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You want to live a life in which the things you have traded your hard-earned money for are quality items that really do uplift your life.
I became so consumed with trying to live up to what the public expected that I lost myself. I don't know of anyone else who can say this.
If you are actually ordinary, the only way to give royal status meaning is to live an extraordinary life. It can't be jeans and burgers and granny doing the babysitting.
I'm an emotional actor. When I'm doing a scene, I really believe it. I live the part as long as I'm in the scene.
Eventually I just want to live a normal life. I want to get married and have children and cook, wash... all the things that I do now. My background is very normal and steady, and that's what I like.
Be where the acting is. I live in Houston. Dallas is 4 1/2 hours away. I let them know there's no difference.
I have very, very few friends. I live in a very tight circle and emotionally I'm probably not as generous as I once was. In an average week I probably meet 150 new people and that's uncomfortable sometimes.
In these times, in this harsh, rude, warring world that we live in, where most of the bloodshed is 'My god is greater than your god,' and we're fighting in the name of our god, we have to find a way to peaceably coexist, spiritually.
Ruminants are a perfectly normal thing to possess when you live in upstate New York. It's just moving scenery. It's kind of like the equivalent of Great Danes. It's the way you keep your grass mowed. It's the way you keep your weed-whacking to a minimum.
I don't live through my kids. But I do know what will happen in life, and I just want them well prepared.
I don't live in a prism, and I'm not afraid of anything. I haven't built any walls around myself.
But I don't mind, I'm a bit of a touring animal. When I'm on tour that is the greatest thrill for me, playing to a live audience.
But then I hit my 20s and only made two albums, and now I live in a ski resort as a ski bum basically.
I definitely understand what it's like not having family around when you want them there, but you don't live in the same city.
With 'Trainwreck,' because it wasn't live and we could do more takes, I feel like we broke a lot.
It's totally my dream job. I grew up watching 'Saturday Night Live.' We'd watch it at sleepover parties and quote it.
You know, I still live in my neighborhood. I live in Brooklyn and the same neighborhood, so I don't really get star treatment like that. I'm still Vanessa from the neighborhood.
All of us have the same thing coming - death. It's waiting. But I don't want to go. I want to live to be 102!
My take is, privacy is precious. I think privacy is the last true luxury. To be able to live your life as you choose without having everyone comment on it or know about.
We don't have to sit by while Trump uses his enormous global platform to undermine our national security. We would love to be able to actually force Twitter's hand to live up to its rules, explicitly forbidding hate speech and encouraging violence.
It seems to me that one of the things that happened with a lot of literary fiction in the 1980s and 1990s was that it became very concerned with the academy and less with how people live their lives. We got to a point where the crime novel stepped into the breach. It was also a time when the crime novel stopped being so metropolitan.
I come from Nigeria, and we live by the idea that it takes a village. So my entire team. I live by my team: my friends, my neighbors, my teachers - they're the people who taught me how to be a free actor.
Lagos is a fascinatingly infuriating place that its residents love - and love to hate. Licence plates on cars here proudly display the state motto, 'Centre of Excellence,' in what often seems a sarcastic swipe at the place we live in.
In Trinidad, where as new arrivals we were a disadvantaged community, that excluding idea was a kind of protection; it enabled us - for the time being, and only for the time being - to live in our own way and according to our own rules, to live in our own fading India.
I live in a province where we have the cheapest electricity in North America - indeed, in the Western world - but all of it is perfectly renewable because we have beautiful Manitoba Hydro. Every few tens of kilometers, we can put a river dam. Bingo. One gigawatt here. One gigawatt here.
I'm not an actor who appears on the stage and gives people advice on how to live or what to do and entertains them. It is not my specialty.
The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.
Our meaning is to make our little planet Earth a better place to live, to stop wars, disarm nuclear missiles, to stop diseases, AIDS, plague, cancer and to stop pollution.
We do not yet have the solutions to these questions, but the awareness that we live in an endangered world is present in more and more life situations.
When you're prepared, and you do the best you can do, and you put it out there on the floor, you've just got to live with the results.
Yeah, no desire to live in New York. Giant buildings and it's cold and I'm a big Patriot, Red Sox's fan. What can I possibly do for fun in New York?
You are the master of your environment. You've got your own head, your own mind. So once you figure out what you want for yourself, you have to create the proper environment to make sure you can live out all the things you want.
I don't love the way I look. Nobody does, and if they do, I don't want to be that person's friend. But we all know what we're insecure about. The question I had as I was writing was, 'How are these things affecting the way I live? How am I compensating because I don't like this about myself? What do I do to cover it up?'
