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Honestly, it is difficult for me because I cannot return to Indonesia safely. So how am I supposed to make another movie in Indonesia when I cannot safely return to Indonesia?
I grew up really religious, and my family still is, but I'm not so much. That scene in 'Cool Hand Luke', it just destroyed me.
My drummer was my best friend. It weighs on me that we put all that time in - I played with him for 15 years, beginning with 'Laguardia' - and we had moderate success.
I think 'Bittersweet' is one of the best songs ever written. The idea of it just really spoke to me.
Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.
My cane is now of me. I want it by my side. And I always will, even if one strange day I no longer need its support.
I always wanted to do something creative, but as much as I'm creative, it's in a really hard-core, right-brained way. For me, painting doesn't do it for me. There's no constraint.
To me the most important thing is a good story, though I know how cliche that sounds.
'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.
I think maybe there's a part of me that needs adversity from the rest of the world in order to feel motivated to want to prove people wrong. I need people to be like, 'What is this weirdo doing?'
When I first started out in this business, it was easy because nobody wanted anything from me. But now everyone wants something from me, so it's hard to break away and just be a songwriter.
Raising three boys is a huge responsibility for me, especially in this day and time when I look around and there's a lack of good, strong, upstanding Christian men who are not afraid to be men and just own up to their responsibility.
I may never know what type of effect I have on my sons, just like Granny never knew the effect she had on me. So I just try and make the best decisions that I can, be the best father that I can.
To think that my heart and my words and my music saved somebody's life, it takes a while to just sink in with me. But it proves to me that music is powerful.
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
I was lucky enough to see the original cast of 'In the Heights.' This one blew my mind. The infusion of Latin, hip hop and rap with musical theatre, great storytelling and talent was a powerful combination to me during a time when I'd not been moved by much!
I am never happy with what I do, so I try not to watch stuff that is filmed with me in it because I am always like, 'Oh, I could have done that a little bit better,' or, 'I could have done that differently - that riff could have been a little better.'
I have a half an hour warm-up I do that my voice teacher gave me. I exercise at least for an hour during the day. I don't have any superstitious rituals or anything like that.
I secretly enjoy being alone - hiking alone, skiing alone, walking along the beach alone, going to movies alone. Do not get me wrong, I like sharing my life with other people, but sometimes I really enjoy being as alone as possible.
Let me say no danger and no hardship ever makes me wish to get back to that college life again.
What qualified me to write about Israel was that I wanted to; it took no time to convince myself. The only reservation I had was about eaven: I wanted to write about the Jewish heaven but did not feel qualified because I did not and do not believe in 'it,' though I should.
All of business and all of politics is essentially fiction to those who live them. I have more experience with fiction than most senators because I do it all day, so their world didn't seem that foreign to me.
I've never been able to shake the idea of family, which is to say I've never been able to shake my family. Being membered - being one limb of an immense grosser body - that's always been a fact to me.
A writer appears in everything that he does. That said, I felt like writing characters with my own name, in fact, provided me with something of a smoke screen.
To outsource your memory to machines - which is what many of us do with regard to our use of search engines - seems to me to be fairly antithetical to the basic qualities of Jewish life that have kept the Jews alive for so long.
I don't like being victimized by a machine or by other people's demands on my time. I become resentful by feeling forced or incentivized to live a life I don't want to live. That rage in general prevents me from entirely becoming enslaved by technology.
I've always thought things were absurd. It would take a lot more effort for me to see things as reasonable.
A defining reality for me is what Scripture teaches in Hebrews 12, that God is our father, and that a sign that he loves us is that he disciplines us, he takes us through hardship to build character in us that could not be shaped apart from difficulty.
Of all the things people have taught me regarding life lessons or anything that would benefit me, I don't think anything helped me learn more about life than football. You go through so many different things: adversity, how to handle adversity, how to handle success, how to lead, how to be a teammate, how to communicate.
People cried nepotism every time I was on the field. But I played for a lot of coaches before I played for my father, and I started for everybody. He wasn't the first person who all the sudden put me in the starting lineup.
The thing that's always struck me about Coach Marinelli's defenses is how fast and aggressive they play.
I could've shot the whole East Village, because it was and is my neighborhood. But Seventh Street is precious to me.
You know, I'm not saying, 'Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.' I look at it more like: does this role has a kind of urgency for me in terms of, 'Can I not say no to it for whatever reason?'
I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.
I don't think evil people or negative people are inherently interesting all the time. People who are good people getting better at being themselves - to me, that's something that's really interesting to watch.
When I go to movies and I love the movie, it's because it feels like it articulated something about how we're living now, and also gives me some insight into my own life. I feel actually altered after having seen it.
Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
I think the teams know more than I do in the sense of where I'd best fit. I might be a bit of a unique personality, so hopefully they can pick me apart, and if a team really feels that I'm their guy, hopefully they'll go and get me.
I want to be me, and the Arizona Cardinals know what they are getting. They are not getting a kid that is going to say stupid things and piss people off unnecessarily. They are going to get a kid that everyone knows who they are getting every single day I walk into the building.
I always knew I wanted to be a character in the movies. When I was growing up, I had to have a lot of surgery, and I spent a lot of time recovering at home and in the hospital. Watching movies took me away from my own problems and gave me a total escape.
My size is an asset to me. People write roles for me. If I was just another blond-haired, brown-eyed, 18-year-old actor, I'd be left unrecognized. People remember me.
Everything I learned about women, I learned from the ages of 13-16. Every girl would talk to me about their problems, and none of them wanted to date me. So, I learned all of these things. So, when I finally got to the place where I could hit on girls, I just referenced back to all the things that I learned in high school.
I wanted to be a pro wrestler, but my mom didn't let me. I used to make videos and stuff in the backyard. I had a buddy named Daniel Decker, and we used to have a tag team called the 'Deck Garra Era.' We used to make video after video. We were the tag team champions, but then we turned on each other.
At one point, I bought brown contacts because people told me I wasn't Latin enough to play Latin, and I'm Puerto Rican. I went and bought brown contacts just so I could go in and look more Latino... but that was something that I've dealt with in this business.
I come from a Latin nation that had an open policy with the U.S. My parents moved right to Florida, opened a pharmacy, and had me.
I've never done regional theater, and I'm getting to make my Broadway debut as a principal, playing a pretty cool part, so there are probably people keeping an eye on me to see if I'll trip up.
In regards to the reaction to Life Is Killing Me, I would say that I'm never happy about anything.
So right off, I'm going to have to say that a lot of people have been comparing Life Is Killing Me to World Coming Down, and I think a lot of those people equate art and sales figures, and I don't do that.
Dramas for me are where it's at, but a great drama, a great character-driven drama, there's very few of them that get made; there's very few of them that actually make it to theaters. There's just very few of them.
With sad music, or music that's perceived as sad, there's a sense of solidarity that can be really powerful. My songs are all joyful to me.
You know, there's an economy in lyric-writing that doesn't afford you, or at least me - I usually start off with nine or 10 verses and then boil it down to two or three that are half the length of the original verses.
I don't think there's a problem with being a teen idol, if that happens to me, I'll be happy to deal with it.
You know, I'm not really any good at working out when people are flirting with me. And I think I'm too flirtatious with people I'm trying not to flirt with! What I am good at is making people feel uncomfortable. I don't want to but it always ends up happening!
I should be getting photographs of me with my arm around these people like restaurant owners do, because eventually I am going to have to prove to my kids that once I was an actor!
If I was painting or writing, I wouldn't veer away from things because they seemed unsavoury to me. So as an actor, I kind of think the same way. I should do things that are different and interesting and shed light on the craziness of the world.
Fighting public corruption is essential to preserving a working democracy that people have confidence in. I said that time and again on the campaign trail, and that's why it's such a high priority for me.
My Meema, her favorite show was 'Dallas.' She made the family watch. She loved to hate J.R. She passed away when I was 12, and I know she's looking down on me going, 'Oh, my goodness. How are you on the show? I am so proud of you and why in the hell are you playing J.R.'s son?'
If I'm in a relationship, I'm 1,000% in it. I love doing things for them and surprising them. And that's just something I thoroughly enjoy and it gives me a lot of pleasure. I just haven't found that right girl yet.
I get to actually experience what it would be like to be a psycho, which is not a fun one, or to be a cowboy, or to be a weird character of some sort. For me, it suits me. It suits my personality. I'm an emotional kind of person anyway.
I have three brothers and they're all into computers. They're all intellects. My mother would pay me a quarter a page to read a book and I couldn't make 50 cents. I just couldn't do it.
I've been doing this for seven and a half years. I've been just bustin' it, trying to break in as an artist in this business. For me, it's still just about the work. I get the scripts and I'm all about that. I don't really even have an idea what that's going to be like.
Fortunately and unfortunately, people don't see me as a character actor. They see me as a leading man or nothing, which makes it really hard to get work.
Years and years ago, I sang at a blues bar with a band behind me. It was with my friend, my guitar teacher at the time. I took some sporadic lessons.
As an actor, to be able to experiment and grow and be pushed, it's been phenomenal for me, and it's given me confidence to move forward.
I asked my friend Greg Andersson to introduce me to people that can distribute my album.
