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In Paris, I really do like to try and do nothing... but that's impossible.

If I could do shoes for anyone, it would be a special project for the Queen of England. She and the Pope are the ultimate clients.

I guess being French, I love Hollywood. I love Hollywood movies. Joseph Mankiewicz's 'All About Eve.' 'Mildred Pierce.'

I love deep cleavage on the foot. It reminds me of Berlin in 1930s, 'Cabaret.'

Cinderella is not only an iconic character when it comes to beauty, grace and fairytale love, but also shoes.

In designing shoes for myself; I'm not thinking of a specific person or catwalk. I'm just not thinking of clothes at all. I'm always thinking of a naked woman, actually.

If you do what you love, it is the best way to relax.

I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.

I don't follow anything online. I am rather slow on that side.

I remain faithful to bourbon sour. It's absolutely delicious. You'd have to ask a bartender what's in it, but I think if you know you might never have a drink. I also love a little rum, 7 years aged, brown, when it is chilly, before dinner.

I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.

Bollywood stars are versatile; they not only act, but each one has the dance skills of John Travolta in 'Saturday Night Fever.'

My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.

During breakfast there is something I cannot resist, apart from my boyfriend - it's actually the phone. I have a phone breakfast. Always. I call friends, boyfriend, family. Checking who is where. 'Is everything fine?' This is breakfast.

I'm very detail oriented. Everything that takes a lot of dedication and creativity I do in the morning when there is light and I'm really concentrated.

When I'm drawing, I'm drawing with the light, being completely open and creative. I can't draw in the evening. I need light and I need warmth if it is a summer thing, and I need cold if it is a winter collection. The good thing is that I have houses to go to whenever I'm working. I draw according to the place.

In France you cannot not have lunch. If you stopped the French from having lunch, you will have a second revolution, I can tell you this. Not going to work - it is part of the French privilege.

Breakfast is a peaceful moment for me, so I never have the radio on, no music, no noise around. The only noise that is permitted is people's voices. It's a way for me to wake up without too much of a high speed feeling.

Fruit in the morning is such a big joy for me. I like to grab fruit from the tree, et cetera. I don't feel that way with vegetables. Fruit, you can eat it at any time, any moment, in any type of situation. I like everything about fruit; I like the color.

If I'm in Italy, I'm going to have a cappuccino and two small brioches and then a mix of orange and grapefruit. I don't drink tea in Italy.

My relationship with shoes has always been linked to shoes, women, women in their shoes and performance.

I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage.

When you sketch a shoe but don't have the intention to do a proper shoe, it remains a curvy sketch with no detail. The shoe completely morphs to the body.

The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.

I don't repeat that many styles if I can help, although some have become classics. I try not to repeat. I'd rather surprise people.

I buy Dries van Noten shoes. I love his clothes, too.

I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.

I didn't even know 'Vogue' existed when I was growing up.

There are a million things I'd rather do before designing clothes: directing, landscaping.

There is a heel that is too high to walk in, certainly. But who cares? You don't have to walk in high heels.

You're abandoning a lot of ideas when you're too into comfort.

The core of my work is dedicated not to pleasing women, but to pleasing men.

I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men.

I hate the whole concept of the clog! It's fake, it's ugly, and it's not even comfortable!

If I could do shoes for anyone, it would be a special project for the Queen of England.

I feel I am a role model to many, not just for my designs, but also for the fact that I started my own company with the help of my two friends. I became a success story, and people relate to that.

Even today, I am still very child-like while designing. It's a bit like Christmas - each of your designs you create is like unravelling your presents.

If you are not bored by life, and your primary motto is enthusiasm and if you like your friends, family around you, it all translates into your designs. That's what keeps the creativity alive.

When you are too specific on a target, it can drain you. Ask me where I will be when I am 60, and I will have no answer to give.

I think every market has lot of things in common, and at the same time, every market has lot of different things.

A house is very much like a portrait. I cannot disconnect houses from people. The thought of arrangement, the curves and straight lines. It gives an indication of the character at the heart of it.

If there is something I like, I buy it and then find somewhere for it. I buy first then I think.

A good host is someone who really takes care of everyone, from the food to their daily programme. I can't.

If I'm in the country, my big idea is to do nothing. It means talking, it means cooking with the leftovers in the fridge - l'art d'accommoder les restes - it means gardening.

Istanbul is inspiring because it has its own code of architecture, literature, poetry, music.

For women raised in the '70s, high heels can still carry a stigma; they're associated with being stupid, with just wanting to please a man. Other women find them empowering.

If the height of the heel is the same as the length of your foot, it starts to look wrong. And if the heel is positioned badly on the sole, you get into ballerina territory, where the body is pushed into a very strange posture. You can exaggerate the arch only so much.

I'm a designer, and I think if you work in fashion, you have to give people fantasy.

I have this disease that if I feel good somewhere, I... buy a house.

To me, the word 'decadent' is so difficult to use; it's a very sensitive word, in a way.

A lot of my friends have tattoos; I realized that it's not only just a part of pop culture, but a bit of a map on someone's body, which says something about people. A part of their life, like an armor or a crest.

At age 12 or 13, I wanted to design for showgirls - for the theater!

The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes.

I have always loved tartans - such an ornamented type of weaving, so vivid in colour, and such a masculine aspect. But actually, I think tartans can be feminine or masculine.

People tend to fear the ghosts in their own family. You feel these family curses and think, 'If it happened to my father, it could happen to me.'

