Fashion Quotes
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Many parts of the media have created the situation where uninteresting fashion can thrive.
What you wear can largely govern your feelings and your emotions, and how you look influences the way people regard you. So fashion plays an important role on both the practical level and the aesthetic level.
My personal style falls between casual cool and meticulous slob. I'm most comfortable in jeans, but I love fashion.
People are looking more and more to Hollywood for fashion trends: who got dressed in what, and what was on the red carpet. Hollywood is becoming a big advertisement.
I'm sure that everyone who goes into fashion always dreams of having a perfume, since it completes the brand and exposes it in a different way.
The Middle Eastern woman is sophisticated; she is modern. She knows fashion more than anyone else, and she is really sexy, and she does know how to live fashion, and I think we can all learn from each other.
Growing up in Beirut, I used to go to the souks with my mother to buy fabrics... I understood fashion at an early age, and my first designs were when I was five.
A confidence problem exists on the part of the people of the region who desire democratic rule in principle, but remain suspicious of both the fashion with which democratization is presented and the purposes of the democratic world.
Mostly I'm writing about people, so I feel constrained to take with me my view of people, my curiosity about how people choose the things they do and why they come to certain decisions in a certain fashion and all the things that drive most writers.
One of my favorite outfits is one I picked up on a trip to Chandigarh. I've worn it once and am skeptical about wearing it again in spite of loving it so much, thanks to the 'fashion police' who won't wait a second to splash it out in the papers or feature me in the 'same to same' blog.
What is the obsession with not repeating clothes or making appearances that have been similar to the one's we've made in the past? Why is the fashion police so intense? What do they expect from us? What kind of pressure is this?
The most important thing that I've figured out is that things work out the way they're supposed to. We try to have all this control and fashion things the way we want, but everything happens for a reason, and in the end it works out the way it's supposed to.
From building robots and video games to coding apps that solve a problem in your community, or 3D printing in fashion tech, it is important that we explore different ways to engage girls in STEAM and also ensure that there are many, and different, women role models that will inspire our girls to pursue STEAM careers.
They know they're going to look beautiful, and I don't think women should look like costumes. They shouldn't look like fashion victims.
I never went to fashion school. I didn't know what a designer was. I knew I had something, but I didn't know what it was. And it could just have easily been nothing.
I am so tied up with my Bollywood projects that I have no time for fashion shows.
I wanted to be into fashion, but I was never the kind of person who could keep up with fashion trends, and I could never style my hair the way everyone else's was - my hair was very thin, so I couldn't do, like, the sprayed bangs everyone else was into.
Architects feel empowered to give opinions about politics and sociology and philosophy without knowing much about it. Kind of in the same way that they think they can design furniture or fashion or utensils for dining.
I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
If I see a fashion show with literal influences, it doesn't make me think any more. It doesn't make me dream.
Fashion is so mass-produced now; I hope there will come a refocus on how people see couture. And I would also hope for a new focus on the craft.
Until I was eighteen, I did not know that you could study fashion design or art. I really didn't know. I already had my nose in the art world; I was already looking at things, but I didn't really get it that you could study that because my school was a very different environment.
I love Fall Fashion Week because it means lots of layering, long sweaters and vintage coats.
I've always loved fashion so much and I didn't have access to the kind of fashion I really wanted, so I would do vintage shopping.
I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.
I think the biggest challenge we faced in making 'The September Issue' was the fact that people in the fashion world are very suspicious of cameras. They're used to a camera being the enemy, something that is prying and looking to catch you in a compromising position, something that's judging you.
I think the music comes first, then comes the fashion, and thus, the lifestyle. I believe it starts with music, and then the person delivering it delivers the lifestyle, the fashion. Madonna is a great example of that.
Media is not supporting me. They're saying that I want to marry Imran Khan, but I'm already married. This is wrong. What about my self-worth? My identity? I am a social media sensation. I am a fashion icon.
It was about 2012, 2013. I started from zero. Small fashion shows, small photoshoots. I've seen a lot. I've seen a lot of things up close. I married my sister off; I gave jahez for her wedding. I tried to keep relations going with my family. I bought a house for them in Multan. My parents are settled in Multan; my house is there.
