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I'm a lot happier on RAW. I actually can't overthink how much better I think I am on RAW than I was on Smackdown. And I don't really know the reason why that is. I feel like I look more at home here, and I feel like I look like I belong here. It's pretty obvious that RAW's the place for me.
My parents could have told me, when I was 12 years old and telling them I wanted to be a wrestler, that it was silly and to be serious and find something more secure and safe, but they didn't. They pushed me as hard as they could.
My wife, she's been with me for 10 years. She saw the ups and the downs, and she saw so many people tell me I would never make it to WWE, but she never doubted it.
My dad's father would take me to WWE shows when I was younger, and my other grandfather, my mom's dad, would watch wrestling with me at the house. They just really enjoyed it. Unfortunately, they both passed away before I signed with WWE.
I heavily overinvest in recruiting. I have an understanding with certain search firms that if you find someone great, don't wait until there's a job opening - send him to me.
If someone says, 'Hey man, I love your album, it really got me through a breakup, but I downloaded it for free,' I'll be like, 'Good! That's good!' Maybe he didn't have the money for the album, but if he still listened to it, and it's an important part of his life, that's all I can ask for. I don't want his twenty bucks.
I think after a long tour and after an album, your brain feels like it wants to relax, but at the same time, making music for me is something that comes kind of naturally. Just like a brain process.
The inspiration to write a song comes to me when something has happened to me more than once. If it's happened to me more than once, it's probably happened to other people.
My brother Steve, who was a few years older than me, had 'Bad' on tape, and I remember listening to 'Smooth Criminal' and just thinking it was the coolest thing ever. I must have been five or six at the time, and I remember walking around school by myself thinking I was Michael Jackson. I wasn't dancing, exactly - more like walking musically.
Grunge gave me a sense of identity, and I remember really associating with 'Silverchair,' who were these chilled-out Australian teenagers. The fact that they were teenagers was a big deal for me. It was like, 'Oh, man, you don't have to be a 30-year-old to do this.'
After my grunge phase, I started opening my horizons and listening to more electronic stuff. I got into Radiohead, specifically 'Amnesiac' - my brother gave me that album.
In the end, for me, music is such an internal thing that to let the outside world influence would be against my modus operandi.
Mark Helprin and Lawrence Durrell, both of whom write fat and florid novels that appall me now but opened my eyes to the power of fiction when I was in my 20s.
People know me because I play the monsters, but I'm most recognized from the small roles in which they see my face. None of that stuff really bothers me. Whether I'm recognized in or out of a costume isn't a kind of pressure I put myself through anymore.
I'm practical, very data-driven, and process-oriented. If I look at a radar and see a giant green blob coming toward me, I'm thinking it's probably going to snow.
I like to control the risk I take. And when risk is taken out of my hands, it frustrates me.
It was all completely incomprehensible to me. I was fearful of the language. You had to look up every third word.
It never ceases to surprise me, the people I get to work with. I'm in a French film with Sandrine Bonnaire? I adore Sandrine Bonnaire. I'm doing a picture for Robert Redford? The Sundance Kid? I have to pinch myself sometimes.
I never went to class. That the university graduated me at all is an indictment of our educational system.
There's a lot of people that hate on me, but I'm really willing to prove 'em wrong.
That's kind of what I got in the NBA for. I want to go against superstars that would be a good challenge for me.
If I played a bad game, there's gonna be people out there that want to try to bring me down. But I always stay up.
I think by me playing inside-out, it's really been opening up that 3-point shot for me.
To me, families are fascinating. I choose to explore it through comedy and through comic situations.
I've recently rediscovered Anthony Trollope. I used to read him back in college, and a friend turned me on to a whole new series of his work, 'The Palliser Series.' It's a series of seven or eight books.
In order for me to write a scene, it's very important for me to see and experience everything with my own eyes, so yes, I was able to visit some remarkable houses and destinations while I was in China.
I think, at least for me, I'm so impressed by Shanghai and how all of China continues to evolve. On a style level, you're seeing this increased sophistication and brand awareness.
I've always been drawn to the Edwardian period in England. To me, it seems like such a fascinating time, when the British Empire was at the height of its powers and the strict mores of the Victorian age were dissipating into the decadence of King Edward's reign.
I have pictures of my grandmother from the 1920s and '30s in avant-garde dresses that looked like they could have come from the House of Worth or Lucien Lelong. She would never say if they were couture, but I do recall her telling me, 'All my clothes and shoes came from Paris.'
People are often disappointed when they meet me because I'm not this giant, flamboyant - you know, I don't wear sequined jackets.
I sat with the grandson of Edgar Rice Burroughs at the world premiere of 'Tarzan,' and at the end of the film, he was very happy. He told me that we were bringing 'Tarzan' to a whole new generation, and he was very grateful.
