Me Quotes
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The point is the 'me' that you see before you is not the 'me' in my private little space, shape-shifting into the writing role, nor is it the 'me' that works with the actors. Here, at the end of the film doing interviews, I feel like I'm in disguise.
My mother gave up everything for me. In Yekaterinburg, she had a job and an apartment in the centre of the city and her whole life. And in Moscow - nothing.
The main thing for me now is figure skating, which I intend to devote more than one year.
There's not much about me that readers don't know because I am equal parts open and boring. If there is one thing readers do know about me, it's that I am very un-domestic.
One of the things that interests me about the Regency period is how women began to stir under the thumbs of men, wanting more and bigger freedoms.
As for my writing process, there is one truth I have discovered after writing some twenty-plus books: Not every book is the same, but the middle of every book is where I really begin to question my choice of vocations. The beginning and end is usually fairly clear to me, but that middle just sucks the life right out of me.
It generally takes me about nine months from the point the book is conceived to the point my editor sends it off to be typeset.
The fact of the matter is that everybody treats me pretty much as one of the boys, which I take as a great compliment.
When I travel, I always have about 40 pairs of skis with me, plus a ski technician and a ski coach.
My best event is Super-G. I'm competitive in all my events, but Super-G has been most consistent for me.
What has helped me prevent injuries is being connected and having my body aligned. Every morning, I roll out and then work on my core and my balance.
I find music distracting - it takes me out of my head. What I love so much about skiing is the peacefulness.
For me, personally, getting a podium is not as important as feeling super comfortable on my skiing.
I ski fast for me, first and foremost, and I ski fast for my family, and it's always the love that gets me to the podium.
I longed to arrest all beauty that came before me, and at length the longing has been satisfied.
If you listen to the radio, it's all men who are emotional and women who are sexual. There's nothing wrong with that! It definitely should be the case, but it makes me sad that women are afraid to be emotional because it makes them look weak.
My buildings will be my legacy... they will speak for me long after I'm gone.
That made me feel very disturbed, because it never seemed to be about how much hard work was involved. Ever. It was about... 'hazel eyes'. It does help if you can brush that stuff off.
So what if I'm sexy? You can still eat tomorrow if you see me and find me sexy. But if I steal your money, tomorrow you cannot eat, and tomorrow you cannot go to school, and tomorrow you'll be a hopeless man.
The people like me because I don't have to pretend that I'm a good Muslim - when I talk about my faith, it's between me and my God.
If you're asking me to compare myself to other people, I don't really know what other people are like.
I guess any time you believe in God you've got to be considered a spiritual person. That would make me a spiritual person. But I don't really know what that means.
History was always the subject that I loved the most, and I felt it gave me the deepest sense of our humanity and who we are and where we're going.
This profession has fed me creatively and allowed me to have a home life and a private life.
I know my husband really loves me because he takes me to have ribs. He says I'm the only girl he ever took out who actually ate anything on her plate, as opposed to pushing it around.
I'm a poster child for Luddites. It was a challenge for me to open myself up the tech world.
I don't do the media because of 'Woo-woo, Julia Butterfly,' as I call it. I'm not into promoting me. I'm into talking about why I've done what I've done, why I continue to do this work and why other people should care.
For me, love is not about froufrou New Age-ism. It's about a way of living and honoring the interconnectedness of life and accepting our responsibility and our power to change the world for the better.
I've got two bikes that get me everywhere I need to go. And public transportation.
Since I became accidentally famous, it did give me access and, through that access, power that I couldn't just walk away from.
I live in a tree called Luna. I am trying to save her life. Believe me, this is not what I intended to do with my own.
It became clear to me that our value as people is not in our stock portfolios and bank accounts but in the legacies we leave behind.
Even though I didn't realize that I was about to launch into a two-year struggle, a deep and compelling sense told me that I had to walk the path I'd chosen - or rather, the path that seemed to have chosen me.
I asked God to use me as a vessel, so I guess you have to be careful what you ask for.
I fell in love with the public, the public fell in love with me, and I tried to keep it that way.
I do think, with people in comedy, you can have your time, as it were, and then you don't realise that it might have gone. I hope it hasn't for me. I think what I do is, I just... I just try to plough my own furrow, in a way.
I think most people, including me, like to read gossipy things about others: revealing things that I love to read but I don't really want known about me.
If I can laugh with people, it makes me feel safe with them. If I feel someone has no sense of humour, I find it really scary. I do it with the kids as well: put on stupid voices to lighten up the spirit or gee them along to do something.
I just find it funny and terrible: someone being very rude and overbearing over somebody who doesn't know how to deal with it. Maybe it's because I've experienced that sort of thing and I don't know how to say, 'You can't do that. You can't say that to me.'
I think that the most important thing for me is, how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor. Also, a good director and good dialogue.
I don't want anyone to expect anything from any of my films; I just want them to see it and then tell me what they think.
I didn't grow up, really, in the film business, even though my parents are both artists. I grew up in New York City. They would never put me into acting. I just kind of wanted it, and I told them that.
If a person feels like 'They're not acknowledging me'... That's a very important feeling in life, even if it's not romantic.
I talked late, swam late, did not learn to ride a bike until college - and might never have walked or learned to drive a car if my parents hadn't overruled my lack of motivation and virtually forced me to embrace both forms of transportation. I suspect I was happy to sit in a corner with a book.
Though I didn't quite plan it that way, I had my two sons at just about the same ages my mother saw me and my sister off to college, and my first novel was published when I was 46. This 'tardiness' isn't something I'm proud of, but I'm happy to be an inspiration to others who arrive at these milestones later than most of us do.
To me, stretching the capabilities of my imagination is a crucial aspect of writing fiction; you could think of it as a mental form of athleticism.
