Me Quotes
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Tell me not of joy: there's none Now my little sparrow's gone; He, just as you, Would toy and woo, He would chirp and flatter me, He would hang the wing awhile, Till at length he saw me smile, Lord! how sullen he would be!
One of the things I've had the advantage of, growing up and being close to the top management of this company and other companies for most of my life, is seeing how CEOs start to believe in their own infallibility. And that really scares me.
I walked in and inherited a management group that I didn't know very well. They didn't know me, and we had a very short window to put together a credible recovery plan.
Nobody's irreplaceable, including me. I think for too long we've had a cult of personality in this company and in this industry, and frankly, I'd like to see that diminish.
I'm not motivated by money or power or fame. In the end, it doesn't bring much happiness. The only thing that is driving me is self-satisfaction, self-validation.
Leaving the board will relieve me of formal duties and give me more flexibility, but I still expect to spend as much time as possible with the extended family of Ford people and will gladly help the company and the board in any way I can.
Words like feminism or democracy scare me. They are words with barnacles on them, and you can't see what's underneath.
If there's delight in love, 'Tis when I see that heart, which others bleed for, bleed for me.
In my conscience I believe the baggage loves me, for she never speaks well of me herself, nor suffers any body else to rail at me.
I have this lock of hair that keeps falling across my forehead. It drives me mad.
I like having ambitious people around me. I could care less if they want my job.
When I came out of the military, I had a club in Memphis and I started using the The Bar Kays as my club band. They were still only in the middle school - but I'd take them on the road with me on the weekends, sometimes.
If any foes of mine are there, I pardon every one: I hope that man and womankind will do the same by me.
At one time I thought the Editor of the Lancet would kindly publish a letter from me on the subject, but further reflection led me to doubt whether so insignificant an individual would be noticed without some special introduction.
Experience has taught me to believe that, these human beans are the most insidious enemies man, with a tendency to corpulence in advanced life, can possess, though eminently friendly to youth.
It is true I gained muscular vigour, but with it a prodigious appetite, which I was compelled to indulge, and consequently increased in weight, until my kind old friend advised me to forsake the exercise.
To all my colleagues at the Department of Justice, let me say that it is a privilege to serve with you. I will do all I can to support your work in advancing the cause of justice.
I'm just honoring my mother's words. She always told me, 'The smaller your work, the bigger your name will become.'
I became obsessed with making more and more tiny things. I think I was trying to find a way of compensating for my embarrassment at having learning difficulties: people had made me feel small so I wanted to show them how significant 'small' could be.
People find it very, very difficult to believe what I've done. Scientists have seen my work and they can't explain it. Even nano-scientists have seen it and been totally shocked. But if any man on Earth wants to challenge me, I'm ready. Bring it on.
There are times when I've inhaled my work. There are artworks still inside of me.
I started making houses for ants because I thought they needed somewhere to live. Then I made them shoes and hats. It was a fantasy world I escaped to where my dyslexia didn't hold me back and my teachers couldn't criticize me. That's how my career as a micro-sculptor began.
My teacher said my brain was the size of a pea. He made my life miserable by singling me out in the classroom as a failure.
At school I'd want to be so small that nobody could see me, and so my work depicts and reflects me - what it felt like to grow up in a world of pain.
Film is fragmented and gets into lots of other people's hands. There are a lot of pleasures that theatre gives me. You get to perform uninterrupted.
I wish to Christ I could make up a really great lie. Sometimes, after an interview, I say to myself, 'Man, you were so honest - can't you have some fun? Can't you do some really down and dirty lying?' But the puritan in me thinks that if I tell a lie, I'll be punished.
I don't think people want to see me as a regular guy; besides, I'm a regular guy in real life. I guess I just want to be reckless in my work.
From the ship all things were taken out, so that the clothes which I took with me on my back I only had.
So in process of four or five years the emperor called me, as divers times he had done before.
Earth teach me to forget myself as melted snow forgets its life. Earth teach me resignation as the leaves which die in the fall. Earth teach me courage as the tree which stands all alone. Earth teach me regeneration as the seed which rises in the spring.
If I didn't mould my reality then I'd still be in the ghetto where people like me are supposed to stay. You have to dream your way out of the nightmare.
