that's when I first learned and was encouraged to be myself and to sort of love and live in that way.
Before I found my peace, I was way too much in my head. I found myself on the field in my own thoughts. I've learned that there's a time and a place for my thoughts. The most important thing when I'm on the field is to just be in the moment and let it all go.
I gave up on the national team - I thought to myself, 'Well, that's just not something that's going to happen for me.' The national team was in residency camp; I was 6,000 miles away. Nobody was watching, nobody cared... I'm just going to go play for myself and my team and try to be great... and I had more fun than I'd have ever had.
I'm the kind of person where I look to myself a lot on how I can get better. What little, nuanced differences can I make?
I think my most happy and carefree state was 2012 because I really did say, 'Forget everything. I'm going to play for myself.'
I have crazy, curly, big hair, so,if I have time to try to make myself look presentable, I usually spend it doing my hair.
I've learned to love my body and myself over time by being a little more accepting and having grace with myself.
I spent a lot of time learning how to define myself internally rather than externally. I learned how to care less about external validation. I think that's given me a renewed confidence in speaking out loud. I kind of don't care what people think about me. I feel a lot more confident in saying what I believe.
I always hoped I'd get a chance to prove myself at the top level because I believed I could do it, but making your way up the football ladder is very tough.
I didn't see myself playing regularly at right-back for Manchester United or making my England debut in that position.
The other guys and myself have agreed that Billy Sherwood will do an excellent job of covering my parts, and the show as a whole will deliver the same Yes experience that our fans have come to expect over the years.
I walked into a demo session one time, and a guy said, 'I'm thinking kind of like a Trace Adkins thing.' And I looked him right in the eye and said, 'Man, you've got the wrong guy. I'm gonna have to fire myself. You've got to hire somebody else.'
It is a really interesting to hear yourself on the radio. I've gotten to hear myself in different capacities. I've heard myself on Sirius XM on the bluegrass channels, and on WSM and other places.
In the early days, I often felt that I was taking a math test when we were playing. It was a profound feeling of having to prove myself.
Growing up, my favorite group was New Edition. I loved the opportunity to do the remix to Bobby Brown's song 'Get Away'. I told myself that I would have my own group like New Edition one day.
At first, I see pictures of a story in my mind. Then creating the story comes from asking questions of myself. I guess you might call it the 'what if - what then' approach to writing and illustration.
'The Polar Express' began with the idea of a train standing alone in the woods. I asked myself, 'What if a boy gets on that train? Where does he go?'
When somebody says, 'This must be a children's book,' basically they're saying, 'You must be a child.' And so my answer is, 'Well, yes, I guess I am a child.' But I don't think of myself that way.
Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.
I don't think of myself as an illustrator. I think of myself as a cartoonist. I write the story with pictures - I don't illustrate the story with the pictures.
As I've gotten older I've occasionally found myself nostalgic for earlier periods of solitude, though I realize that's also likely a false nostalgia, as I know there was nothing I wanted more during those periods than to not be alone, whatever that means.
When I left the Royal College, I decided I would only make paintings that I would want to look at myself, that felt close to my life.
I'd sometimes go to Paris by myself - it was an easy two-hour train ride - to get a break from the everyday grind, to walk around a big city, ride a subway, feel the energy of a world capital.
Eventually, I realised that I wanted to try to create something myself, and that's what writing novels is. Not because I wanted to put myself in front of the world, but because I wanted to create something that would go out into the world.
I'd had 12 different job titles in publishing before I typed 'The End' at the bottom of a manuscript page. I thought the manuscript was in great shape; I was pretty proud of myself. Then I sent it to some publishing friends, and they tore it apart.
After many years of self-flagellation, I've realised that beating myself up doesn't get me anywhere.
Somewhere in this process, I begin reading and showing my book to my audience. When I say my audience, I mean a single imaginary child who is a blend of myself as a young person, the students in my wife's classroom of first- through third-graders, and the students from two classrooms I visit regularly in the Bronx, New York.
