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I got good notice from that show, and on the last day of filming Townies, Twentieth Century Fox called wanting to meet with me about a development deal.
It was the most pleasurable thing I've ever done, playing this character, and I just remember feeling so at home and so - I don't know, I was just happy - and it just wasn't ever work! It was like a sandbox for me, and I would crack myself up rehearsing.
Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.
I just think that it's such a good show and timeless and still very funny, and that just makes me happy to have that whole first season in one concentrated space for people to enjoy so that it's not hit and miss trying to find it in syndication always.
I think that there is a tragic misfit at the core of me, and I've just done a lot of work on myself. I love a good self-help book; I've read a ton of them. I love self-help seminars and therapy and all that.
Believe me, any time chocolate is in a 50-foot radius, I am the first one to grab a piece and eat it!
Working out early in the morning is a form of meditation for me. It's practically the only hour to myself and I get to shut off and just sweat it all out.
If you were born really ugly like me, have no fear. There's steps you can take to be good-looking. Kind of.
There's a big difference between me and other YouTubers - a lot of them have big, concrete plans. I'm still this weird chicken with my head cut off. I don't know what I want to do next and haven't known that since I started.
My first typewriter cost me $75. I can't tell you how many hours it took me to earn that money, or how proud I was of that object. I wrote my first books on it. They will never be published, but that's all right.
I could open a thousand Excel documents and still never think to scroll past a wall of empty rows to see if, hidden beneath them, there is a tab I need to click. Just doesn't occur to me. Because, design.
What got me motivated was my dad's idea that I go to Morehouse College in Atlanta. It's an all-black, all-male school. Martin Luther King went there. The most famous person in my class was Spike Lee. And I really caught fire. I was so inspired by the people around me that I went from C's and D's to straight A's by the time I left.
Most victims of ISIL are, in fact, Muslims. So it seems to me that to refer to ISIL as occupying any part of the Islamic theology is playing on a - a battlefield that they would like us to be on. I think that to call them - to call them some form of Islam gives the group more dignity than it deserves, frankly.
I have actually been very fortunate to be able to make films on my own credit card without having huge funders behind me dictating how the story should be told.
My detractors would be mistaken to believe that the allegations against me that had no basis and were all lies would distract me. I continue to do my job.
Should Filipinos decide to have me as their leader, I will ensure that just like in Makati, everyone will benefit from whatever development our country would attain. No one will be left behind.
Let me start by saying, I'm utterly disgusted with the former members of the Dead Kennedys.
All of these reissues were not authorized by me, I do not endorse them, the live album was put out without my permission, and I've not seen a dime at this point, either.
So basically the understanding on these so-called reissues is that they were done behind my back, without my permission, and the band informed me that I would no longer be paid on them at all.
I'm part Maori. My mum's Maori, and she raised me. And my grandma, she's Maori.
I have a handful of tattoos that I really want to put on people that I can't find anyone to let me give them to.
I've never been one to just do what I'm told. I don't say that necessarily with pride, it's just something that has gotten me in trouble before.
I think I did a lot of really stupid stuff really quickly in my twenties and that sort of led me to want to sort of just relax a little bit. Relax a lot.
I have to remember that for the most part people will see me for what I do, not what I say I do.
Portraiture keeps me humble. It's simple and straightforward. There is nothing more interesting I can make up than the figure sitting right in front of me.
I want lots of kids and I want a garden and I hope to stay married to my husband. I hope to be working in some way that fulfils me.
People are confusing me with a good actor when I'm just a good mimic. When someone asks me to play a nun from the fifteenth century, you'll see what I mean.
I don't have that drive to be in this field, climbing up, doing bit parts in movies to make a big movie. But I'm lucky I get to also do acting - it's fun. I should probably just take an acting class on the weekends - that would be enough for me.
As a reader, I notice political views regardless of whether or not the book is fiction. What annoys me is when said views do nothing to advance the narrative.
Now with social media, people essentially come into my living room, my virtual living room, and tell me everything that is wrong with me.
For me, my party views don't advance my narrative. Until I can find a way to write political satire like my idols Christopher Buckley or P.J. O'Rourke, I'll simply say what team I play for and leave it at that.