At the end of the day, I've played six years, haven't made the playoffs yet, that burns me and hurts my heart, so I really want to be playing.
I have a very, very good memory, and I always remember the people who have done right by me and the people who have done wrong by me.
Randy Wittman told me not to shoot 3-pointers. That got me very uncomfortable. There were certain labels tagged on me very early in my career, spots on the floor where I felt uncomfortable.
I was lucky. A lot of people have that. People that don't tell you what you want to hear, but what's best for you. I was blessed with great friends. I was always blessed that way. My dad always kept good people around me. I just got lucky. Because of the spotlight you're in, people are scared to tell you otherwise.
I just try to keep the same people I've had around me from Day One. Keep it a real small circle because if you do that, not too much is going to go bad for you.
To me, throwback means I'm a smart player. I know how to play the game. I'm very skilled. I do a lot of things that other people don't do.
I'm kind of a dirty guy, a little Bill Laimbeer-ish. Those are the guys I used to watch growing up. I used to watch Karl Malone; now I watch Boozer and Elton Brand and try to emulate those guys as much as possible because those guys are about the same size as me.
I find it really difficult when you make a movie where it is set in Russia and everyone speaks in English. It drives me crazy.
I love Humphrey Jennings. People ask me who my favorite documentary maker is, and he's certainly in the top three.
The interesting thing to me is that somehow the future of movies will become a more social thing... I think that people will see them communally and will be talking about them as they're watching them, in a way, and immediately after watching them, and they'll all become the conversation. I think that's pretty interesting.
When I think of the future, I think of my 15 year old son Connor and my 12 year old daughter Meghan. I worry about their future because your kids are as important to you as mine are to me. And I am unwilling to leave our children with so much debt.
Because I live in the countryside, I want a building which encourages me to have a fully formed relationship with the environment. It gives me an opportunity to not just be inside or outside, but in a range of contexts.
If you said to me, 'Lie down on that concrete floor and fall asleep,' I could do it. I can sleep anywhere at any time of day on any surface.
A friend of mine once wrote a silly article about all these metrosexuals like David Beckham wearing sarongs, and she described me as a 'heteropolitan.' I don't know what that means. I think it was a joke.
I had a great bond with my father. Even when I was a kid, my bond with my dad made me want to be a father myself one day.
Talking through troubles, staying calm in the face of adversity, that's what my father taught me. It's an invaluable lesson because there's no shortage of adversity and mistakes to be dealt with.
A lot of reporters don't have conversations - they just fire off questions. I'm going to listen to what you're saying. If you start giving me a pat answer, I'm going to challenge you. That's where my sports background helps, because athletes do it all the time. So you have to stop them... and sometimes they're going to yell back at you. So what?
I really enjoy encountering a celebrity who's like, 'Let's go; you'd better have your A-game on.' You sit down with Madonna, and she's like, 'You'd better have something for me. If you're not ready to dance, I'll eat you up.'
I love to watch 'Hoarders.' My grandmother was a hoarder. My mother's on her way. I'm an electronics hoarder - I won't throw any out. I still have my first T-Mobile Sidekick... old VCRs in my garage. It scares me that I'm going to end up being buried under electronics.
Too much coffee. Too much coffee and Gatorade. It's a hell of a mix. If you're ever tired in the morning, just try that mix, and tell me what you think.
Going from Flip to Kev, obviously you don't want to see someone ever lose their job. For me it's probably a little more difficult, because other than Bill Blair, Flip is all I knew.
I'm not the type of person to give up just because something gets rough. That's a coward. That's not me.
I just always wanted to study human behavior because every psychologist that I would talk to would tell me I was bipolar, and I know I'm not bipolar, so I had to perform a psychoanalysis on myself to find out that I have unresolved grief.
I'm never on Twitter. I'm never on Instagram. And that's not by choice: it's just that those things never really interested me. I might post a picture here and there, but that ain't really been my focus.
I could give a flying flip about doing promo because, no disrespect, nobody put me in the position that I'm in.
The more I grow in popularity, the lonelier it gets. Because you don't really know me. You just know this part of me. You fell in love with that. But it's way more intricate than what meets the surface.
It's a curse. I ask God to take this away from me all the time. I do not like being an artist.
In 7th grade, I believe, I wrote my first rap song. It was about everything I was seeing, everything that was going on around me.
Let me tell you something about Tunechi - about that boy. That boy comes to the studio every day and grind as if he doesn't have a dollar in his pocket.
I feel like I have a job to do, like I constantly have to reinvent myself. The more I up the ante for myself, the better it is in the long run. I try to interact with my fans as much as possible. It's good that the person I'm being onstage isn't really an act. It's really me.
