Joshua Oppenheimer Quotes

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I came across the Indonesian genocide in 2001, when I found myself making a film in a community of survivors. They were plantation workers, and it turned out they were struggling to organize a union.

My background is in filmmaking, and my mentor is Dusan Makavejev, who combined fiction and documentary.

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What I've always been most interested in is exposing the way stories and fantasies reconstitute our everyday reality. What appears to be non-fiction is not only totally mysterious, unfathomable, and strange when you really look at what it is.

My first memory of cinema is my mother taking me to see 'Silkwood,' which is about a whistleblower at a nuclear power plant.

I'm against escapist entertainment.

I don't like to eat when I watch films because it distracts me. Anything crunchy or in a wrapper is terrible.

I don't drink in the cinema because I have a bladder the size of a hummingbird.

We all identify with the people we see, and in a good documentary, we are not just reading an account of the world, we're seeing and hearing our world.

In calling someone a bad guy, I reassure myself that I'm good. I elevate myself. I call it the 'Star Wars morality'. And unfortunately, it underpins most of the stories we tell.

For my part, as a filmmaker, I've never been a fly-on-the-wall documentarian. I have no commitment to that method. I believe it's a lie.

I believe every time you film anybody, you create reality with that person - whether it's fiction or nonfiction.

If you acknowledge that filming is an occasion where people express things they might not otherwise express, that offers a much more insightful analysis of why documentaries - even of the fly-on-the-wall variety - are powerful.

I think that our task as filmmakers is to create the most insightful reality given the most pressing questions.

Millions of Indonesians who live with secrets in their family who have a sense of that kind of secret that their parents never told them, want to be told about what happened so they can know where they come from.

Honestly, it is difficult for me because I cannot return to Indonesia safely. So how am I supposed to make another movie in Indonesia when I cannot safely return to Indonesia?

Denial, panic, threats, anger - those are very human responses to feeling guilt.

I'm sure it's one of the most frustrating aspects of human experience for all of us, that when we tell someone who's hurt us that they've hurt us, they tend to react with anger because they feel guilty, and we...

I heard about the Holocaust before hearing the 'Cinderella' story or watching 'Peter Pan.'

I have a British and an American passport.

I didn't really get any rigorous background in film history.

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