Exposition Quotes
Most Famous Exposition Quotes of All Time!
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People who lean on logic and philosophy and rational exposition end by starving the best part of the mind.
It's like, in movies where you talk to the audience 90 percent of the time, it's - you kind of want to stay away from that stuff. But, you know - but to write exposition brilliantly is hard.
Keep everything in context, and try to have each line doing more than one thing - not just giving exposition but also revealing character and history, etc.
The show business has all phases and grades of dignity, from the exhibition of a monkey to the exposition of that highest art in music or the drama which secures for the gifted artists a world-wide fame princes well might envy.
The method of exposition which philosophers have adopted leads many to suppose that they are simply inquiries, that they have no interest in the conclusions at which they arrive, and that their primary concern is to follow their premises to their logical conclusions.
Musical themes developing is a lot of what classical music is based on, and exposition and recapitulation - these kinds of things I find oppressive.
Where questions of style and exposition are concerned I try to follow a simple maxim: if you can't say it clearly you don't understand it yourself.
Let it be understood, in the first place, that a science fiction story must be an exposition of a scientific theme and it must be also a story.
There were a bunch of things we really liked right off the bat about a police precinct. We loved how instantly relatable it was. We loved how little exposition was required to tell people who these guys were and what they were doing.
In other times, I could stand here and give this kind of exposition on the beliefs of the Democratic Party and that would be enough. But today that is not enough. People want more.
There are two kinds of magic. If you think of it like martial arts, there's sparring, where you are doing it with a partner, and the other is kata, where you're doing an exposition for the audience.
Many times, illusions or magic sets are designed as an exposition for the audience to watch, but the the style I do with the pickpocketing is directly interactive.
When Shakespeare begins his exposition thus he generally at first makes people talk about the hero, but keeps the hero himself for some time out of sight, so that we await his entrance with curiosity, and sometimes with anxiety.
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