Music Quotes
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I have some good books of Bach keyboard music transcribed for guitar, and there's always a nylon-string guitar hanging on the wall in my house and a bunch of classical guitar books to grab. I kind of do that just for fun.
It seems like Weezer has gotten better and better at getting attention for everything besides our music. Part of that is just the nature of our culture now - you really have to scream to get some attention, so people even know you have a record out that they might want to listen to.
I'm constantly fighting with my manager to reduce the amount of time I have to spend on promotional activities, so I can get back in the studio and work on new music.
Cat Stevens' music, voice, and energy made me feel so secure. He sounded different from some of the paternal figures in my life, so gentle and kind.
At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.
I felt frustrated by the limitations of rock and the lifestyle of touring around on a bus and playing the same songs over and over. So I went back to school to study music, and one of the things I got into was the Italian opera composer Puccini.
I always like balance. If I'm playing rock music all the time, chances are I'll start craving some lighter, poppier stuff, both to listen to and to play. I compare music to massage. If someone's been working on your back for a long time, you really want them to move down to your legs or something.
I do want to make music that people love, but I also want to make music that I love. I know I can't please everyone with anything I do, so I don't think too much about how other people are going to take things.
In some ways, I feel like I was Nirvana's biggest fan in the Nineties. I'm sure there are a zillion people who would make that claim, but I was just so passionately in love with the music that it made me feel sick. It made my heart hurt.
When 'Nevermind' came out, my roommate had the CD. At first, I actually thought, 'This is too polished and commercial.' It was a little off-putting. But then I was like, 'This is the best music ever.' It felt so close to what I wanted to do.
Nothing sounded as sincere as Nirvana's music. It took a long time for me to accept that any other music could be good in other ways. Including my own.
I think probably with any performer, but maybe with rock music especially, the audience wants to see the singer being real, and exploring, and not doing a rehearsed routine, so I'm just constantly looking for new things to try. I'm really curious out there, and my curiosity has led me into all kinds of bizarre situations.
New country music comprises about five percent of what I hear per year. I enjoy it, but I don't really take note of who's singing it or writing it.
In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.
The music I make and the process of acting, for me, are both about trying to understand people and get inside what makes us tick. That's the main thing that excites me. Our sense of who we really are and what drives us.
The only people who have doubts about the sincerity of my music are people who come to it relatively late, off the back of having seen me in a film. Acting is about being other people, and music is about being myself.
My music is a very personal reflection of me, whereas, acting a role, that's a reflection of another character.
I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.
The multiculturalism of Britain is one of our greatest strengths in music, literature, and visual art, but the TV and film industry doesn't tap into the multicultural talent pool in the U.K. as much as they do in the U.S.
Maybe I don't ever fully switch off, but I think the way I offset that is by splitting my time between film and music. I always want to challenge myself and grow, fail, self-flagellate, and then try again.
I'm not really good with explaining myself verbally, but I do it through music and other outlets.
I was definitely Theater-Band Geek/Straight-Up Boss Subgroup C. I was really into band and theater and super into music at the time. I loved performing arts, and that would definitely be my group.
I've got my whole life. There's a lifetime of experience, a lifetime of experiencing the road and the music and different players. It makes me a richer human being. I have a greater source of information to tap into, a wealth of life.
When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else.
I try to show what it is about language and music that enthralls, because I think those are the two elements of poetry.
Roc Nation is such an incredible, unique team, especially in the music industry. Everyone genuinely loves and cares about each other.
When it comes down to the music, it's just you and the microphone. It's not you and the record execs.
I'm basically just a normal girl from West London who speaks from her heart and who loves music.
People like Prince don't have to care about anything, but they care because they want music for the future to be great.
Music is my favorite thing in the world. I grew up completely around it and I think it's one of the most important things to me, but at this point I can't see myself doing that professionally. Luckily, for the most part, I don't feel pressured.
I have way too many hobbies. I play guitar, and my buddies and I record music in a studio in my house. I have a couple of vintage Jeeps I'm always working on, fixing up. And I ride horses - I grew up on a horse ranch - and play basketball. I need to cut back on my hobbies so I can work more.
We will miss George for his sense of love, his sense of music and his sense of laughter.
I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music, and that's the important part, not the mop-tops or whatever.
When I started making music, I figured the name Rico Nasty would give a background of who I am.
I feel like what I'm bringing to the table that's different is like not just consistency in the music but consistency in the creativity, consistency in the visuals, in the fashion, participation with the fans and things that I give them and merch and stuff like that. And I'm very active with them.
It is one thing to record an album but it's a huge difference when people play it and listen to it and embrace it the way that I do. It has always been my dream to get my music out to the world and have people hear it.
I never thought about acting before I started modeling, but since then I've been in short films and music videos, and I got interested. It felt natural to switch over.
I really enjoy creating music onstage, to participate in making music live.
I'm probably the only kid in history whose parents made him stop taking music lessons. They made me stop studying the accordion.
Collaborating with someone on music is the same way you'd go about hanging out. You have to listen more than you talk.
I don't have an iPod. I mean, I have a couple. Doesn't everyone? But I don't use it. I need to because I go to the gym now, and I'm tired of listening to morning radio. I want some music! I do have a video iPod, but I don't use it either.