I like all the families in the U.K. But what I like about the idea of the royal family is... they seem like they're well educated and there's something admirable about them. And the Queen... she reminds me of my grandma.
As we develop and get quicker with technology in America, it's like we're downgrading if you look at the investment in education... that's the thing that worries me.
The miracles of the church seem to me to rest not so much upon faces or voices or healing power coming suddenly near to us from afar off, but upon our perceptions being made finer, so that for a moment our eyes can see and our ears can hear what is there about us always.
I like the idea that people have formed their own opinions. And of course once people meet me or talk to me their opinion totally changes because I'm much more that girl that you hang out with than you think.
The thing that I like about being me is that everybody gets a different feeling from me.
They're hit writers. They're gonna write me a hit whether I wanted it or not you know? I could have put out a single a year ago with the Neptunes and maybe been writing now on top but that was not the path that I chose.
I like long floaty clothes that don't restrict me, and I live in flat boots.
Being a fat kid - FFK, former fat kid - helped round me out, no pun intended. I'm a better adult because I wasn't treated well as a child.
Every artist that I've parodied has been cool with it so far. I know one hasn't loved a version of it, but she didn't sue me over it or make me take it down. They've all been pretty cool.
It is a great honor to be awarded a Nobel Prize. This is a wonderful experience for my wife Betty and me. We received congratulations by email, phone and post, many from old friends we had not seen for some time.
We lived in Northern Quebec, and the nearest school was thirty miles away, so my mother took on the task of home schooling me. She spoke to some friends, received some instructions from the provincial school board, and found some interesting books that perhaps I might find useful.
You honor me greatly and beyond my ability as an individual but in so doing you honor my colleagues also who made possible the results you have cited.
I got more mail than anybody on the history of The Today Show, but half of it was to get me off the air.
August depresses me a little. I don't even feel like eating. And when I don't eat, that's a sure sign of stagnation.
I want to get my own show because 'Today' will eventually get tired of me, or the audience will get tired of me.
Thanksgiving just gets me all warm and tingly and all kinds of wonderful inside.
This is the paradox for me: in failure alone is there any possibility of success. I don't think I'm alone in this - nor do I think it's an attitude that only prevails among people whose work is obviously 'creative'.
For myself, I haven't been content to carry on producing books that merely strain against the conventions - as I've grown older, and realised that there aren't that many books left for me to write, so I've become determined that they should be the fictive equivalent of ripping the damn corset off altogether and chucking it on the fire.
From time to time, as if heaven-sent to annoy, someone will ask me if I'm self-disciplined when it comes to my work. I usually look witheringly at them and snarl, 'What do you think?' I mean, how do you imagine anyone writes a quarter of a million words a year for publication?
Sometimes it occurs to me that the job of a serious cultural critic mostly consists in telling the generality of people that their opinions - on films, on books, on all manner of widgets, gadgets and even the latest electronic fidgets - simply aren't up to scratch.
In truth, even if they have an imperfect insight into their own methods, I still slightly mistrust writers of fiction who are assured literary critics; it makes me suspect that they favour the word over the world it should describe. Such scribes fall victim too easily to the solecism of equating style with morality.
I guess some fans like art and get it, others are just into the music, don't really turn up and have an opinion. The fans that have shown interest are all with me all the way.
I think I was one of those kids that I might not fight you if you stepped on my shoes or stole my lunch money or that kind of stuff. But if you picked on a girl or something like that, that would cause me to rear up a little bit.
If it was something that I really committed myself to, I don't think there's anything that could stop me becoming President of the United States.
For me, what's a more important question is how we get at least the option of more diverse experiences in this media.
The second thing for me, probably a few clicks down, is the idea that The Sims smoothly age and have different concerns and motivations and needs at different age ranges.
A career in film didn't seem like something I could attain. Whereas I grew up next to New York City, and I spent my life going into New York City seeing plays, and I was a theater actor in school. Acting on the stage felt really natural to me, and I liked it, and I wasn't terrible at it.
I knew I'd never have the career Colin Farrell had. I was working in stuff that was, for me, not very challenging. My career wasn't going as well as I wanted it to. So I turned to writing because I felt like I had more to say, and I started writing every day.
Instead of waiting around for someone to give you a job, you have to go and create work for yourself. It took me a while to figure that out for myself.
