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As a teenager, I was undeveloped and out of touch. The arts was another arena in which to do combat and challenge myself. I read difficult books like James Joyce's 'Ulysses,' but I didn't really understand it, and no one was going to call me on it because I was 16.
It wasn't until I got to college and had a lot of my ego beaten out of me... That's when I started to turn to literature as something deeper than a way to put up points.
'The Haters' has some of the generalities of band experiences that I've had - the camaraderie, the grubbiness, the outsized collective ambitions and frequent painful collisions with reality - but very few of the specifics. I guess it was a way for me to take some of my experiences to their logical crazy extremes.
I think screenwriting gave me more of an affinity for plot - my first novel, 'Me and Earl and the Dying Girl,' doesn't have a very sophisticated roadmap. But screenwriting required me to learn a higher level of plottiness, and I tried to bring that to 'The Haters.'
Making the Hall of Fame has long been considered the top individual honor that one can achieve in any sport, but for me, I feel it is a culmination of all the input and effort afforded me from so many other people over the years that put me in this position today.
I don't see any baseball expansion right now. If it were up to me, I would contract two teams. But I certainly don't think expansion on the horizon.
One of my friends, picture of health, worked out his whole life, never had a weight problem. Calls me up one day and says, 'I have pancreatic cancer.' Gone. I've lost too many friends.
To me it was never about what I accomplished on the football field, it was about the way I played the game.
Montana and I had a chemistry that was unbelievable. When I first came into the league he told me I added five years to his career, and I just think we complimented each other very well and were able to do some amazing things out on the football field.
I was just a small boy from Mississippi, and now little kids are going to identify with me through this game.
The things that are happening to me are unbelievable. I'm actually busier right now than when I played football. This is almost like I'm coming back out of retirement. It will be fun to see myself in the game.
I'm really looking forward to the Hall of Fame ceremonies. It's going to be unbelievable - just crazy. I'm looking forward to thanking all the fans for inspiring me to go out there and play my best football each and every game.
You know, I never looked down the road and said, 'Hey look, one day, the Hall of Fame.' It's always about playing each and every game 100 percent and I thank my teammates for getting me into the Hall because football is a team sport, not an individual sport.
I think I just went into a system that was willing to utilize me and gave me opportunities and I felt fortunate to be able to go to Oakland and put the silver and black on. I wanted to prove to everybody that I could still play.
I think what people might not really know about me is that I'm really a shy individual.
My agent said, 'Jerry, Dancing With the Stars - they want you on there.' I said, 'Ain't no way. I'm not going to do that.' Then he came back to me again, and he kept putting pressure on me. I said, 'All right, I'll give it a try.'
John Currin's exaggerated realism and his twisted women kept me off balance, never knowing if they were sincere or ironic or some new emotion.
Probably only an art-worlder like me could assign deeper meaning to something as simple and silly as Tebowing. But, to us, anytime people repeat a stance or a little dance, alone or together, we see that it can mean something. Imagistic and unspoken language is our thing.
First let me report that the art in the Barnes Collection has never looked better. My trips to the old Barnes were always amazing, but except on the sunniest days, you could barely see the art. The building always felt pushed beyond its capacity.
Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.
These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.
To me, if life boils down to one thing, it's movement. To live is to keep moving.
There's very little advice in men's magazines, because men don't think there's a lot they don't know. Women do. Women want to learn. Men think, 'I know what I'm doing, just show me somebody naked.'
I am so busy doing nothing... that the idea of doing anything - which as you know, always leads to something - cuts into the nothing and then forces me to have to drop everything.
Nobody told me how hard it was going to be to get published. I wrote four novels that nobody wanted, sent them out all over, collected hundreds and hundreds of rejection slips.
There are bits and pieces of me probably in every one of my 35 or so books.
I was very naive, and I thought it was just a matter of writing my first book and sending it in, and for the rest of my life I would be writing books and collecting royalties. Nobody told me how hard it was going to be to get published.
I think I have a pretty goofy profile for a writer. It seems to me most writers were reading 'Little Women' when they were 6 months old. At the age of a lot of my readers, I wanted to be a major league baseball player. I didn't read much.
That's not part of me that I have to do something dark to prove to people that I'm an actor. The fuel for me is the laugh. Maybe later I'll want to show people the darker side... But right now, I'm having too much fan making people laugh. And it really makes me feel good.
I have an act I take on the road. That's what saved me. I dont know how most actors make a living.
I find a way to convince people to come along with me. They want to be persuaded. When I sit in a room with you I'm going to sell you something whether you want it or not. At the end you'll say: 'I'm glad I bought that.'
