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I've already done enough to prove myself. Win or lose, I think I've done enough to cement my name in the history of this sport. So for me, it's more like I have to win just for an opportunity to get on the mic and say all that.
Don't talk to me about how I haven't done anything to prove myself. I'm not worth anything. Like, seriously, do your history first, then come up with something smarter than things that are blatantly not true.
If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous.
My childhood is more hick than I could ever possibly relate to you, and also more intellectual than you would ever expect. For instance, me and my sister, when we were little, we would compete to see who could eat the most squirrel brains.
For me, art is make-believe. It's enchantment. It's a fable. I'm enjoying that and playing with it. Of course it's serious, and art is serious, but I'm not going to rarefy it.
I'd love to play Venom. I'm a huge 'Spider-Man' fan, and Venom was the character that drew me into the comics.
Being the U.S. champion is a big deal for me. Knowing that my ancestors built this country, it's kind of like, the Irish were treated badly in this country for a long time, with a lot of tacky Irish stereotypes, so to me, it's kind of like a bragging right.
The Rock has come back; he's been cool with me, and I have nothing against him at all. He's achieved everything in WWE, and of course, he's achieved everything in Hollywood. It's a huge success story.
I go overseas, and all the soccer players come to me, like, 'Yeah bro, we always play 'Mo Bamba.'' It's crazy.
I'm terrible at relationships. I consider myself to be smart and a good mother but it's taken me this long to realise you don't have to marry a guy after three days or dump him.
Prince used to call me up 3am in the morning and invite me to hear some of his new songs.
Proving I'm a good mother is the one achievement I'm most proud of. It's brought out the best in me.
I could wear makeup today, and one person would say it looks bland, another would say it looks fake, and another might tell me I look really natural. Everyone is convinced their opinion is the truth, and that's what I struggle against.
When I was very young, my background as a Sikh-American made me aware of the tensions that underlie choice.
Being a Sikh meant having to do what Mom and Dad said, and going to temple, and Mom and Dad choosing who I would marry. But going to an American school taught me that I was the one who's supposed to make those choices.
There are times when the presence of more choices can make us choose things that are not good for us. For me the clearest example is that the more retirement fund options a person has, the less likely they are to save for their old age.
Life hands us a lot of hard choices, and other people can help us more than we might realize. We often think we should make important decisions using just our own internal resources. What are the pros and cons? What does my gut tell me? But often we have friends and family who know us in ways we don't know ourselves.
I consider myself as a singer first, but something that really helped me come into my own is that there's not a separation between me singing and me playing the guitar. The two fed off the other.
I think the thing that has made it possible for me to write personal songs and sing them year after year is the sensibility for good writing. Just opening your veins all over the paper is not necessarily going to be interesting. I wanted to speak to people.
There were bars that began to have acoustic musicians play, it was 1970: Joni Mitchell, Jackson Browne, America, The Eagles, all that kind of stuff was popular. It was very easy for me to just kind of move in and be noticed.
I was a cover artist for years. I didn't start writing songs until I was in my mid-twenties. I wrote them with John Leventhal, and they were pretty bad. I was in my late twenties when I wrote the first song with him that made any sense to me about what I was rooted in and what spoke for me as an artist. That was 'Diamond in the Rough.'
Corey Taylor won't be mad at me saying, but I didn't think there'd be other bands. I thought we'd wear masks forever.
I don't feel like a star; I never have. I don't feel like a star; I never have. I always feel like I'm the young one, I'm the small one. I always have someone to look up to, and I think it helps me with motivating myself.
Gymnastics taught me everything - life lessons, responsibility and discipline and respect.
I always have someone to look up to, and I think it helps me with motivating myself.
Certainly in my appetite for more challenges, it's very much alive. I love comedy and it comes to me in a natural way.
In all my movies, there's always a kind of heartfelt element, to be able to do a drama and to be able to spend more time in the emotional stuff with no pressure to get back to the funny that's very liberating for me.
There are times when I'm super-overwhelmed, and everything feels like it's hitting me in the face at once, but I think what's keeping me calm, and who I am by staying true to myself, is my whole family being so supportive and keeping me grounded. They treat me the exact same way they treated me years and years ago.
I think I was given a gift to wrestle. And I think when I came back, I had a much better appreciation of that. And I believe the way I went about doing it made me better at it. I didn't identify myself with the job as I did so much in the '90s. In the '90s, I didn't know who I was other than 'the wrestler.'