Beauty and fashion are not really local anymore. You really have to be a global citizen to know what trends are. Now, it's pretty much the same designers and the same kind of trends, whether I am in New York, Milan, or Mumbai - it's the same.
Hip-hop basically controls the world through fashion, through music, through language, through culture. It's basically running the world, no matter what anyone wants to think, and that's just the way it is.
More than anything, Play Cloths has taken risks in regards to the pieces of clothing that we're even creating. We started out as straight T-shirts. It was just T-shirts and a couple cool things. Now, it's leisure pants, it's all types of clothing. We're evolving even with fashion trends on a super high level.
Virginia Beach is just such a melting pot for so many different things, and they just have so many influences. I would always say that the area definitely influences Play Cloths. The area itself just has so many influences, whether it be fashion, music, everything.
India now has serious fashion consumers who do not think twice before splurging on an expensive luxury product.
Britain has trend-setting fashion, ground-breaking scientists, and innovative technology companies. It is also a welcome home for investors.
I make 98% of my collection in New York City and am generating jobs, so fashion isn't just frivolous for me. I understand levity about it. I also understand the depth of it.
I decided if it was going to be a mistake to come to New York and try and make a career in fashion, then it was going to be my mistake... But the American dream is real. I'm living it.
Fashion has always had the ability to affect lives, to touch people. But for the longest period of time, we've said, 'Oh, we're just pages of a magazine; that's what we all look at.' It's more than that.
Fashion has a huge responsibility - in what we show on the runway, what we do in editorial, who we dress - to make sure it represents differences. If we don't, we're giving in to the discrimination.
For my first big Fashion Week event, the factory wouldn't give me my clothes because I didn't have the $25,000 it cost to make them.
The woman I design for is very curious. She loves fashion, but she also is passionate about what is happening around the world.
It was only when I began modeling at 18 that I really began enjoying fashion and reading any fashion magazine I could get my hands on, and developing a profound respect for designers, fashion and how to wear it.
Bengaluru is home for me. Being from Udupi, Karnataka, I have many relatives in Bengaluru. I used to come down for Bangalore Fashion Week. It was a lot of fun, and I had made so many good friends.
When I was young, for some reason, I thought a postman's job was quite cool, and once, I even contemplated becoming a lawyer. Finally, I decided to dabble in something creative like fashion designing or photography. Till I joined college, I had no clue that one day, I will face the camera.
An Adult faith does not follow the waves of fashion and the latest novelties.
Sometimes Italian fashion, especially in the summer, is bright and gaudy and tarty, so I'd be buying these bright pink and bright orange things, and when I got home, I'd just go, 'What was I thinking? I can't wear this!'
I like to mix it up, but I do like a lot of '60s fashion. But I like to make it a bit more edgier, sometimes a bit more rockier, sometimes a bit more classic.
I do have my own personal convictions and values, and I live by those. But as an artist, as a portrait photographer, my job is to tell the truth and to capture someone's spirit on a certain day. And it's never the whole truth; it's the truth I experience in a very intense and intimate fashion.
I feel like I have something to prove. I'm just not this cool fashion kid that be around ASAP Rocky.
I think it's just that the fashion industry can only accept one thing at a time. It's like, 'OK, well, if we're going to add plus, then let's keep it hourglass and white.'
Because of social media, it's bridged the gap between the advertisers and fashion and allowed people to find their group. It really widens what people are viewing and allows brands to see what the public wants to see.
My relationship with fashion is playful and very expressive of what I'm feeling at the time.
Time is my biggest luxury. Finding time to do things outside of fashion, which I think for a designer is incredibly important.
I'm not interested in clothes that just convey a certain look or fashion. Clothes for me have always been a form of self-expression.
My mother used to dress me in quite good-taste clothes, and I really wanted things that were sparkly and spangly and trashy and nasty. I don't know if I ever chose fashion; it was just there in me.
Just because you work in the fashion industry, it doesn't mean you live your life in fashion.
