Music Quotes
Most Famous Music Quotes of All Time!
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Shaheed Diwas 2026
I think my music covers a broader sound than just 'Tropical House'... My goal is to simply be a great producer in my own right without being pigeonholed.
There's just a completely different vibe at festivals. Everyone gets to hang out and enjoy their favorite music all day. I really do try and play as many festivals as possible!
A lot of producers don't have any musical education. I couldn't make the music I make without playing the piano.
I called it 'Cloud 9' because that's the place I want to take people when they are listening to my music. It's also where I am when I make music.
When I travel too much, it affects the music, and that is the most important thing. As long as I make good music, I can play shows, but if the music starts getting bad, the show offers won't come.
SiriusXM has had my back ever since day one when I was making remixes in my dorm room at university, and it means a lot that they're supporting my music as I prepare to release my debut album, 'Cloud Nine.'
I love finding talents to pair my music with such as Conrad on 'Firestone', Parson James with 'Stole the Show,' and Will Heard on 'Nothing Left.'
I've always been a fan of Drake's. I wouldn't say I listen to all of his music, but I would say that I pick tunes out of his that I love and then put them on repeat.
When I was first going out to funky events, it was a lovely kind of music to dance to - it had such a nice vibe.
I got married and had a baby, so I was doing the mummy thing. I got hyperemesis and was only supposed to go away for maternity leave, but then it ended up being three or four years, and by that time, it was hard to get back into the music world, so when Drake called, it was the perfect opportunity.
Ralph Lemon is my idol. But music is my biggest passion. Frank Ocean's 'Pyramids' is on repeat. That kind of stuff with Frank Ocean makes me cry.
I like all kinds of music. On my playlist at the minute is Professor Green, Tinie Tempah, Maroon 5, Stereophonics, Jay-Z, Drake, and lots more. I always listen to music when I'm in the gym; it helps me to get pumped up.
My phone is key. This is because I like listening to music, and often, not travelling with it would be a killer. I also love my bed, but unfortunately I can't travel with it, but if I could I would.
I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
My cousin used to make fun of me for liking stuff like C+C Music Factory. I didn't have any tapes; I just liked their song on the radio. We liked that because that was what we had access to.
Anybody that's from somewhere that's made it in music outside of New York or L.A., if it's a unique enough place, they'll always say, 'Dude's from Minnesota!' Or wherever, you know? So that's how I got the Philly connection.
Yeah when I was 7 or 8 my moms would have little parties, and I would play the music.
I love how my sport reaches out to people with the music and story lines, the glory of standing up for three or four minutes of tough, arduous, gravity-defying skating and all the stuff that goes with it.
It must be a hellish thing to know what's possible in music, to be hearing things all the time and not have an appropriate outlet for them.
So no one should rely on television either for their knowledge of music or for news. There's just more going on. It's an adjunct to the written word, which I think is still the most important thing.
But music raises a lot of issues. Music is something that matters to people a lot, and they put a lot of passion into it. And I think when you have an area like that, you're gonna find a lot of issues coming up.
The message of music was also the first thing what I learned from my first teacher. She was an organist too and she was very devoted to what she played, so she had a respect for every piece and she felt that she is not allowed to add something of her own.
Despite fashioning myself a very unconventional lifestyle with my music, I had ended up in a really conventional situation. I was also guilty of becoming a people-pleaser, which is absolutely exhausting and not a sustainable way of living. It can be so damaging to fall into that trap, especially in close relationships.
Well, I was a real late-comer to listen to music, actually, because my parents - first of all, my parents weren't big music fans. They didn't listen to music. We didn't really listen to stuff in the house.
I would be happy to live in a world with no mirrors, but at the same time, it's great to look good on stage because you feel you're offering more than just the music.
British music lovers in general are dreadfully concerned about being cool, but I'm quite happy to grab uncool by the horns at any opportunity.
There was an obvious display of blatant sexism when I couldn't get signed. They didn't say I was ugly. They didn't say that they didn't like the music. They said I was too old! At 26! So Badly Drawn Boy, Doves, Elbow, James Blunt - you can be a gnarly old beardy bloke with a bit of a paunch and that's all right?
I've always tried to avoid music being direct therapy, and I've always found there's a power when you write something that can have its own interpretation - although I'm not being intentionally evasive.
The point is that I am such a big fan of Puccini and that Butterfly is the most difficult and complete role that you can imagine. Just to sing it with a good voice is not enough: it asks tears from your soul. I am very emotional on stage, and the music is so tender that I suffer for real when I am singing it. So I cannot do many performances.
I think music should be free. I think all communication should be free. I think people should respect artists, and there should be a certain respect for artists who give their music away for free.
Even with so many artists using auto-tune, there's still a growing group of artists rising up and going in the opposite direction, making music that's real and fresh. And those cats are getting back to the basics without auto-tune. And a lot of those cats are packing out venues without getting played on the radio!
I really don't know anything about music, and it's no great experience for me. But I do think that music has a purifying element.
Before you can make good music, you just have to shut up. Then the music can say what it has to say.
I don't mind what the market is, but why is it vapid? If they're such a bunch of idiots, why don't you show them good music instead? They're not going to know the difference.
I have to play as much of the game as I allow myself to get the music heard. But it's not unlike the rest of the world, so I'm not as up in arms about it as I could be.
Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.
I still absolutely love 'The Sound of Music' and anything with Julie Andrews in it.
Each kind of generation of bands forgets how they got here. Waylon Jennings came out and they're like, 'That's not Patsy Cline.' And everyone panicked, like, 'I don't know what happened to country music, but this isn't it.'
I try to spend a lot of time thinking of what it is I want to say, and how I want to say it. Mainly because I know what it's like as a fan to hear music that is just exactly what I needed.