I became a country music fan in 1990 when I moved to Colorado. It was my first exposure to it because I'm from a city. I've been a fan of country music ever since.
That's kind of the mission statement for the label: to try to do great music that touches people's hearts.
The difference between me and the newer artists is that I have the history with the architects, the masters that started the music. I know where the music came from.
It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.
Maybe you're going to a concert thinking you're not going to hear anything but music. But you may walk away from there with an answer to a problem that you're carrying around with you that you didn't think you were going to hear about.
I mean, I could tell that I really had... a precious gift. And I'm so glad that I have followed through with it and really used that gift and nurtured it, honed it, made it sharp and tried to use it as a tool now to make music and to make a living for my family.
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
I had some good teachers. One of the greatest teachers I've had is bluegrass music: going back and listening to Bill Monroe's music, the Stanley Brothers, Flatt & Scruggs. When I was with Ralph Stanley I learned a lot from him.
After 'Mosaic,' I think a lot of people didn't know what my next record was going to be. And that's what I love. I just love doing music because I'm not going to follow the patterns and formulas of Music Row.
When I came here it wasn't that I was anti-Music Row, but it was like I was going against the grain of what everybody on Music Row was doing, and that's what has made me successful.
When I hear bluegrass today, I hear so many new sounds in it. It's almost like country music in a way.
I always had a standard of, back when I was doing the country music I always told people I would never record a song that I wouldn't sit down and sing in front of my mom and dad.
I just love to have fun with music, and try to find songs that say something that people want to hear.
I just want to keep playing music and keep recording. I feel like my best days are ahead.
I always say this to people: 'If Shaq can be in the NBA for 19 years and dominate for 19 years using his body, why can't I be in the music industry for 50 years using my brain when my brain is way stronger than anyone's body?' I have to have a successful record company, more hit records. I want to dominate the game.
I listen to all types of different music. I go to different festivals. I'm around music.
I really was kind of like a musical nerd. I would watch VH1's 'Behind The Music.' That was heavy when I was a kid. I would sit up and want to watch that all day instead of going outside sometimes.
AC/DC, Def Leppard, Alice Cooper - I learned stories of all these guys. That's when I fell in love with Queen, which is one of my favorite bands of all time... I started paying attention to what made music good. I started paying attention to why I liked it.
The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.
My life revolves around music and always will. I need to be a part of music and not an observer.
Country and western is the music of the devil. That's the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldn't handle it.
We worked very hard to make the lyrics suit the music. I can't, like Elton John, for example, compose by lyrics. Elton has a great talent for that. Whatever you give him, including your questions, he composes in half an hour and makes a great song out of it.
The fact that people still know us is, in my opinion, a result of our music and of the big money that runs the music industry today. The people who control the industry are accountants who recycle everything in new, nostalgic packages, and everything else, to make more money.
For me, playing music is like meditating - I just play and don't really think about what I'm doing, I just let it happen.
I don't want to use my platform to speak out against anybody. I'm a rock and roller. I play music for a living.
All I can say is we love what we do, and the audience is still there for us. I think what's given us such longevity is that our music may not be fancy, but it touches a nerve with the average Joe.
That's what I'd rather be doing more than anything. I love to play and perform and write, record, do whatever - just stay in music.
There are a lot of artists that come and go very quickly, and I understand why just because someone has a No. 1 doesn't necessarily mean they should be up for best male or female categories. I understand that Aria are protecting the integrity of what Aria is, but I do think that pop music isn't recognised enough.
I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music.
Music is my number one, it's my life, it's my everything. I'm enjoying challenging myself; I want to raise the bar and set a new standard for Australian pop artists.
I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.
I was the only punk rocker at my high school. And there were at least a handful of black kids who liked hip-hop. Both were kind of the new music of the day, and it was lonely being the only punk.
My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else.
I played more of an advisory role with Public Enemy. I really trusted them to make the music that they wanted to make, and the way The Bomb Squad worked with the... they created their whole own world of music.
I'm just trying to make my favorite music. That's how I work; I just do things based on the way they feel to me. I want to be touched by the music I'm making. Luckily, other people have shared that response to my work over the years.
When someone pursues music through your music, that's the greatest accolade anybody can get.
I don't limit my taste. There's some jazz that I like and there's some opera. I've been listening to what was essentially country music, but it crossed over to rock.
The only type of music I don't like is Dixieland jazz. It's just a little too happy and noisy for me. I like intervals and spaces in my music. There's just something about Dixieland.
For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, art, everything. I read a book alone, so why wouldn't I listen to music alone?
There's a long tradition - certainly with country, but in all kinds of genres of music - to have humorous lyrics. Certainly with Frank Zappa and the Mothers of Invention and, if you look at country, Roger Miller and Jim Stafford.
I was able to do a lot of music on 'SCTV,' and I was really lucky to do a musical; I got to sing the part of Seymour in 'Little Shop of Horrors.'
My parents were both opera singers, and they also were both heavily into religious and church music.
Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.
If my musical tastes are continuing to grow up, and I am not really too interested in the music that my kids listen to, then I assume that the audience is doing the same.
I know some people will be surprised to hear it, but I've found that my music, whether its blues or rock, or whatever you want to call it, can be channeled into a positive direction that actually helps people.
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