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When I see the discrepancy between kids in the Philippines and the U.S., I feel like I have to give them an opportunity.
FBX was my baby that I staked everything on. We shipped it fast, scaled it up, and now the baby talks and can walk to school, but I don't feel I need to babysit it.
All Bangladeshi citizens, including minorities and women, must feel safe and confident in exercising their right to vote.
In no small part I think all of us kind of look in the mirror and feel good or not feel good about the person we seen in the mirror in no small part because of the jobs we have.
I feel slightly uneasy at the way historians are consulted as if history is going to repeat itself. It never does.
Deep down, everybody wants to do what they want to be doing. They just feel that they can't.
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be the director of, because I had an emotional attachment to the whole story. And because of that experience, I feel that I can try other films. I didn't set out to become a director.
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't have enough experience to make the movie something special.
A lot of scripts that I was given I didn't feel were right for me, because I didn't feel anything for them - I didn't feel like I was going to change in life and start directing.
I wanted to do a film for a while, but I never found a script that I felt I was going to be the right person for; because if you've never made a film, you're not taught how to make a film, and you feel like you lack skills.
I don't want to knock photography, and I don't feel that film is up there but photography isn't. I think they're next to each other really, you know. There's an incredible strength to a still picture. Or there can be an incredible strength to a still picture that can outlive you. That can outlive a film.
Russia itself is an extremely complex country, and sometimes I feel like all of that comes back to haunt me. I can see why so many Russian writers were so tortured.
It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.
I am something of a contrarian, I suppose. I feel less comfortable when everybody agrees with me. I say, 'I better reexamine my position!' I probably believe that the worst opinions in my court have been unanimous. Because there's nobody on the other side pointing out all the flaws.
I often feel very guilty because of the time that I spend outside of my home and the little time that sometimes I have for my kids.
I'm not such a big star. I am just a little planet. In Spain, people don't put so much attention on the star system. But here in America, I can feel it. Mostly, people are very, very nice. But there are also a bunch of fanatics behind the stars.
I always feel that art in general and acting in particular should make the audience a little uncomfortable, to slap them and wake them up.
You can get excited and feel unstoppable, but every week presents a new challenge. Each week, you have to work and get better.
I never want to make the quarterback feel like I'm being a distraction or I've got any negativity toward him.
I got interested in the emotions after studying patients who had lost the ability to emote and feel under certain circumstances. Many of those patients also had major impairments in their ability to make decisions.
The challenge for a director - and I think a lot of directors feel the same way - is that today we have to put on a producer's hat, too. Meaning, you have to sometimes think of it being 'business show,' not just 'show business.'
When I'm close to the penalty area, that's where I feel more comfortable.
I do not feel like I am on par with Messi and Ronaldo yet. I need to win trophies to match them. I try to help my team and country as good as possible to do just that.
The fact is I do feel very Spanish, like when I'm talking to my wife and daughter in Spanish at two in the afternoon. I even think in Spanish when I get angry!
I do not feel the need to play in Ligue 1, nor in the Premier League or in Serie A.
I never feel more myself than when I'm writing; I never enjoy any day more than a good writing day.
The only thing that matters is how you feel in the moment and what you think is the right choice in that moment.
I started my career because if I'd have done anything else, I would regret it. I truly feel this career chose me more than I chose it. I would say that it's for something greater than me with a little of the creative fulfillment that comes with it splashed in there.
In the South, people in power feel they don't have to answer to no one.
Trillions of dollars spent on foreign wars have done nothing to make Americans feel safer at home.
I came here in 1974 to do a play, and then I went to L.A. I really like living in America. I feel more at home here than anywhere else.
The knighthood was a tremendous honour, I don't dismiss it. But I feel embarrassed by the flowery, theatrical stuff that goes with being an actor.
Authors have odd relationships with their creations They owe their fame and fortune to their characters but feel enslaved by them.
I feel like every first episode of a TV show is bad, you know, and it always improves.
I still feel I am that 14-year-old kid, hungry and trying to find a way through life. That's what I'm trying to develop, trying to be good at something through boxing. But I feel like that young kid who's trying and trying.
It's hard to say I don't like being famous, but how I feel is that I don't see myself as that person. It baffles me that people would want a picture with me.
When you are caught with a big shot, you don't really feel it. It's like being in a car crash, and maybe your arm has been ripped off... it is only when you look down at it that you realise it has happened.
But then when he left, I realized that it was harder to write songs and feel spiritually connected to art and music as a band. When he came back I felt it again, instantaneously.
I just feel like every time I'm on the court I just clear my head, clear my mind.
With my jump shot, once I get that consistent, I feel like that is going to be a huge advantage for me.
There are some people saying I'm a tweener - not tall enough for a power forward and not fast enough for a three. But I feel like if I go out there and play hard, it will eliminate all that.
I feel that playing the stretch four is an advantage for me because I'm quicker than most power forwards. I can shoot the ball well. I'm efficient, so I can use that to my advantage.
I just feel like there's a lid on the basket. Three games and no shots went in, but I just have to keep working.
I just feel like I'm a basketball player. I don't really have a position. I can play inside. I can play out. So whatever a team needs, I think I got it.