My show 'The Big House' was picked up; they flew me to New York. I'm about to step on stage to announce Kevin Hart's 'The Big House.' And a hand grabs my shoulder, 'Kevin no, they just decided to cancel it.' It's a serious smack-in-the-face business, and either you can take it, or you can't.
I am who I am. That's why my friends and peers respect and appreciate me. I don't change or cater my actions to fit my surroundings. I'm myself 24/7. People appreciate that.
I've done a great job at being universal in my stand-up, which is why, for 'Let Me Explain,' I toured all over the world. These movies I have coming out - 'Ride Along,' 'Grudge Match,' 'About Last Night,' 'Think Like a Man Too' - are putting me in a position to become universal on an even bigger scale.
I'm never gonna step away from stand-up. I can't. That's what got me where I am, and that's also my muse. That's how I stay level-headed. That's what keeps me going.
For me, I believe that Dale Jr. has had a big part in kind of stunting the growth of NASCAR because he's got these legions of fans and this huge outreach of being able to reach different places that none of us have the possibility to reach, but he's won nine races in 10 years at Hendrick Motorsports and hasn't been able to reach outside of that.
For some reason, the busier I am at the track, the better I tend to race. I think it's because I don't have to deal with all the distractions outside the car that can get me in trouble at times.
I think writers are observers and watchers. We always have our ears open and eyes open, so I might see something in everyday life that inspires me. And I think that's probably more than anything else. Everyday life is where I get my inspiration.
My total year's income from working as hard as I possibly could from writing went from like $30 one year to about $70 the next year. And it made me realize that maybe you couldn't really pay the rent that way.
Sure, President Bush can say that the U.S. government won't fund stem cell research, but believe me, Japan is applauding. Because they will just do it first and get all the patents.
Just me onstage with a mike having an intimate relationship with the audience. I don't get nervous for that. I just get excited.
My role model was my grandfather. He instilled in me the feeling that no matter how successful you are you have a responsibility to help others.
When I played Robin Hood, I knew the great role was Alan Rickman's and it didn't bother me. I always think that leading actors should be called the best supporting actors.
I enjoy sports. I get a real joy from playing sports but I don't look for those movies. Oliver Stone wanted to know if I would do Any Given Sunday and it just didn't appeal to me.
I stand up for what I believe. I don't know if it's always paid off for me, because I've been ridiculed and humiliated.
I've had some movies that have been ridiculed, but that's OK with me. I don't feel that really defines me. Should I change who I am to be popular?
For each detail I include, I throw dozens away. So I guess the first trick is to pick the right details, the most revealing details. Then I think one must simply write quick, clean, bright prose. For me, this means rewriting and rewriting: almost never adding, almost always cutting.
Maybe if I ever come to write about my teens and adulthood - and I can't imagine I will - but if I do, then maybe I will want to say a bit more about the ways in which my parents' relationship with one another impacted on me in later years.
Playing me in different positions helped me to get in the head of the others players: to know what they're thinking, where and how they are going to move.
I didn't know how to do a press release, so I'd call the local Assembly member and say, 'Hey, can you fax me one of your press releases?' 'Which one?' 'Any one.'
God tells me that I need to provide for my family, discipline and teach my children, and love my wife as Christ loves the church. If I don't do that, I'm being unfaithful and sinful.
Sometimes Christians live in a terror of universal obligation: AIDS over here, people to be saved over here, a crushing sense of low-level guilt every day of our lives. Question to ask: Where has God put me right now? I need to say no to a whole bunch of other things because if I don't say no I can't say yes to others.
I was called Matt Dillon's brother my whole career basically until 'Entourage' broke me free of that and now people call me Johnny Drama instead.
People wouldn't hire me for comedies. They would say, 'Oh, he doesn't do comedy,' and now it's really all I do.
I've got plenty of advice from a number of other actors. Me? I don't give advice.
I have great tenants. They've all become my friends. They call me and say, 'Hey Kev, we've got a drip!'
As an actor, I've been all over the map, but since I've moved to Hollywood, people tend to cast me in these more imposing characters, which is actually really fun for me. I've always been way more attracted to playing that than the hero.
I started off as a rapper from Thunder Bay, Ontario, believe it or not. There was a little group of 10 or 12 of us that would get together and copy each other's cassettes. So I was a rapper first, and it was that music that got me into this great entertainment world and got me out of Thunder Bay.
My acting coach I've got here, Richard Lawson, he's been doing good, just telling me to calm down sometimes and just be me.
Dad made it to Gold Shield Detective, so he always busted Robin, my oldest brother, and me. Always got caught, whatever we were doing.
I really live a simple life and don't need very much to feel good and happy. Don't get me wrong; I believe you should get what you earn. Sometimes you have to fight for it.
I really worked with icons in the music business, which really had a strong effect on me. It wasn't just pick-up gigs.
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