You know how it's almost impossible for kids to not say what they think? That's me. I have to make the conscious effort to be situationally appropriate.
If I were to run for president, then people would debate the pros and cons of what's wrong with me in increasingly aggressive 140 character tweets and Facebook status updates, and, inevitably, everyone would end up fighting.
For me, I feel like God is intuition and an inner knowing. I think it's difficult to be successful without that because that's where you have to come from if you're really going to knock it out of the park. For me, it's more a sort of a universal energy.
When I meditate, I can feel an energy that is much bigger than me but is also part of me, and it's a very powerful energy.
It's an honor for me to have the opportunity to work with Emilio Estefan.
I doubt if the public thought of me as Christ when they next saw me as Temple Houston on television.
Certainly Amadeus because it was a very powerful time for me, we filmed it in the Czech Republic at a time of lots of social and political change going on in that part of the world.
I got a phone call from Douglas Campbell and from Jerome Guthrie, who offered me a job out of the blue.
I love to look at The Graduate, or Lawrence of Arabia, or things I had nothing to do with. But you could not get me to go back and watch movies that it was a privilege just to be around them when they were being made.
One of the things that has happened for me is that whatever came next was better than what I had before.
The only model to me that correlates with big success in the NFL is having a Hall of Fame franchise quarterback.
Other than my family and my close friends, there's nothing I love more than owning the team and doing everything I can to make it a success. That's how I live. That is me.
I grew up in a jazz household. They made me listen to jazz before I could hear my Motown.
To play the trumpet, you have to use that diaphragm, and it's the same if you want to sing correctly. You really need to push it out from there. And I think that's what has kept me going as a singer.
The joy for me of television is the sort of family feeling of being involved with an ensemble - the cast and the crew and the director of photography and the guys in the camera truck - and you're all coming together. There's a great feeling when that is a successful unit, a successful family.
When I was 14, my dad came home one day and told us he had cancer. It was looking pretty bad. And I remember him saying how afraid he was that he hadn't gotten to do the things he wanted to do during his life. He had surgery and survived. And he's still alive today, thank God. But it made a big impact on me.
At Participant, I am the board. I am the sole greenlight at the company. If something happened to me, that would be a problem.
I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.
I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.
If people had told me that I would have the stamina to conduct 'Ring Cycles,' I would have been amazed. I still am.
People still call me the eternal amateur. After all, professionals are supposed to be able to conduct everything. But I can't unless I feel some connection inside. Conducting is not an end in itself for me.
I can't even touch another conductor's baton. The center of gravity, the feel of the handle, puts me totally off.
What appeals to me about an American music directorship is the involvement of the conductor with the orchestra and the community. I think that's a fantastic thing. In Europe, being principal conductor means merely that you're the person who does most of the concerts. For me, that simply isn't enough.
I've never actually participated in role-playing games myself, except on one occasion when a coworker of mine came to my house and introduced my two brothers and me to a single game of 'Dungeons & Dragons.'
I'm passionate again about writing. This is important to me; it's got to be the comeback book.
At the end of my trial, I was rather hoping the judge would send me to Australia for the rest of my life.
I really do believe that no one is too pious to fall or too far gone to be redeemed in some way. Jaime Lannister on 'Game of Thrones' did terrible things, and now I feel so bad for him because his sister won't kiss him. Isn't that weird? Does she not love him? He lost a hand! It kills me that I care.
I have been commissioned to write an autobiography and I would be grateful to any of your readers who could tell me what I was doing between 1960 and 1974.
As an actor, it was important to me to play gay characters because, growing up, it was something I never really saw done on television and in film, and I was questioning why there weren't more people like me.
At 16 years old, I was signed to my very first modeling agency. That was my first real introduction to the entertainment industry. It really opened my eyes to a world that was available to me.
At 21 years old, I found myself in Vancouver, and that's where I got the part for my first movie. I was sitting in a restaurant, and the director came up to me and asked me to read for his film. I really took it with a grain of salt. It was the creepiest casting situation, probably. It turned out that it wasn't.