As I feel this life growing and moving inside of me, all of a sudden everything else is not as important. There's a level of perspective that is changing.
Television has been very good to me. I grew up on it, and it had quite an impact on me. I'm entertaining opportunities that are coming my way.
I exercise, and I eat reasonably, and I don't want to look at myself being out of shape. That would depress me.
And I've been incredibly lucky to have a long career in journalism that has given me a front-row seat to some of the most important moments in modern American political life.
I'm interested in the person I photograph. The world is so beautiful as it is; there's so much going on, which is sort of interesting. It's just so crazy, so why do I have to put some retouching on it? It's just pointless to me.
My father never really encouraged me or even took an interest after I walked away from the family business. No one did except my mother and my grandfather. To be truthful, I cannot remember one meaningful conversation I had with my father.
I think my strength is to act instinctively, really quickly, on what I believe, what I see in this person. A proper portrait. I wouldn't dream of doing something inappropriate for that person. I guess I make the person comfortable around me.
For me, cinema is very important. I grew up with television; then, as a teenager, you discover cinema.
I wasn't aware it could make me rich or famous. I just wanted to take pictures.
For my 50th birthday, my cousin Helmut gave me the most profound, beautiful, and striking present. He made books out of my dad's slide photographs, which were stored and forgotten. Looking at those books made me cry.
A few brands have asked me to design shorts for them. I'm not sure about that. I don't want to have them as a mass product, and suddenly everybody is walking around in them.
Motherhood has made me a much better person. I see everything from a new perspective - with a sense of wonderment.
I am like a friend to my children, but when things get out of hand, the 'mum' in me springs up!
The future will take care of itself. My plans have fallen flat. Nothing that I planned has worked for me so far. So I don't plan anymore. I keep short-term plans.
There were a few models who used to stay close to my building. I used to admire them and tell my friends that I did. Those models told me get into modeling.
Songs like the Buck Owens tune, for example, are very simple and straightforward, and recording it really gave me a chance to get into and get a sense of Buck's personality, a feel for that whole Bakersfield sound.
The very fact that I've had those established me to continue on to do new music and new projects.
I never thought about college, but my mom thought about it for me. I knew 100 percent it wasn't for me.
My music is straightforward because I want to give people me and let them know they're not alone in going through the things that they go through.
If you ask me what is going to happen in a month or a year, I can't tell you. We're focused on the present.
I have departed from this planet and I have left behind my poor earthly ones with their occupations which are as many as they are useless; at last I am living in the scintillating splendor of the stars, each of which used to seem to me as large as millions of suns.
I feel so very grateful to have the voice God gave me. It takes a lot of rest and training to sing, and I was lucky that I found a great teacher when I first moved to New York.
I am just glad that I can take the music to the people who want to hear it. I love my audiences. I am deeply indebted to them for giving me the chance to sing my concerts, make records, and do what I love. Whatever people call it, it is great to have a voice!
I've never worked for the sake of working. There's probably enough crap out there for me not to add to it.
I think there's something peculiar about me that I haven't died. It doesn't make sense but I refuse to die.
From the time I was thirteen, there was a constant struggle between MGM and me - whether or not to eat, how much to eat, what to eat. I remember this more vividly than anything else about my childhood.
I love being a Givenik Ambassador. Not only does it give me a platform to discuss my favorite charities, but I get to talk about my other favorite topic - 'The Judy Show!'
I remember my choir teacher in high school told me, 'When in doubt, sing loud.' I'm a terrible singer, but I always auditioned for the musicals, and would get cast in them because I really would just put it all out there. That was really good advice, and I think it works for everything, not just acting.
My parents, stupidly, always let me go downtown. This was pre-pager, even. It made me adventurous. I think it makes you tough.
He didn't maintain my illusion of myself, he gave me an illusion of myself. Before I met him, I never thought of myself as an actress. Boy, he sidetracked me in a great way!
John Henry Lloyd is the man I gave the credit to for polishing my skills. He taught me how to play third base and how to protect myself. John taught me more baseball than anyone else.
To me, celebrity doesn't mean a whole lot unless you're willing to use it. So I wanted to use it in a different way, with my AIDS work, the human rights stuff for the gay and lesbian community and the speaking I do.
It makes me so angry - there's enough food in the world but people are starving. It's all political.
It frustrates me about myself when I see I'm not taking the road that demands more of me.
To stand up on the stage is to say to many people: Look at me. How can you do that without speaking the only truth you know? There is no such thing as an uncommitted actor.
Email is very informal, a memo. But I find that not signing off or not having a salutation bothers me.
I buy 1920s iridescent Scottish glass. I love the way the sun hits it every morning. You touch something and you know. To me, people should buy something they love. Buy something you'd want to come downstairs and stroke.
Among the reasons people keep sad stories to themselves is that they do not want anyone to feel sorry for them. I don't. I don't want you to feel sorry for me.
My Girl Scout leader. She told me if I listened more and talked less, I could grow up to be a good writer. I thought that was interesting advice at age 12.
Nobody who knows me and loves me dearly would ever call me adaptable or flexible. I'm not.
All along, I've been writing about our fears, our longings, our fantasies, our ambivalences. When I decided to study psychoanalysis, I did it because I wanted to understand the psychodynamics of it all. Though far from perfect, psychoanalysis offered me a huge, wonderful window on all that.
I always credited my mother with inspiring me to be a writer because she was such a passionate reader. She read poetry to me as a child. But rather late in life, I've come to appreciate my father, the accountant. He was a solid, organized, get-the-job-done kind of person-and you need that piece of it to be a writer, too.
If I could pick one reason why I want to be a writer, it would be connection. In all kinds of ways, I like to be individual and distinct; but when I write, I want to be writing about things that connect me to the people for whom I write.
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