Guitar solos, to me, should be a really articulate way to make fun of guitar solos.
The problem is that music is selfish in that you need to make it for yourself, so that you can give it away, and those two things don't jive. I needed to find the right reason to play that had the magic and mystery and excitement that made me want to play in the first place.
I think you can separate yourself from your fears. You know what you should do, and it's just scary to do it. But I'd hate to let the fact that I'm scared to do it make me not do it. It ends up defining you. Because the moves you make are then based on what you don't want to do.
We've seen some insane signs: 'Is that a loaf of bread in your pocket, or are you just happy to see me?' Funny stuff along those lines. Very original. One just said, 'I will do unspeakable things.' I thought that was very interesting - and mildly terrifying!
I'm so excited. I love Peeta so much. I think that over the course of the next couple of books, he has so many interesting places to go to, character-wise. I'm ready to dive full-force into it. When I saw the movie actually, it got me energized. 'Let's go get some cameras! Let's go shoot the second one right now!'
For me, in the third book, when Peeta gets brainwashed by the Capitol, that's going to be fun to play. The rest of the time he's very much into Katniss, and for that to get turned around and to play it the other way, that's going to be very exciting.
I love storytelling so for me to get behind a story and get in there early in its infancy and kind of develop it in the early stages was something I really wanted to be a part of.
'The Hunger Games' for me is I love the books so much and the character and the story were incredible. That's kind of the game plan is just do really interesting stories with interesting characters.
I never really read a character before that I connected with more than Peeta. So, for me, if I couldn't get that job I was like, 'Well, if I can't play practically myself in a movie, what can I play?'
I put on fifteen pounds of muscle, so that was a lot of eating chicken and a high protein, low-carb diet. Also a lot of heavy lifting and a very different kind of training with an ex-navy SEAL guy who wanted to kill me every time I got with him. In a good way.
The Chili Peppers have a real strict two-week on/two-week off policy - aside from me, everybody has families.
Dot Hacker, to me, sounds like a collection of all my tastes. I hear four people trying to fill up as much space as they can.
Life seems terrible and disappointing, so you need to find something you need to make you stick around. Music that makes me happiest is the saddest music, with the most emotional feel.
The only thing I've ever wanted to do is really make people happy, offer some sort of positivity with music that I've written. The Chili Peppers do that for people. They're already established. I still want something that came out of me, and out of my heart.
It's a weird thing to have a Hall of Fame for rock. It's weird that I spent years worshiping the Cure, and here's the Chili Peppers, and then one gets in one doesn't. It's ridiculous. In my heart of hearts, it means nothing to me, but I do understand it means a lot to other people. It creates positivity.
Truth is, I love all the horror guys and girls: Gord Rollo, Shirley Jackson, Harlan Ellison, Ramsey Campbell, Dan Simmons, Thomas Ligotti. Each one of them brings something wonderfully different and, because I love the genre, I love those who love the genre, too. And I hope the genre ends up loving me back.
After college, I went on a real big classics kick. Read everything by Faulkner, Hemingway, Woolf, Proust, Dostoevsky. And that classics train dropped me off at 'Dracula.' Halfway through it, I understood I'd never be going back, never 'leaving' the genre again. Since then, I've been on a fairly strict horror diet.
Most apocalyptic fiction makes it very clear that it's the end of the world. But 'Bird Box' hasn't convinced me of that. Is 'Bird Box' instead a suburban neurotic nightmare? I don't think so. But it's fun to consider.
It's refreshing, if you ask me, to have lengthy conversations with clear, brilliant minds about books, art, and what ought to happen next and how. I love it.
I didn't get a formal introduction to horror until right about the age of 12, when my uncle showed me 'Twilight Zone: The Movie.' When you're 12 years old, and you see that - oh, God. I devoured as many horror movies and novels as possible.
I never actually sought out an agent or a publishing house. A friend of mine named David Simmer got wind of what I was doing, and he sent one of my books to a literary lawyer in Los Angeles. He loved it, and he sent it to other people, including an agent, and he picked me up, and that's how 'Bird Box' got to where it is now.
I think some horror authors are trying to scare you, but with me, I'm as scared as the reader is of the story. I've always been that way, since watching the 'Twilight Zone' movie - watching 'Firestarter' when my parents were out, or sneaking out to watch 'A Nightmare on Elm Street' at a friend's house because I couldn't watch it at my house.
I was seven years old when 'Creepshow' came out, and I'm guessing I was around 10 when I saw it for the first time on VHS. The opening theme reminds me that there are five stories to be told, all so different, and the process of telling a scary story is a dark, glorious trip.
It's weird to have people just calling me Prince Charming in the street. It's a lot of pressure to walk around sometimes.
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