A good pump is a silhouette, like the bone structure of the face. It's like a beautiful face with no make-up. You can cover a not-so-beautiful face with make-up, but it is just a mask - it is the same with shoes.

No woman wants to have fat ankles.

Women like my shoes because they look good on them, not because they look good on the rack.

I'm not in the type of work where you should rest.

A shoe has so much more to offer than just to walk.

I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men. But where I draw the line, what I absolutely won't do, is the lady who plays bridge in the afternoon!

One thing I detest, I have to say, is when a shoe is too soft, and it's molding to the foot. This is quite disgusting. And I really, really hate incredibly long shoes, where the last is very pointy, almost like Aladdin.

The shiny red color of the soles has no function other than to identify to the public that they are mine. I selected the color because it is engaging, flirtatious, memorable, and the color of passion.

High heels are pleasure with pain.

Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter. I definitely would not have done it if she hadn't passed away.

I was born 20 years after my eldest sister. I was the pampered child. That kind of love gives you an almost unbreakable backbone. My mother had three kids before me. She let me be completely free. I just never had anything to beat myself up over.

A naked woman in heels is a beautiful thing. A naked man in shoes looks like a fool.

I hate the idea of natural. For example, I prefer gardens to wild nature. I like to see the human touch. High heels are a complete invention - an extravagance. They're far from natural, but it's the impracticality that I adore. I prefer the useless to the useful, the sophisticated to the natural.

When a woman puts on a heel, she has a different posture, a different attitude. She really stands up and has a consciousness of her body.

There's nothing I liked visually of the period I was a child. There was no dream in it, and nothing sparkled.

I always loved fish for the colors and birds for the plumage. In the same way, I loved those women of the cabaret. They were birds of paradise.

People are proud of their tattoos. It's like a modern coat of arms.

I like to undress women - not to dress them. You know, like Manet's 'Olympia' or Helmut Newton's photographs - naked women with shoes. This is what I am trying to do.

I wanted to be a shoe designer, but I never thought it could be a profession. But what was the alternative? Doctor? Too dirty! Air-hostess? Maybe not! Then someone gave me a book on Roger Vivier, and, cheri, instantly I knew that was it!

The heel is engineering in itself. This little thing that supports the human weight has to have a precise balance.

For me there ain't no high heel high enough.

What was called extreme 20 years ago definitely isn't extreme anymore. When I started, I remember people saying, 'Oh my God, I can't walk in that!' It was like, three inches - they look like kitten heels now.

There is an element of seduction in shoes that doesn't exist for men. A woman can be sexy, charming, witty or shy with her shoes.

Shoes for men are about elegance or wealth, they are not playing with the inner character. That is why women are happy to wear painful shoes.

I really wish I had invented the flip-flop. I love flip-flops. It's the one style of shoe I would be so proud of inventing: the Havaiana.

I'm really not a fascist. Everyone wears what they feel great in, or comfortable with. It's a beautiful day, you have an armless shirt: it goes with flip-flops.

I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping.

I wouldn't take it as a compliment if someone looked at one of my shoes and said, 'Oh, that looks like a comfortable shoe.' There is a heel that is too high to walk in, certainly. But who cares? You don't have to walk in high heels.

I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know 'Vogue' existed when I was growing up. 'Vogue,' what is that?'

My drawing for women is really curvy. My drawings for men are actually quite angular.

When I'm doing a store in a country, I always like to consider the concept of the country and the city. Ask what are the clothes of the city, what does this city represent for me?

Something I really hate more than anything else is clogs.

A shoe is not only a design, but it's a part of your body language, the way you walk. The way you're going to move is quite dictated by your shoes.

Men in high heels? That's a prosthesis. But I sympathise. Women have these giant heels. They get taller and taller. The men need help. But a man in heels is ridiculous.

Part of my work is dedicated to artisanship and can only be done by very few people because it requires a specific technique. Being an artist is being at the service of yourself; I am at the service of other people.

Funnily enough, the most difficult style to do is the plain pump because it needs to look good on a variety of feet. I compare it to having a good bone structure. Make-up will make you look good, but it helps if you have a good skeleton to begin with.

I have no problem with the idea of comfort, but it is not an important thing aesthetically. If you look at a shoe and immediately say it looks very comfortable, in terms of design, it is not going to excite me. Of course, I am not putting nails in my shoes to ensure everybody is in pain, but a heel is not a pair of slippers and never will be.

Strangely enough, I really think that shoes are a communication tool between people.

You know, you cannot be comfortable on a high heel shoes the way you would be in sneakers. But, you know, not everyone wants to be on sneakers. Sneakers are for different purposes.

The most outrageous shoe that I had to do was a shoe where the person gave me stones - precious stones - and say that I could do anything with precious stones.

I am interested in all things that celebrate and enhance the female form.

I am always surprised by who wears my shoes. This is a good thing. There is no type of woman, but all my women like to feel feminine. They are women who are happy to be women.

I am more feminist than feminists.

I am very bad at drawing. Seriously. I can draw shoes. That's about it.

I hate the whole concept of comfort! It's like when people say: 'Well we're not really in love but we're in a comfortable relationship.' You're abandoning a lot of ideas when you're too into comfort.

'Comfy,' that's one of the worst words! I just picture a woman feeling bad, with a big bottle of alcohol, really puffy. It's really depressing, but she likes her life because she has comfortable clogs.

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