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Being the only African American at this level in American Ballet Theater, I feel like people are looking at me, and it's my responsibility for me to do whatever I can to provide these opportunities in communities to be able to educate them.
Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments.
When I was younger, my feet would hurt a lot, but you build up calluses and strength, and you don't feel as much pain there. But then again, it's a give and take. The older you get, you may feel pain in your back or your hips.
I feel like a lot of women have been questioning their role in their workplaces and society, opportunities that they may have missed or haven't spoken up for.
I think we have a long way to go in the entertainment industry, particularly in movies, but I feel like in television, there's somebody is finally saying, 'Hey, women have stories to tell, and oddly enough, women want to hear them.'
I really am enjoying the fact that I feel like women are having more and more say in Hollywood, in television particular.
Ageism is interesting for me because I've been playing someone in my 40s since I was 20 or so, but I have experienced it. I've been lucky in that I haven't had to play the ingenue and feel that slip away.
I don't see any division between the comic and the tragic. I feel like I'm writing about serious things, and humour is one of my tools. It's not contrived, just part of my world, part of the way things are to me.
A writer is always, always searching, even against her will, against all her better instincts, for the thread of a story. Everything is fodder. Everything is fuel. You can feel it coming on like the tingling of a sore throat. The brain never stops struggling to reshape every experience and feeling into a coherent narrative.
This is a cliche, but in fiction, I feel it is easier for me to get to some sort of truth, some kind of more honest writing.
I would never want to deny my Mennonite background and culture; I'll always feel like and be identified as a Mennonite and therefore possess that little extra authority on our beliefs. I also see myself as a Canadian writer.
I spent five years in Italy, and the Italians have a slightly different lifestyle. Everything is a bit slower and more easygoing. You can feel that when you live there; you become a little more relaxed about typically 'German' things like accuracy and punctuality.
I hate the fact that we all feel the pressure to go to gyms, have a trainer if money allows, get jogging - all those societal pressures to keep fit and look a certain way.
I hate talking about my height, because I don't feel like a tall person... When I see a tall woman, I'm always slightly like, 'Whoa.' It looks weird, but that could be because of my complex about it, my worry over whether it's womanly to be that tall.
The main reason I got into comedy was in the hope that I could make a few people laugh and feel better about life, and the fact that I do that is quite overwhelming, really.
We humans are here because nothing can be perfect. There always have to be some living things that are unsatisfied, itchy, trying too hard. If it was all just animals and rocks and lettuce, the gods wouldn't feel like they had enough to do.
The moment I feel pressure to read a book, I instinctively rebel against it - which is probably one reason I didn't last long in college.
I can't feel bad about being who I am, just like the girl next to me can't feel bad about being who she is. Because a rose can never be a sunflower, and a sunflower can never be a rose.
I feel like I've started to grow up and be more of a woman instead of this crazy girl.
I really feel every word to every song a lot more than I have in the past.
I believe that there is a universal presence that is the kind of magical undercurrent in life that we all feel and is connected in, through, and as everything. That's what I think God is.
Thrumpton Hall can be thought of as a venerable old lady, ageing gracefully. But I didn't always feel this way. Children want more than anything to be very conventional and very normal, so it was excruciating and, at times, very upsetting to grow up in a house like this.
My brother and I shared an isolated area at the top of the house; we would clamber over the roof and gables and grow our imaginations. But it didn't feel ideal at the time.
A lot of cop shows, because they have the restraints of having a new case every episode, the victims often become these kind of nameless, faceless plot points, and as an audience we don't feel anything for those people.
My dad is this very sensible guy who never let me feel that anything was beyond my station.
I didn't go to theater school. I didn't go to Julliard. But I've lived a lot. I've seen a lot. I feel like that makes up for a little bit.
In some movies you feel like you're a very small part of a huge machine. Whereas in the theater you can have a very small part, but you can still feel the weight and the gravity of it. Given the nature of theater, it's a more concentrated and quiet experience.
I feel this is very important for us to have serene buildings because our civilization is chaotic as it is, you see; our whole machine age has brought about a chaos that has to be somehow counterbalanced, I think.
And I feel that we in our society should not be held by any such myth; that we should do everything we can to gain a delight and joy in our society with all the available parts of the palette.
I know what it's like to be in one place and dream of another. I also know what it's like to feel that nostalgia is a fairly useless thing because it is stasis.
Christmas lights may be the loneliest thing for me, especially if you mix them up with reindeers and sleighs. I feel alone. I feel isolated. I feel I do not belong.
New York City is home to so many people from so many places and the uniqueness of it is that you never feel a foreigner. English is almost hardly ever heard in the subway. In fact, it's weird.
I always feel I can play a role - just give me the time to do the preparation and I'll be it.
Once you've found something you know how to do, it makes you feel you don't have to be intimidated by someone.
Sometimes I feel limited by people's perceptions of what I can and cannot do, or what I do or don't look like.
I've definitely taken more family-friendly roles. Honestly, sometimes the edgier acting roles are not age-appropriate for kids but I have taken more projects that I feel have a great message or my kids can watch because of their age and that were just plain fun.
I feel like the worst has happened to me, so what better person to skate to 'Madame Butterfly' than me?
I was very interested in history, but I also thought, you know, history is not that interesting sometimes, and it can feel a bit medicinal.
If you live around dummies and fake blood for six months, it becomes a part of you. It's fake blood, but sometimes I still feel the real scent of blood, so it's more mentally collapsing, not only physical.
I feel like the high-concept shows that have some kind of gimmick tend not to be the hit classic shows of all time.