When I found something I believed in and I cared about and thought I could market and sell and could be thought of creatively - the most important thing to me - I did it.
It's discouraging for me to come out there and watch the lack of fan support for a good team.
When it's time for me to walk away from something, I walk away from it. My mind, my body, my conscience tell me that enough is enough.
I don't know anything else but the Lakers. This has certainly been more than a job for me as a player. It has certainly meant more to me than just an occupation.
I remember, years ago, if I had had an opportunity to leave the Lakers, I would have left for one reason: because I did not like an owner that was not telling me the truth. And it would have made no difference what they would have offered me; I would have left.
When they look back on me I want 'em to remember me not for all my wives, although I've had a few, and certainly not for any mansions or high livin' money I made and spent. I want 'em to remember me simply for my music.
You've got to walk and talk with God to go to heaven... I have the devil in me! If I didn't have, I'd be Christian!
I heard this music coming out of the radio and it was 'Ain't Nobody's Business.' It got me. I thought, 'I can do this.' I decided just like that. No romantic story.
The first memory I have was my sisters dancing to the radio when they played records by Benny Goodman and Harry James and of the sort. But the record that got me was a record by Derek Sampson, who was a young guy, called 'Boogie Express,' and it was boogie-woogie. Really, it was on fire, and that got me.
And there's always one special element. In 'There Goes My Baby,' it's the out-of-tune timpani. 'Stand by Me,' it's the bass pattern. Of course, all the elements come together to make a great record. But there's always one standout.
I have a loyalty that runs in my bloodstream, when I lock into someone or something, you can't get me away from it because I commit that thoroughly. That's in friendship, that's a deal, that's a commitment. Don't give me paper - I can get the same lawyer who drew it up to break it. But if you shake my hand, that's for life.
People hate me because I am a multifaceted, talented, wealthy, internationally famous genius.
A woman doing comedy doesn't offend me, but sets me back a bit. I, as a viewer, have trouble with it. I think of her as a producing machine that brings babies in the world.
A lot of people resent that I've been in someone's life for 50 years. Why shouldn't people have an affection for me and what I've done? Didn't I have to be genuine for them to buy into what I did? There are children who grow up today who will not have that when they're 55 years old. With whom will they have it? Name an example for me.
All over the world I'm known. Whenever I go out on the street people come up to me and say... 'Hi, Beave,' and that doesn't bother me at all. It's something that I embrace.
People come to me with their passion about transportation, about education, about health care, about agriculture, the dairy industry, the almond growers. I'm just a kid in a candy store, learning and eating up all this different knowledge.
The partnership over the 28 years we had the company afforded him the opportunity to experiment and live his life as an artist and a label honcho and do what he wanted to do. It afforded me the same opportunity.
The Misfits pretty much funds the Misfits. It used to cost me money to be in the band. I think we got paid the last gig we ever did. After that, we had to work to support our families.
Somebody's always getting me to come lecture to their writing class, and I don't talk about writing at all, I talk about the business of making a living at this racket.
I got my first guitar at age of 7 and never laid it down. Momma taught me G, C, and D. I was off to the races son!
I have spent over 60 years bent over a guitar and to know that I wrote 70 compositions that masters have recorded, that makes me feel so good and full, and proud and thankful to the good Lord.
I think that Gov. Huckabee is one of us. I know that a lot of the other candidates try to talk like evangelicals, but he's actually one of us. He believes like we do on all the issues, which energizes me as a voter.
I got on the scale and I weighed around 203. I'm only 5'7. I was about to turn 30, and I wasn't active anymore. So I started working with a nutritionist and a trainer. I played basketball twice a week. And soon it all just became a habit for me. I became addicted to something good for a change.
My biggest pet peeve are just girls who go to sports bars who have no intention on caring what teams are playing, like they're looking for just a night out. That drives me more crazy than anything else. Like, don't pretend to be a sports fan.
I'm just a seasonal guy. Basketball, football, baseball, boxing, golf. Give it to me all the time.
For me, the lame part of the Sixties was the political part, the social part. The real part was the spiritual part.
I have all the patience in the world about Sirens. For me it's not a Grateful Dead project, it's a Me project.
I don't wake up in the morning and say, 'Jeez, I feel great today. I think I'll write a song.' I mean, anything is more interesting to me than writing a song. It's like, 'I think I'd like to write a song... No, I guess I better go feed the cat first.' You know what I mean? It's like pulling teeth. I don't enjoy it a bit.