When 'The Road To Hell' happened, I didn't know what I was doing. Your diary fills up, and you have no objectivity. At home, you're trying your best to fit in. Sometimes I'd race from Heathrow to find myself sitting in a village hall watching my kids. It felt really weird. I didn't enjoy it.
In a funny way, the illness spurred me on. I thought to myself, 'I've got to get through this operation to make a blues album.'
Drawing was a cheap way for me to express myself. It gave a focus to my thinking and my life from a very early age.
I get asked a lot if I'd want to get into live-action movies, and the answer, honestly, is 'no.' I'm an illustrator, and I think animation is an extension of that way of expressing myself. That's not to say I'd never make a live-action movie, but I don't strive for it.
I'm calling myself 'The Doodler,' and with the simple addition of a small burglar's mask, I achieve utter anonymity.
You get to where you kind of like it, and It's a habit That's hard to break. I still find myself sittin' in a cafe, like a pizza parlor.
I think of myself as a complete person, not just a football player and athlete.
I am just pitifully nostalgic. I can't help but roll my eyes at myself frequently. I mean, I still shoot black-and-white film. And I am constantly reminiscing about the 'good old days.' I'm 28 years old. There haven't even been that many 'good old days.' But still, I love to look back.
I do an hour's yoga and go running every day. Then I see a picture of myself and I still look like a skinny, potbellied idiot - and I thought I had turned into this superhunk!
I would love to close my eyes and see myself with my girlfriend when we're 99 years old and I have a pipe and she's knitting a sweater, and I hope that's the way it goes. I think it's a challenge every day.
I've played in bands myself, and sat on the floor photographing some of the greatest bands in the world while they rehearse. What's always struck me is how different the sensory, especially auditory, experience is when you're in the middle of the music with the musicians playing off each other around you.
I remember listening to the radio as a kid and finding that the songs always made me feel more peaceful. Funny, but the more hurtin' the music was, the better it made me feel. I think of that now when I write my songs. I may not be feelin' the blues myself, but I'm writing them for other people who have a hard life.
I find myself walking these lines. Like I might be an artist, but I also might be an activist. And I'm trying to be both in a way that honors both and doesn't stray too far into either.
I think of myself as a translator. I just change the dry, unfeeling language of data into a visual language that allows for feeling.
It sounds gross to say that I like myself more. But not everyone likes themselves that much. Especially in the comedy world.
I enjoy trying to inspire myself. I enjoy the artistic side of everything. Music, art, fashion, everything. I just like to be on the cutting edge of it. I'm into designing houses and interior design. I like change. I like creating things out of nothing.
I don't have to psych myself up, or do something special mentally - I look through the scope, get my target in the cross hairs, and kill my enemy, before he kills one of my people.
Savage, despicable evil. That's what we were fighting in Iraq. That's why a lot of people, myself included, called the enemy 'savages.' There really was no other way to describe what we encountered there.
Sometimes when I'm not working, I go and teach at an acting school, and quite selfishly, that makes me feel more inspired to do things myself.
I classify myself as a comedian, but I'm one of those comedians who also acts so that I can split the difference and feel insecure about both.
I don't think I'm ugly per se, but on bad days, I have been told that I look like the monster from 'The Hills Have Eyes.' That was extremely confidence-shattering, so I try to take care of myself.
I've exceeded the expectations people had for me as an unconfident runt who grew up in North Jersey as well as the expectations I had for myself.
I don't want to be treated like I came from another planet or something or was somehow born with some weird birthright or super power. I don't view myself that way. I am a normal guy, picking up the crap from the dog and scraping the BBQ and having a beer and fixing the shed out back.
I watched the first people walk on the moon, and to me, it was just an obvious thing - I want to somehow turn myself into that. But the real question is, how do you deal with the danger of it and the fear that comes from it? How do you deal with fear versus danger?