I feel like if I had my personality but was an OB/GYN, you would be psyched. You'd be like, 'My chatty, pop-culture-interested but plainspoken, wants-to-talk-about-clothes but serious-minded doctor.' I feel like I would clean up with patients. That's kind of a cocky thing to say.
I never want to be called the funniest Indian female comedian that exists. I feel like I can go head-to-head with the best white, male comedy writers that are out there. Why would I want to self-categorize myself into a smaller group than I'm able to compete in?
Woody Allen is really the ultimate. I love that he believed in himself enough to do what he did. And I have that same feeling - that there's nobody that looks like me in movies, nobody would cast me as a romantic lead, but I want to do it and I feel confident that I can.
I know it was harder for me taking care of my dad during his cancer than it was going through my own. You feel more helpless as a caregiver.
Growing up as an Asian American in this society, there were a lot of times where you feel isolated or out of place as an Asian. And growing up in White America, that's absolutely my experience. And I think that's why I got into acting because I wanted to be anybody else but Asian.
I feel like Zsa Zsa Gabor's sixth husband. I know what I'm supposed to do, but I don't know how to make it interesting.
I like the outdoors. I like to run. In gym I feel restricted. When I exercise in open, it gives me a certain freedom and pushes me to do more.
I feel like movie stars don't have many friends at all. They have acquaintances.
I feel it's like being a kid and dressing up, because that's what Baby Jane is.
The notion that you're not supposed to show how you feel is really detrimental, not just to yourself but to the way you end up treating other people.
I get emotional easily: I feel like 'Cupcake Wars,' 'Chopped' - the right episode just breaks you apart.
I definitely feel like there's a lot of terrible things on the Internet, obviously. You can really pretty much find anything on there. It's pretty awful. And the crazy thing is that we don't even access that much of it - it's like the dark web or whatever. It's the other Internet that we don't even access.
I've spent my life defending the Net, and I do feel that if we don't fight online crime, we are running a risk of losing it all.
I feel like every role you take, there's a part of you that obviously feels like you can do it. I don't know if perfect is the right word because I don't believe in perfection. I don't think it exists.
I just think there are certain men who feel like engaging in a story told from a female point of view is somehow a feminizing experience. And that itself is something that they're almost supposed to not want to engage.
I want to have compassion for my characters - I feel like I am the characters when I'm writing them.
I don't even give my scripts to friends because I just feel it's, like, I don't need one more set of opinions.
I think living in our culture right now, there's a universal experience where we feel like we become what we do. Sometimes that's rewarding and sometimes that creates an existential crisis.
As an actor and a writer, the anxiety about doing TV is that you start to feel like you get married to one tone or one kind of idea and you feel like you want to be able to express a lot of different things.
I believe, in general, that even people that are self-pitying, you can feel for them.
The purpose of making people feel uncomfortable is to play with their preconceptions.
What I find frustrating about scripted television is that it's rare that you are surprised by how you feel about the character, or how you feel about the show.
I feel that's what a real champion needs to be doing, dare to take on the best fights possible.
I don't feel the need to do anything other than what I've been doing, beating my opponents, getting some knockouts, keeping the fans coming. I don't need to do anything other than that.
I feel I have the power and the skillset to compete in any division up to welterweight.
I feel very uneasy with a lot of aspects of the Russian life and the Russian people.
I feel really lucky to be in a band where the guys, for all the opportunities to do things that potentially would be good for them but detrimental to the group, that everybody stayed loyal to the whole.
Sometimes you get to a place in life where you feel you've made some choices, and maybe they weren't the right choices, and that it's all coming to an end.
It's astonishing what you learn and feel and see along the way. That's why a reporter's job, as you know, is such a joy.
I used to have acne when I was a kid growing up. You can imagine how serious that was in making you feel bad. And I had skinny bow legs. I mean, as a kid growing up, I was an insecure fella.
But I was never, you know, when I see some kids today who are close to their parents, close to their friends... I think it's simply wonderful. I was not a happy kid. Back in those days, I remember the sick, gray days were better. Because when it was sunny I'd feel worse.
I would feel horrible to think I had put my name on a pistol permit and allowed someone to carry around a gun and they committed another crime.
I have this pet thing about how global communications are moving so fast now, throwing information at you, making everything available to you, and yet I feel it's leaving us more and more isolated.
I'd like to live in an area of social deprivation because I think it's important to get a feel of what it's like.
Nerves provide me with energy... It's when I don't have them, when I feel at ease, that's when I get worried.
I would say you feel a lot more pressure at a national tournament than a state tournament. This is more of a fun weekend out with the guys. The national tournament is more business.
And watching Ed, he's really coming into his own doing some new things onstage I've never seen him do. He's really getting into it, putting 120 percent into the show. We feel comfortable and excited.
At this point, because we have stayed the same course for so many years, I feel like we are freer to make choices that are motivated by what feels right creatively at a given point in time.
That's what music has always been to me: a feel. I've listened to the Stones many times and it still makes me have that feeling of joy every time. They are still around and put on a really exciting show. We also give it 120 percent.
I play 'Rock Band' with my friends' kids, and they completely beat me senseless with it. I feel like I'm holding them back. I try to play the drums, and I just can't play the drums. I think I need to work on my skills.
You don't feel like you have to interact with a whole bunch of people when you get on Flipboard. It's not a source of social anxiety.
It's a very sweet and often problematic situation where people feel like they know me and they're concerned for me. It creates these strange little intimate moments.
I don't feel like it's fair to the other players and I don't think it's the right way to do business to allow influence and position to dictate when you play a young man.
I feel very much ideologically, politically if you like, and emotionally part of the European cinema.
I just feel like there hasn't been enough time away from all this other stuff and into this new world or sort of big world that it hasn't worn off yet.
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