I don't think I've ever actually written from inspiration, actually had a song just go, 'Bing!' I only recall that happening to me twice - once was with 'Terrapin' and the other was 'Wharf Rat.' I mean, that's twice in a lifetime of writing!
My kids seem to be more mature and older than I am now somehow. They've gotten ahead of me somehow. But they're very patient with me.
I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.
Then, in 2000, John Reid, Elton John's former manager, asked me to audition for the stage version of The Graduate he was producing. So I worked on it, got the part, and after three weeks' rehearsal I was on stage!
I used to hang out with Salvador Dali a lot. He was such a nice man. I really liked his wife Gala, too. People say that she was tricky, but she was never difficult with me.
People feel like they know you because they've read about you, and people who don't know me seem to have warm feelings about me. I seem to be popular with women. I go into the loo in restaurants, and they all say, 'Oh, I love you.' It's odd, but it's really nice, too.
My mother was asked to be a model when she was younger, but my father had not let her, so she was quite keen on me becoming a model. I just went off without telling my dad. I took off to Paris and never came back, but when I became a success and started making money, he was very proud of me.
When I moved to Paris at 16, I held a dinner party in my first apartment and served only red wine, French fries, and mashed potatoes. Unable to cook, I relied on people taking me out.
When I was 17, I was at La Coupole brasserie, and Jean-Paul Sartre and Simone de Beauvoir asked me to join them at their table. They were fascinated that I'd watched their programme on existentialism back home and wanted to understand nothingness and being.
When I was young, I was a sucker for smooth men. Bryan Ferry hired me, at 19, to be painted blue and dress up as a mermaid for the cover of his album 'Siren.' It was love at first sight.
When I was 16 and arrived in France, I discovered chocolate mousse. I was crazy about the bread, too. Every morning, I'd go to the bakery and get a fresh croissant. It made me feel very sophisticated.
I think my voice worked out fine, but it was a lot of work for me. And I was very self-conscious about it. I was a bit self-conscious about writing lyrics too.
I taught myself to play the piano. I've always been able to play, the minute I could get my hands up. I've always wanted to play the piano. It's the only instrument I've ever really liked, and it's the only one that's ever interested me.
I'm a Texan. Some of me is still nestled up there in the Catskill Mountains: the summers I spent with my grandfather on the farm and the guys I played basketball with in high school. But then that was it.
For me, I think that, certainly, the fact that Las Vegas has a gambling aspect to it is far overshadowed by the entertainment value, if you will, family appeal, that you have, the convention appeal. So it does not have disfavor with me, in my opinion, relative to being an NFL city.
I promise you that during my life, I was more concerned about not letting people down, about doing my part, than I was ever into what it did for me.
Old #64 chose... a gentle jog, fast enough to prove I was alive, slow enough to savor the cheers. They washed over me. They warmed me. I knew I could live without them but I loved them.
I knew I wanted to do a show on NBC - it's rooted in its history; it's part rooted in nostalgia and part rooted in the potential of it. For me, there was no other choice.
I was raised in a Christian home and, in fact, my mother led me to Christ as a youngster.
It's made me more expectant of the imminent return of Jesus, and also more sensitive to the people around me. Knowing Jesus will return soon makes me want all the more to tell people about him and all that he offers.
Tim sends me a fairly ambitious workup in notebook form noting the passages we're going to cover and the chronology of the biblical events, and his commentaries on those things he's read and written.
While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area.
It looks to me to be obvious that the whole world cannot eat an American diet.
To me not one thing is better than anything else, I'm completely proud of everything I've written and recorded.
That's always been a dream for me, to be able to collaborate and make music with the people that inspired you to make music.
I'm going to keep thinking about topping myself every time. I can say very confidently that Alice In Chains have done that on every record. It surprises me. I don't go in there expecting that, but I do go in there hoping for it.
I dreamed my way into Lincoln and the details that moved me - his lack of education or 'civilized' manners and his deep connection to all humankind.
Howard Phillips of the Constitution Party asked me to consider seriously running for president in 2008 and I am doing so.
I can see the humorous side of things and enjoy the fun when it comes; but look where I will, there seems to me always more sadness than joy in life.
People who have tried it, tell me that a clear conscience makes you very happy and contented; but a full stomach does the business quite as well, and is cheaper, and more easily obtained.
The fact that the theatregoing public likes my music is no credit to me. There are many other composers who write better music that the public doesn't like.
I don't know what I was trying to get out of a tenor - but it never really satisfied me until one day I picked up my alto and I said, 'Where have you been?' and I said right here for now on!
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