Final Cut Quotes
Most Famous Final Cut Quotes of All Time!
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'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
How lucky are we to have Naomi Watts and Sean Penn playing us? We've seen the final cut now a couple times, and the scenes with the marriage fraying at the edges are still very difficult to watch. However, our hope was that no matter your political persuasion, you're taken with the idea that it's important to hold power in check.
When I first went to Stevens Point, I never thought I'd ever be close to the NBA. I didn't even think about the NBA. The big start for me was making it to the final cut for the Olympic team, and I was the only one who was going to be back for my senior year of college.
They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'
I was briefly in the original version of 'Tombstone,' but I didn't make the final cut because that movie went through a couple of different permutations.
I love doing this day, and George was exactly as he's always been, very calm and very gentle, and if I'm in the final cut in the summer theater, I'll be thrilled. If I'm not, well that's the way things go.
But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.
I think we were the first picture to cut on Final Cut Pro. So we were the guinea pigs, because we got a deal on the system. But with that comes all sorts of technological problems I couldn't begin to describe.
There are really only a handful of directors who have a final cut clause in Hollywood. You only get that power if you've made a couple of hundred-million-dollar successes.
We always said that directors work their whole lives to get final cut on a movie. We have that. So why would you want to run away from what every other director is sprinting toward their entire careers?
Perhaps where text slides toward ambiguity, film inclines to specificity. A novel contains as many versions of itself as it has readers, whereas a film's final cut vaporizes every other way it might have been made.
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