Michael Giacchino Quotes

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For me, growing-up music was always about telling stories.

I've always, always, always listened to music since I was, like, 7 years old and made up stories in my head based on what I was hearing.

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I always feel like my writing is consistently influenced by everything I watched and listened to growing up, so it's just this crazy collage of everything, you know.

When I was 10, I had a group of friends that I used to love to make movies with, and we made them growing up; we did it all through high school.

People on 'The Incredibles' would ask me if I listened to a lot of spy scores, but no, I don't.

I grew up listening to every style of music you can imagine, and I have a love for all of it.

Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those...

In 'Ratatouille,' there are two different themes that express the two sides of Remy's personality: the creative side: the chef, and the 'thief' side: his nature as a mouse.

Who can't relate to a story of a dreamer who, against all odds, is going to make something of himself that is completely unexpected?

I think that to capture food in music, you really are capturing an emotional response to food.

I like live musicians and personally orchestrate about 80 to 90% of all my scores.

'Lost' is such a thematic show that I'm always afraid that if I know something's going to happen at the end, I'll subconsciously write something in where someone who's astute will go, 'Oh, he used so-and-so's theme: that must mean...

Most television, the music is very much the same from show to show.

When I was growing up, every show had live music. Now, almost none have live music. Probably 97 percent of the shows on television are probably synthesized, or mostly synthesized, and that's a shame.

I was obsessed with 'The Twilight Zone' as a kid, and one of those things I didn't realize until I was in college was that I had been listening to Bernard Herrmann all my life.

I made tons of stop motion films with my friends in my neighborhood.

My entire life was making movies.

I even went to film school at School of Visual Arts in New York City. And then, after that, I got a day job at Universal publicity department, then moved over to Disney publicity department. So I had this day...

I think my writing has an old-fashioned feel to it for whatever reason. I'm just so influenced by the music that I listened to growing up, a lot of it out of the '60s, so it has a natural tendency...

As an audience member, everyone I talk to is like, 'I'm so excited to see 'Super 8.' I'm so excited to see it.' And part of that is because of his drive to make sure that it stays hidden until...

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