There are faith-based movies that some people don't consider good, but every time it comes to the scene where someone's life is changed, that still affects me.
If I'm appearing on 'Raw,' then I'm usually there to help sell tickets to something, and that's when you see the 'HBK' Shawn Michaels come out. At panels, I can be more open and honest and show some more humility. They don't want me talking about my family on TV, but I can in a panel setting.
It wasn't until 2002 when I returned to WWE and until I had physically been out there - it was during the match when Kevin Nash blew his quad. That next morning, I was sitting on the plane, reading my Bible and the Book of Joshua, and this feeling came over me that I was back here for a reason. God built me to be a wrestler.
I think everybody would like to see me against AJ Styles at 'WrestleMania'. That's one that people have talked about, but I also really like Kevin Owens and Seth Rollins.
My faith and family has helped me a great deal in that it helps me to live to a different standard.
I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.
For me, you've got to play football first. We're not trying to be accountants. The money takes care of itself. That's kind of how I think anyway.
I told Clinton I want him to rush for 2,000 yards. And I want our team to go to the Super Bowl and win it. I've been there and not won it. It's really simple for me. You get stats, fame and fortune, but if you don't end up with the ring you're never satisfied.
When I was in my late teens, I discovered 'Fawlty Towers' and 'Monty Python,' and they still make me laugh.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
People I love and trust advise me to just drop off the face of the Earth for an extended period of time, and maybe that will calm or cool things down. But my work is very public work.
I tend to write two stories every day, five days a week. It's a real grind. But it also allows me to really try to have my finger on the pulse of injustice in America.
For about a year, I worked for 'Daily Kos.' They were great. I mean, they allowed me to write whatever I was thinking about and feeling. 'The New York Daily News' saw it. They were making some pretty big changes. They hired a new editor in chief. I was his first hire.
I've had teachers that inspired me, yes. I think teachers play a really important role in people's lives. I had one teacher in particular who helped me through high school and really instilled a confidence in me by just holding me up to a standard I wasn't holding myself up to.
The text illustrates the pictures - it provides a connective tissue for me. I usually refine the text last, partly because pictures are harder to do, so it's easier to edit words - I use text as grout in between the tiles of the pictures.
When I was growing up, a lot of books affected me, but I never wrote letters to the author or anything like that. I'm always mindful that there are probably a whole bunch of people reading my books like that, too.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
I don't know, I think, in times where I'm really nervous, and I'm really under the pressure the worst possible outcome is for me to start thinking about it. I just do.
My friends ask me why I still live with my family, but I feel comfortable there. We've all been through so much together.
Obviously, I know there are players here who earn more than twice what I do. But that's not the issue for me.
Yes, when the time comes for me to hang up my boots, I would love to stay and work with the City coaching staff. It would be great to give something back like that.
I once stayed at a Ritz in D.C., paid for by a client, and when I asked to change rooms because mine smelled of smoke, the hotel immediately found me a better room, then paid for my dinner and drinks and even threw in a free massage to compensate me for the very minor inconvenience.
For me, meditation's hard because I feel like I have developed 'cultural attention-deficit disorder,' where, because we have so much stimulation, I feel like I have trouble focusing on things for very long. So when I try to meditate, my brain gets so scattered.
Comic books and The Chronicles of Narnia. My mother used to read those to me and my twin brother growing up.
No designer has really wowed me yet, I'm into other people's recommendations when it comes to fashion.
The real excitement and big deal for me started when I got cast in the first X-Men, which was sort of a fluke.
I can't speak for all queens, but Sharon Needles is definitely a different entity from me as Aaron Coady.
Call Me On The Ouija Board' is homage not just to horror movies involving children, but my favorites as a child.
I can't speak for everyone, but the kind of comedy that makes me laugh are the ones that kind of make me cringe, and kind of make me look inside my own fears, my own anxieties.
I find doppelgangers terrifying... can you imagine two of me?! Now that's scary!
I love celebrities, and I love the concept of fame, but it took me getting fame to realize that it doesn't exist, which was kind of a bummer. Fame is great if you're not famous, because it seems like this elusive impossible dream world. And it's not. It's a fancy word that managers and producers make up so they can keep hawking you for more money.
Their spirits and their visions are embodied in their craft. And so is mine. It's not Jane Saw Puff. But the clarity of Jane Saw Puff is precious to me.