I am an 'other.' As a queer, biracial man who occupies and embodies many different intersections of 'otherness,' I've spent my entire life seeking reflections of myself in the world around me to connect and relate to.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
Coming of age as a young queer man of color, it was a rarity to see any reflections of myself portrayed in mainstream media. Turning on the television or going to the movies was an escape into the imagination, yet it did not allow me a place of true connection to what I was viewing on the screen in front of me.
The more queer characters I play over my years of working as an actor, and the more I see other young artists stepping up with the same intention I have, to make space for the voices of a generation of people who may not fit the status-quo, the more it inspires me to keep going.
Every fan interaction I have when someone tells me they can look to their television screens and see themselves reflected in me is a dream come true.
I think comfort, stability, and love are the things that really let me be happy. Deep down inside I'm a little boring, I guess.
I always try to write from memory, and I always try to use memory as an editor. So when I'm thinking of something like a relationship or whatever, then I'm letting my memory tell me what the important things were.
I keep up with James Kochalka's online strip, and if I see a link somewhere or someone tells me about something, I'll look at it, but I don't usually keep up with any sites other than the 'American Elf.' I always have this feeling that there's not enough space in the screen, like everything's always getting cut off.
I would bend over backward to be back on Grey's. Any day, I'll choose lying in bed with Katherine Heigl looking over me over getting thrown against walls by supernatural persons at 5 in the morning.
Women are surprised to see me on the street - like they're seeing a ghost. There's a lot of crying involved.
Shonda Rhimes, especially, saw something in me that no one had and then wrote to my strengths for 'Grey's Anatomy.' That's the job I think really opened up a whole new world for me.
Not naming names, but it shocks me, some of the people who get the breaks.
I think what helps me when I'm working on a play, any play, is the degree to which the writer has truly visualized, and then fulfilled, the vision of the world that he or she is creating.
What would surprise a lot of people about me... I'm a gardener! I have a green thumb. I really like to get into the shrubs, the bushes, and really cultivate.
As much as they'll let me I do my own stunts and I do all my own fighting.
If someone grabbed me, I'd probably be able to choke them out in about eight seconds.
I studied English literature in the honors program, which means that you had to take courses in various centuries. You had to start with Old English, Middle English, and work your way toward the modern. I figured if I did that it would force me to read some of the things I might not read on my own.
One of the reasons that art is important to me is sometimes it actually feels more coherent than life. It orders the chaos.
Could you imagine me and the roasters taking on the GOP field? It would be the greatest show ever. Prove that you can take a joke. Prove that you're a man or woman of the people. Prove that you're not above criticism even in the form of a backhanded compliment.
As soon as a roast is announced, I get everybody - family, friends, waitresses, cab drivers - giving me jokes about the person getting roasted. I'm the mouthpiece for the masses.
Do you want me to apologize after every joke? If it doesn't offend somebody it's probably not a joke. It's probably an observation that's not funny. It's gotta offend somebody somewhere.
You don't mess with Oprah. She has enough money in her left pocket to have me killed.
I think it's clear to me that what - when I look at the tea party, it's about one-third Democrat, one-third Republican, one-third independents. But 100 percent of them are sure that the agenda that is taking place in Washington, D.C., is about extremism and is about bankrupting this country and every state within this country.
Even moderates, they can see in Trump the potential to have logjams broken and things finally get done. This makes some conservatives and some liberals furious, nervous, and me nervous a little bit, because I'm a pretty pure conservative. So that's a potential of his leadership.
I was the youngest of about nine boys in the neighborhood, and we played ball all the time, and I looked up to them, and they let me play around with them, and we just had a good time.
I spend half my time in Montana, the other half in New York City. In unique ways, both places help me unwind, and both are the most satisfying places to live I can imagine.
Facebook is massive in scale and scope. Twitter is a public communication forum, but if I'm following you, you're not necessarily following me. LinkedIn is, simply, a professional network.
The funniest thing is that now I know what reverse spam is. You know you get spam from people saying, 'Can you invest in this or that?' People are now e-mailing me saying, 'Oh my God, can I invest in your company?' It's a reverse solicitation of money.
The beauty of performance for me is finding details with which to betray character.
My mother was a children's librarian, and I was raised on lots of English children's literature. It gave me this weird idea that I was English.
I didn't want to sit around and wait for someone to discover me, so I created my own self through the Internet.
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