One of my first jobs was at the Boston Globe. I worked in the sports department six months a year. When I was ready to graduate, the sports editor gave me a job as a schoolboy sports writer.
The biggest thing for me is to be accessible. When a high school coach comes on our campus, they can sit in every position meeting they want to sit in. They can come to every practice. And the comments I've gotten from our high school coaches is how accessible we are to them. That's what you need to do to build those relationships.
Standing up for what you believe in, to me, is freedom of speech. And that's a right that every American citizen has and what makes this country great.
I do not want a personal relationship with my fans. Or to do anything that encourages them to think they have one with me. They can have a personal relationship with my songs. That's fine, but they don't know me.
Too much emphasis is put on American roots music when people try and place me. You know, I grew up listening to punk.
I make the songs and part of making them is singing them. But what you hear is not me. It's the song. It's through me.
When I was a kid, my parents never let me use race as an excuse. They'd say, 'When you walk into a room and it's all white, those kids have to work to stand out, not you.'
My brother's my best friend, without a doubt. Me and my big sister get along so well. She moved to East London, though, so points off, but she's wicked. And then my little sister is a little genius. She's super talented and such a great person, always been far more mature and cool than me.
I have a relationship with New Line, so I'm grateful to them for taking a punt on me - both for 'We're The Millers' and 'It'.
I wasn't good at anything at school, and acting was the only thing that I really loved doing and was interested in. It was kind of like my only option. For me to get opportunities in acting is so fortunate. I found something I loved doing and wasn't terrible at; it was quite nice.
But, on another level it's really sort of this really cool coming of age story, it reminds me of like The Breakfast Club or something like that, if I can be so bold to associate with The Breakfast Club.
For me, one I love the 80's, I love 80's music, I'm sort of a baby of the 80's, I grew up in the 80s.
I had a director who told me a story about a fan who had commented on how nice it was to see her sister laughing and how happy the show made her. I like to make people happy and make them laugh.
James Caan told me at the end of filming 'Elf' that he had been waiting through the whole film for me to be funny - and I never was.
I was never a class clown or anything like that, but I do remember being in the first grade and my teacher, Mr. Chad, told the class one day that we were going to do some exercises. He meant math exercises, but I stood up and started doing jumping jacks. To this day, I don't know what possessed me to do that, but all my friends cracked up.
My dad turned me onto Peter Sellers as a kid. I loved the fact that he was a unique combination of being extremely subtle and over-the-top all at the same time, and that's a hard thing to do. I admire that.
I'm kind of under the radar. Not a lot of people notice me. Which is surprising, because I'm so sexy. They're probably intimidated by my sexiness and crushability.
I don't do a lot of strategizing, career-wise. I was approached by Chris and Phil, the guys who did 'The Lego Movie.' They gave me my first job on 'Clone High.' We've been friends forever, and they asked me if I wanted to write something with them.
Comeback records always worry me, especially when they're made by one of my heroes, and I'd heard stories about Gil Scott-Heron recently, about drug arrests and prison terms and other troubles. I wasn't prepared for the ravaged shakiness of his voice on this record or the raw spoken word pieces or the dark electronic backgrounds.
Seven of my novels take place in the Southwest, in the Four Corners area which has been my home since 1973. I know these mountains, rivers, mesas and canyons well, so it's been natural for me to draw on my own personal experiences here.
Being yourself is the most important element for me, because, if you're trying to be something you're not, the audience will pick up on that.
'Miss Saigon' taught me what it means to help carry a big show, and it had some of the most gorgeous songs wrote.
Flops are always disappointing, but 'High Fidelity' was devastating. Not that I thought it was going to make me a big star, but I did think it was going to run longer than a week and a half.
Being exposed to the diversity of music I was as a kid made me the actor I am today. As an actor, you have to adapt and do so many different things.
Thus there arose in me both a need and a plan for the foundation of the human sciences.
It has pleased no less than surprised me that of the many studies whereby I have sought to extend the field of general chemistry, the highest scientific distinction that there is today has been awarded for those on catalysis.
The worst manifestations of exhaustion were successfully cured by a long period of rest but it was immediately apparent to me that I had lost once and for all my former capacity for carrying out experimental work until physically tired.
A win by an unsound combination, however showy, fills me with artistic horror.
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