I feel that if Jacques Pepin shows you how to make an omelet, the matter is pretty much settled. That's God talking.
Having a memoir and a retrospective of your work running almost simultaneously when you're still alive does feel a bit posthumous.
I have alopecia. That's an autoimmune condition. I don't like to say disease because I don't feel like I'm diseased. So it's a condition. And it's like your immune system is confused. So it attacks the hair follicles, and so your hair falls out.
I loved all the wardrobe choices that were made on 'Gotham.' I feel like I always looked fantastic, very streamlined.
I feel like it has gone very fast for me, but I feel like it wasn't instantaneous, at all. I was getting a lot of rejections. I just got very lucky and it happened quickly for me. I don't feel like I'm a prodigy or something.
My mom was a high school science teacher for decades. She just never made it feel like we had to choose between the arts and the sciences. We had bookshelves full of novels, and she also had Rachel Carson and Aldo Leopold and Carl Sagan.
I've always been so interested in both the visual beauty of mollusks and the tactile feel of them. As a kid, I collected them all the time.
I don't believe in reincarnation. I feel like we're here for such an appallingly brief period of time. I believe we each get this one trip, and if we're really, really fortunate, maybe we get 70 or 80 years on Earth.
'ER' was so huge that whatever I did coming back to television, I'd have to feel as strongly about.
Some people feel, you make your case, if they listen to you, fine, if they don't, that's it. That's not what leadership is. Leadership is trying to continue to make a case.
I feel like maybe I get more nervous when I'm singing. One, it's live. Two, there's a lot of people watching. And three, you have to make sure you get the right notes and everything.
Artists have different responsibilities in different eras. But at this point, I really feel like it's all hands on deck. An artist that's fiddle-faddling in opaque, gossamer gestures - I mean it's fine to do that, totally fine, but there's no time left. We don't have the luxury of time anymore.
If there are places where I didn't feel comfortable with the particular politics, then I just couldn't do a concert there.
What helps me go forward is that I stay receptive, I feel that anything can happen.
As an actor, you want a director who makes you feel comfortable in a place that you can really create and try a lot of different things.
You can be really weird, and people will still accept you if you're in movies. I'm not actually weird, but if I feel like being weird, then I can do it, and they accept it because you're an actor.
Someone once told me we have in our minds who we want, and often those aren't the people we actually want. Like, once there was a girl I thought was perfect for me - I had every box checked with her. But I just didn't feel anything.
When you're in the military, you teeter on the edge of that line of life and death. The reason you feel so alive when you come through is because you know you've cheated death - and that and the adrenaline rush is addictive, no question.
Knowing that you're the one who's been rejected, God it makes you feel isolated. I defy anybody not to be a bit upset. I felt as though I'd walked into the house trailing all this baggage.
The tension I feel is the moment they say, 'Action!' Movies are like lightning in a bottle, and you always want to find when you possibly can catch a surprising moment.
I feel that certain things are best kept inside a family and not discussed with anyone else.
I don't see myself as having to compete with younger actresses; I don't feel that.
With movies, so much of it is, 'Who is the human being that is going to be directing it?' Because it is their medium. In a way, you are serving the director, and when it is someone that you feel you can have a lot of confidence in, it can make a big difference.
Most women would say they relate to 'Hedda Gabler' - there's a part of her in them. Ibsen was writing about a deep ambivalence that many women feel about domesticity. I think about myself and friends of mine - we have some of Hedda's qualities and traits.
I feel very, very lucky to have come from the family I did. We have our dysfunctions and our problems, just like any family. But my parents are extremely loving people.
There's so much of our psychological makeup which is impermissible for us to explore because it's inappropriate or perverse or scary. I'm interested in exploring that in myself. I try to be honest with myself about everything that I feel. I'm not saying I'm able to do that all the time, but it's something I'm interested in.
I think you sort of shed skins as you go along in life. You get into your 40s, and you feel like, 'OK, no more pretending.' You get to just be who you are.
My words must be powerful to make people so afraid of them. It's rather nice to feel I have power.
As I grew older, I came to feel more responsible for any hardship or trouble my career caused my family.
I was 22 and stopped writing plays, and I didn't start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved was downtown experimental theater. I didn't feel like I could do that either. It didn't occur to me to do my own thing.
I feel like there's an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we're all so freaked out about theater keeping audiences interested because everybody's so freaked out about theater becoming irrelevant.
When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.
I feel very proud of the work from the '80s because it is very bright and colorful.
Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.
You just decide what your values are in life and what you are going to do, and then you feel like you count, and that makes life worth living. It makes my life meaningful.
Now that I know about my great-great-grandfather, I feel that John Reid and I would have got on well together.
For the first part of my career, I did what I was told, and I wasn't getting anywhere. I'd get in such a state when I was asked to do something, and it didn't feel right, and I'd end up feeling that I wasn't very good.
Writers, as they gain success, feel like outsiders because writers don't come together in real groups.
I feel like an outsider, and I always will feel like one. I've always felt that I wasn't a member of any particular group.
I don't know if I would do sequels. I almost feel like when I'm done with them, they're going to have to find their own way.
We all like stories that make us cry. It's so nice to feel sad when you've nothing in particular to feel sad about.
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