Many poets write books. They'll tell you: Well, I've got my next book, but there are two poems I need to write, one about x, one about y. This is a wonder to me.
The decision for me was whether to have 'The Father' be a book that told a story - from the point of view of this speaker, the daughter - without, as in the earlier books, then having a section on something else and a section on something else.
The first of the four noble truths of Buddhism, that there is suffering in life, was enormously important to me. No one had ever said it out loud. That had been my experience, of course, but no one had ever talked about it. I didn't know what to do with all the fear and emotions within, and here was the Buddha saying this truth right out loud.
I'm not sure how writers and artists of other graphic novels join forces, but this is how the process worked for me: First, I produced my final script. Then, Mark Siegel, my editor at First Second, assembled information about 10 or 12 different artists and had me look through their portfolios to see what kind of styles appealed to me.
I couldn't stop looking at the award when I received it. It was as if my whole career flashed in front of me, from beginning to the moment I was handed the Golden Globe.
I thought it might be a good move to get into a beauty contest so I tried for Miss Pennsylvania and won. I think that helped me get noticed, at least by the people of Pennsylvania.
I tried for modelling work but it was a bit slow and that's when I took a part-time job at McDonalds. It gave me income while I was waiting for my big break and at the very least I could eat.
It was not always easy because I was always an individual and found it difficult to be one of a group. One person who was very supportive was my father. My mother was great but my father really recognised my individuality and supported me in that.
To be happy, to make other people happy, to get into movie production more and probably to give some other people the chances that I had, to carry on enjoying being a mum and never to stop having flowers bought for me. I've still got a long way to go.
Any man in Hollywood will meet me if I want that. No, make that any man anywhere.
I'm not big on plastic surgery for me but I don't fault it for someone who wants it for them. You have to do what makes you feel good, but it's not my thing.
I think, for a long time, people just did not know what to do with me. I looked like a Barbie doll, and then I had this voice like I spend my life in a bar, and I said things that were alarming and had ideas that didn't make sense.
I've never been willing to lie about my age. Why on earth would I want to tell people I'm 35, which I'm not, and have them say, 'Oh that's nice,' when I could tell them I'm 47, which I am, and have them look at me and go, 'Whoa!'. I'm not afraid of aging. I stopped being afraid of life a long time ago.
Sexiness is all in the eye of the beholder. I think it should be. Absolutely. My sex appeal, whatever it might be, isn't obvious... at least to me.
My whole life has been decided by fate. I've never planned anything that's happened to me.
Writing songs helped me figure out how to communicate with other people. I finally figured out that if I could express something in a song, I could probably express it in my real life, too.
My mom used to ask me when I was gonna write a happy song. I still tell her that it's when I start to write really happy-sounding songs that everyone needs to start worrying.
I try to focus on the melodies and try to make everything else minimal. The melody and the lyrics are most important to me.
One day when I have a band I will have a band name, but since it's just me I feel it should just be my name. For me it doesn't make much sense since the music is from me and about me. I haven't ever been in a band.
The only thing that's helped me get through some really hard times was just being able to write and express - it's very cathartic for me. I'm hoping that, by writing and performing for other people, it affects them the same way.
I have this red cardigan that my friend Coco gave me that has holes for thumbs. It's my cozy sweater. I wear it a lot.
I don't think I'll ever feel perfectly balanced, but I feel like I'm figuring it out, and I'm surrounded by really wonderful people that want to see me succeed and be happy. Life is wild.
My friends actually used to call me the 'Female Conor Oberst.' I got to open up with him once, and I told him about that, and he thought it was hilarious.
I was pretty troubled for a long time. And I didn't know that. As a kid, I never talked about my emotions. My mom gave me a journal, but I didn't know what it meant. I just wrote all the time, not even thinking about it. But it also made me feel better.
The nature of the government's surveillance on me and my family is forensically proven and not subject to legitimate question.
But the government spying on me was not done under the authority of a court warrant. That's why my case is even more dangerous than the others.
Long before the 2016 presidential campaign, confidential sources had alerted me to longstanding misuses of the Foreign Intelligence Surveillance Court system and the erosion of protections when it came obtaining permission for wiretaps and other surveillance methods.
Many will debate the substance of the public impeachment testimony against President Trump. To me, each of the Democrats' witnesses of the past two weeks appeared to be well-intentioned and hard-working, and seemed genuinely to believe they know what's best.
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