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My favorite zone is from 1890 -1915, that zone that spans the overlap of the so-called Gilded Age and the Progressive Era. People had such a boundless sense of optimism; They felt they could do anything they wanted to do,...

The Lusitania is a monument to this optimism, to the hubris of the era. I love that, because where there is hubris, there is tragedy.

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I've heard from the movie marketplace that James Cameron did such a killer job with 'Titanic' that it's almost impossible to do anything better.

I never recreate dialogue. I have often been asked by people, 'You must have made this up because this is dialogue, right?' Anything in my books that is in quotes comes from some kind of living historical document: a letter,...

Every time I sit down to reread 'War and Peace' - I've read it three times - I feel as though I've lived another life.

It was David McCullough's 'The Johnstown Flood' that lit my imagination as to how I might one day go about writing book-length nonfiction, though my favorite of his books is 'Mornings on Horseback,' about the young Teddy Roosevelt.

I don't really have a bucket list, but if I did, one entry would be to dust off my college Russian and spend a big chunk of a year reading, or trying to read, 'War and Peace' as it was...

I was a promiscuous reader. I loved Nancy Drew books and Tom Swift - never the Hardy Boys - but I also read Dumas, Dickens, Poe, Conan Doyle, and Cornelius Ryan's war books. As to favorite character: I'm torn between...

It's not my intent to write definitive history. 'Dead Wake' isn't a definitive history of the sinking of the Lusitania. It's my account.

Anytime you look at someone in detail, you're putting the camera on that person. What I typically look for is one or two or three really strong characters who will hold the narrative throughout the work.

When I'm considering an idea, and there is an element of hubris involved, I generally feel comfortable that it's going to be a good story. Pride goeth before a fall. It's an element of a lot of big stories.

The reason I choose the stories I choose - and it's why it takes me so long to find ideas - is that I'm looking for that very thing. I want an idea that begins, I want a middle that...

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