The first time I toured the U.K. was in the early '90s with Billy Pilgrim, so I know how much the people there love music.
I believe that melody is such a lost part of music and country music. People are either scared of it or not using all the colors that are available.
I love making music, but I also love making music that's on the radio. In some circles, that is considered less artistic. And I've always tried to resist those people that say the two can't exist at the same time.
When I got my record deal at Atlantic, at the time, 'indie' wasn't a style of music: it was a kind of label. And I think, eventually, the bands that ended up on those labels began to be branded as 'indie bands,' and then it became a genre.
I love writing music for film and TV, but putting it into a video game is twice as fun because it needs to be repeatable and joyous.
Billy Pilgrim music is very emotional. It's one part the craft we learned from people like the Indigo Girls and R.E.M., and one part the Tom Waits craft, where you're trying to create a moment.
Michael Jackson was the biggest star the world has ever seen - he put so much into everything; a lot of attention to detail. I want to do that. I want to pay that kind of attention to detail in everything - in music, visually - all of that.
I'm a huge fan of music in schools and music education because that's how I grew up.
Well, when you're recording an album, artists have what they feel like is good music, and the label, they're trying to sell the album. So those two ideas clash sometimes, but in the end it always works out. When you put the two together, that's a good thing.
I'm not a man of many words, I'm not very expressive or emotional, but it comes out in my music.
I'm just going to go out there, and if people want to put me on the front of their magazine or whatever, that's fine. If they don't, that's fine as well. I'm just going to go out there and make my music.
It's hard to write music for specific things, because I'm always writing just to write.
I love pop music, but I love pop music that does something a little bit different.
I want my music to feel like I'm giving something to someone else and not that I'm expecting something back.
My dad was a musician. He was a singer and he played the guitar, so music was always around.
The closest I've come to knowing myself is in losing myself. That's why I loved football before I loved music. I could lose myself in it.
I feel so lucky to have lived the life that I did and to be surrounded by the people I love. I've got eight kids, and they're always laughing all the time. It's like music to my ears. I think that my frame of mind these days is probably happier than I've ever been, which is kind of odd, coming close to the finish line.
The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.
I think it's so important that you want to be in the room with these people making music together, because that's what it's all about. Especially hip-hop music, because you have to be vibing.
When they ask who is your biggest influence, I always say Pharrell: whether it is music or fashion, I'm a big fan.
We asserted ourselves as a music community, and showed legislators that music is positive. Especially if you've sold 300 million records worldwide and pay taxes.
This band is a real collaboration, and I'm greatful to anybody who can appreciate our music. It doesn't have to be a certain kind of fan or person or anything. I think there's a little bit of something for everybody on this record.
When I perform, I like to immerse myself in the music, and I just try to get off on the diversity of music.
If I want the day off, the boss never says 'No.' I paint away listening to an iTunes jazz station called KCSM Jazz Radio. It's perfect. Good music and no news traffic or celebrities.
I know Diplo knows a lot about underground music culture - he was one of the people to put me onto music like that when I used to listen to the Mad Decent Mixes. It was like, 'Oh, he knows what I want.'
I don't only like rap music. There's everything from R&B to crazy gangster rap, hip hop... everything! But it all blends together nicely. It's like a magical music rainbow.
I always knew I would do music. At first, I wanted to play basketball, and when I let go of that dream when I was 11, I pretty much knew I was going to be in music.
My goal, in general, is to make music for the youth that the youth can love. Not only just for the youth but almost be their voice. Just show that they can do whatever they want.
I just want people to listen to the music and get something from it, whatever it may be. Whether it's a catchy lyric or a whole situation.
I definitely love touring with Yachty. His fans are honestly really nice, because I've been in front of some mean crowds. They're definitely a diverse, alternative crowd that just want to hear good music and have a good time.
If I'm 100 percent myself, I feel like I can go and create any type of music I want.
I feel like people being themselves and not being scared of judgment, they're putting that into their music, and it's like, 'Wow, they came up with something fire because they didn't care how you were going to feel about it. They didn't care if you were going to like it or not.'
Blues is my life. It's a true feeling that comes from the heart, not something that just comes out of my mouth. Blues is what I love, and blues is what I always do.
From a young age I was really into pop music because I had these two older sisters who were into it, and I wanted to be like them. They liked Wham! and so I was really into them too.
When I was in the sixth form I presented a cable and satellite programme about music, television and video. I used to do public speaking competitions.
Since I've left 'Blue Peter' I've presented all sorts of different things. I've done a music show, for instance, and 'Blue Peter' had music on it. I've done a politics show, but on 'Blue Peter' I interviewed the Prime Minister. I've done travel stuff where I've gone abroad, but 'Blue Peter' had that within it as well.
I did not start IC and Inteam to have control over my music. I had control before and after.
I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out.
The problem was the journalists who also did not understand much of my music, but they wrote about it. I think you fell into the usual trap laid out by parts of the press and other writers: that the poor musician has always to fight the evil companies and managers.
My interest in his new toy, the Theremin, isn't very big. It simply does not fit into my way of playing music. I do not want to fiddle around with my hands in the air.
Of course, some people call me one of the most well-networked people in the world, but I am a very unsocial person - I never go to a cocktail party; I am never seen at a charity event. I have one exception: I'm a member of the board for one of the big European music festivals, so I participate, with pleasure, in concerts.
It is based off the pentatonic scale, which is a five-note scale in music. And there are five of us. We were going to be The Pentatonix, but we dropped the 'The' and added an 'x' to try and be cooler.
Even before Pentatonix, I always thought that I would be out here in New York doing Broadway and doing musical theater. That was what gave me the passion for music in the first place, so it's been really, really, cool.
I've listened to a lot of different styles of music growing up, and they've all influenced me at different times in my life.
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