When Josh and I are recording a record, we're very mindful of how the music will manifest itself live. That's where we have to live every day. When we tour for the next record, I imagine there will be a new story to tell, and we'll introduce new characters.
I think of the Tycho sound as something separate from the band. I think the methodology and approach to production I use on the Tycho records can be applied to a lot of things. But from a performance and songwriting perspective, yes, Tycho is a live band.
And I watch 'Saturday Night Live' religiously, I have since I was a little boy. I watch it basically like one of my favorite sports teams.
I want to buy up a gang of properties in my neighborhood and give people the chance to live in new buildings. We should make our areas nice.
Each album I do, I try to have at least a slight rule, whether it's the band has to get together and record live, or all guitars, all fuzz on, all the time. It's varying and slight, but yes, I like having rules.
What I learned in jail is that I can't change. I can't live a different lifestyle - this is it. This is the life that they gave and this is the life that I made.
Bray is where I live; it's a seaside resort. It's a nice place to walk up there and stuff, on the coast. There's crosses along on top of it.
It is all very well for 2% of the population to live in a monastic state of meatlessness while everyone else gorges their way towards environmental meltdown or the nearest heart clinic. Vegetarianism is good for the willing minority, but not much use as a campaign tool.
If I live and breath something, I might as well show everybody what I live and breath.
I'm good friends with The Rock, and I talk to him all the time. And he says that, even though his movie career has taken off, he misses the instant gratification of wrestling, and the live crowds, and I could see being that way myself.
The best thing that I bring in my live show is that it's not scripted. It's more of a conversation with my audience. And that's what people like about the show - it's very real. There are mistakes and laughter.
I tell it like it is. I tell it like I see it. I tell it like I envision it. I tell it like I live it.
I went to university for a year, and I'm not one for schooling and have no enjoyment sitting in a classroom all day and ended up going to live in England for two years, just to travel. I worked in a bar in a hotel for a couple of years and had no intention of becoming an actor. That's where I met my agent.
The wonderful thing about Food for Thought is that it lets you keep your hand in theater and be in front of a live audience without a commitment of six months, or even three months.
Worrying won't prevent the worst outcome. I've learned to live in the moment, which is not my natural tendency. I've always thought that if I worried about something enough, it wouldn't happen. I forgot to worry about Parkinson's.
When something's got to give, family always wins. I couldn't live with myself if it was the other way.
If you live in the same small place long enough, something you don't like is bound to happen.
What interests me is trying to catch the reflection of the human being on the page. I'm interested in how ordinary people live their lives.
Because there are a lot of big cities in the world, people who live in cities have become more isolated than ever.
I would like to use architecture to create bonds between people who live in cities, and even use it to recover the communities that used to exist in every single city.
You can stay in therapy your whole life, but you've got to live life and not talk about life.
Brexit is a major concern for us, and it should be a major concern for all of us who live in the U.K. and operate out of the U.K.
I accept everything which is favorable for the people and the army; for myself, I wish to live in retirement.
I can't live just being content. I can't have a routine. I can't be settled because then I just get really frustrated.
What I do is between me and the Lord, to examine and possibly alter the state of grace in which I live, and thereby the state of grace of anybody who listens.
Human's can't live in the present as animals do; they just live in the present. But human's are always thinking about the future or the past.
I think in 2016 I'm going to focus on performing a lot more and doing as many shows as I can. There's plans to tour more, and that's where my heart is - doing the live shows.
'Funny' is really cool live. You break it down into an acoustic set, and sometimes I'll do that one unplugged and off the mic, depending on the venue.
The minute a collective alliance fails to live up to its agreement to collective defence, then from that moment on, everybody is on the run.
I was born and raised in Johannesburg, South Africa, but I live in New York City.
The great thing about a sitcom is that you're in front of a live audience, so you really get in touch with what audience reaction is, but also there are lots of elements of film that you're dealing with, and there's kind of a great boot camp or graduate school mentality to it, because you're going to suck.
How am I going to live today in order to create the tomorrow I'm committed to?
The biggest edge I live on is directing. That's the most scary, dangerous thing you can do in your life.
Through the years I've found that I prefer live playing to recording. I still do lots of recording - but I treasure the live shows.
No one wants to live in a wheelchair unable to talk, only winking once for yes and twice for no. It's perfectly reasonable that there will come a point where the balance of judgment of life over death swings the other way.
I went to live on a kibbutz, and I'd idealized the world of collective, agrarian work, where everyone was equal, everyone contributed, that all this awful European intellectual stuff just fell away.
The people whose necks hurt when I write about the Middle East tend to live in Brooklyn or Boca Raton: the kind of Zionist who pays another man to live in Israel for him. I have nothing but contempt for such people.
My two daughters live on Facebook, and social media is their mode of communication.
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