Reading off a Teleprompter is an easy skill to do passably well and a difficult skill to do very well. I still have room for improvement there. I still talk too fast and I'm trying to slow myself down.
I know what I need to do to make myself and make my legs, most importantly, feel good.
I had to teach myself to let go of the conventional rock way of playing guitar and singing. Some things you wouldn't expect to work, did and some things won't ever work.
When I got into music, I wanted to learn guitar just enough to be able to write songs. I wanted to be able to express myself.
I have millions of dollars, and I don't know finance. I've had some bad things happen in my career. I've got to educate myself. I sit down with my finance guy once a month and go over everything, line by line.
Man, I'm just going to be myself. I shouldn't have to apologize for that. If people don't understand that, then they don't understand it. I'm not going to try to be somebody I'm not.
That's one thing I pride myself a lot more now, playing defense, I do what the team needs me to do. If we need a stop, I'll do it. That's a major, major part of my game now.
To be honest, I'm looking at today's game, and I put myself in that position and how I would benefit from the faster basketball, more threes, catch-and-go opportunities, attacking the paint with more space, that's what kind of gets me juiced up and riled up when I watch today's game.
I'm still learning more about myself and my situation and really, off the court, how to function there, because I'm kind of getting the taste of retirement now.
My first album was me finding myself and my voice, finding how I sing. I was rolling with the punches because everything was new to me.
Having the right people around you all the time is important. I do take the acting seriously. But this is all fun. I look at it like smoke and mirrors. I still think it's a dream, but I ain't pinching myself yet.
Success has a lot of different plateaus. But I first felt really proud of myself when I was doing an off-Broadway production in New York City.
I have gotten better at saying to myself, 'Relax and just take this moment in. Appreciate it for what it is.'
The music is something I've always done and always loved but always really kept for myself. Something I do for me.
When I came to Nashville, I was sort of experimenting with a new identity, experimenting with the country world and country writers. I realized I needed to take a step back from that, to be true to some of the music I've been doing over the years and to put that into the world before I move forward and redefine myself again.
I've become very interested in the spectrum of political discourse as seen on the cable news channels that are conveniently right in a row on my cable provider's dial. I can flip from Fox to CNN to HLN to MSNBC, and I find myself at night flipping it back and forth through them, and it's something of an addiction.
I surround myself, not with yes men, but people who have their own ideas and are on board with with I want to do.
I myself am going to try to tone down some of my rhetoric, and I would invite my Democrat friends - and they are friends - to do likewise.
I've had a carry permit for 30 years, and I would say off and on in different instances where I have, you know, felt it was appropriate, I would carry the weapon on myself.
I've been around horses, but I certainly wouldn't call myself a horseman by any means. It's a combination of being very aware of them, and not trusting them.
At my age, I dare say I've kind of established myself, and I don't have to chase a paycheck.
I constantly modify myself. There are downfalls to that because you are constantly trying to figure out who you are, but at the same time, I'm blessed with the lack of base paint on the canvas.
I'm heavily influenced by European and American cinema, but the further I get in my career, the more I find myself looking back East for inspiration.
I would have to say that because I've lived in so many cities, by no means do I feel it's fair to call myself a 'fan' of any particular teams. I've lived in New York for a long time, and I did this movie about the Yankees called '*61.' I found out a lot about the Yankees during that time, so I love the Yankees, I've watched the Yankees.
I just thought to myself, 'What am I doing? Is this how I'm going to live my adult life, banging my head, especially with what I've learned and know about the dangers?'
Oh, the most important thing about myself is that my life has been full of changes. Therefore, when I observe the world, I don't expect to see it just like I was seeing the fellow who lives in the next room.
The most important thing about myself is that my life has been full of changes. Therefore, when I observe the world, I don't expect to see it just like I was seeing the fellow who lives in the next room.
I've gotten a little bit pompous. When I get out in public, I really notice myself looking at my reflections as a I walk though. New York is not a great place for me.
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