Fashion is an illusion. It's a multibillion-pound industry that has to appear frivolous. Designers work and work and work, all night sometimes.
I don't think there's anyone who can be unaware of the relevance of Kate Moss, the effect that she's had on the fashion industry.
Further, for once, I like the idea that people who think I'm a constant voice for the furthering of the imagination have to see that interest in a more materialistic fashion.
I knew nothing about the industry, I didn't go to fashion school, but I was brave enough to do things in a different way.
I actually ended up in fashion as opposed to sport because I needed the money. And it turned out that it tapped all my skills.
When I'm creating, that's my heaven. If I haven't designed something every day, it is a failed day - that's how much I love fashion.
One of my first fashion clients was Calvin Klein. We did his first freestanding stores. He was very exact and precise. But talk about high-fashion people who brand themselves!
People in Shanghai make a lot more money than the farmers in the rice paddies. The rice-paddy farmers are not buying Louis Vuitton bags, but the upwardly mobile ones in Shanghai, who are all working in Wall Street-type firms, are infinitely better-dressed than people in the West. Their women take this fashion thing seriously.
The photographer, even in fashion and portraiture, has to have a standpoint. It's important to know what you stand for, no? Most people just take pictures, but they stand for nothing. They follow trends and don't know why.
I have not taken inspiration from the fashion shows. I don't even really go to too many of the fashion shows - and have not for 15 years - because I don't want to be inspired by the same things as everyone else. If everyone is inspired by the same things, then of course, you all do the same pictures.
Fashion photography should say something about the stability of a certain time you live in or what kind of women you like. The most interesting thing is not what they're wearing but who they are.
Knowledge-based apprenticeships kickstart careers. Just look at British fashion designer Karen Millen, for example, who learned her craft through an apprenticeship scheme.
I'm not a fashion architect. I don't dress in Ralph Lauren and Gucci. When I buy a suit, I buy it at J. Press. I have a blue blazer that I wear 80 percent of the time.
At Concerned Veterans for America, we've made the case that the defense budget could be targeted for spending reform, but in a targeted fashion that genuinely changes unsustainable spending trajectories while preserving U.S. defense capacity.
I was a loudmouth rock star when I was still in college. Purple hair this week, green hair next week, blond hair the week after. I was doing that fashion before it was really cool.
We had fashion errors that became hits. We were bold with our colors and tights and being very sexy and the assymmetrical hairstyle.
Just as you can identify eras of fashion by glancing at a piece of vintage clothing, logos create and follow trends over time.
Fashion is what people tell you to wear. Style is what comes from your own inner thing.
What doesn't confuse me about what women wear? When it comes to women's fashion I'm so oblivious. I have no idea what's going on.
I think the way a person dresses is an expression of their personality, and I appreciate a well-tailored suit and the work that goes into it. But when it comes to fashion, on a scale of one to ten, I'm a two.
I try to open up my heart as much as I can and keep a real keen eye out that I don't get sentimental. I think we're all afraid to reveal our hearts. It's not at all in fashion.
The Orderly Liquidation Authority prescribed by Dodd-Frank should be repealed and replaced by an amendment to the U.S. Bankruptcy Code which would operate to prevent cross-default provisions from impacting derivatives books so long as mark-to-market payments are being made in a timely fashion.
Andy was not a hippie or rebel but more like a mischievous child. He was never out to destroy everything. He became a New Yorker, and New Yorkers know, like the media, what's going on around them is a fashion thing that will change to something else.
Fashion is like the ashes left behind by the uniquely shaped flames of the fire, the trace alone revealing that a fire actually took place.
It's certainly a cliche to remark that a nonfiction book 'reads just like a novel,' but in the case of Jonathan Eig's 'The Birth of the Pill,' I have no other recourse, since his narrative is full of larger-than-life characters sharply limned and embarked on fascinating doings, their story told in sprightly visual fashion.
Steampunk, the repurposing of Victorian culture and technology for contemporary fun and profit, is so ubiquitous - in media, books, fashion, music, cosplay, and maker culture - that we tend to imagine its superficial aspects are all that define it.
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