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Whenever I finish a book, I start with a blank slate and never have ideas lined up.

I was never concretely aware of the extent of anti-Semitism in the United States and in the upper levels of the State Department.

I thought I'd go to a bookstore and see what moved me.

I started reading the big histories and the small histories, the memoirs and so forth. At some point, I found the diary of William E. Dodd.

We, of course, have the power of hindsight in our arsenal, but people living in Berlin in that era didn't. What would that have been like as this darkness fell over Germany?

Hitler was such an anomalous character - he was so over-the-top chaotic in his approach to statesmanship, his manner and in the violence which overwhelmed the country initially. I think diplomats around the world... felt like something like that simply would not be tolerated by the people of Germany.

I pride myself on having a journalistic remove.

There's something so relentless and foul about Hitler and his people, and the way things progressed from year to year. It just got to me in the strangest way.

I like all kinds of music, though I tend to prefer jazz and classics.

I don't listen to music when I write, but I do turn on appropriate music when I read portions of my manuscripts back to myself - kind of like adding a soundtrack to help shape mood.

I'm very perverse. If someone tells me I have to read a book, I'm instantly disinclined to do so.

Reading is such a personal thing to me. I'd much rather give someone a gift certificate to a bookstore, and let that person choose his or her own books.

One of the really amazing things about the Lusitania saga was that, at the time, there existed in the admiralty a super-secret spy entity known as 'Room 40'.

In Washington, we had a grieving President Wilson, very, very much a lonely, grieving man. He had lost his wife of many years in August 1914 at about the same time the war broke out in Europe.

I didn't know anything about the Lusitania. I started reading because I had nothing else in my plate. And as soon as I start reading, I thought now this is interesting, you know, the hows of what happened, the actual - the actual sinking of the ship.

As a rule, I am very skeptical of tying books to anniversaries. I don't think readers care. I also feel that it just about guarantees that somebody else will be writing a book on the same subject, but being a former journalist, I'm always interested in, like, why write about something today? Why do it now?

Captain William Thomas Turner, hero; villain, Schwieger. As I started doing research into him and into the submarine and so forth, I found that I was growing increasingly sympathetic to him. He's a young guy, 30, handsome, well-liked by his crew, humane.

I've really tried to strip my writing of as many adjectives and adverbs as I possibly can.

I've been asked a lot lately what message is there in the Lusitania for the modern day. To be honest, not much. Except that maybe hubris and overconfidence are always dangerous things.

Unalloyed heroes and unalloyed villains make me suspicious.

There's a powerful appeal in the 'I didn't know that' effect. I love it when people say, 'Gosh, I didn't know that.'

I went to public school on Long Island, and it seemed every year we were being taught that you had a right to a fair trial and a right to confront your accuser.

It troubled me that we had these reports of torture of detainees, we had people jailed at Guantanamo Bay who couldn't even talk to their lawyers and couldn't see the evidence against them - sort of fundamental bedrock civil liberties things.

I'd always been interested in maritime history, especially the great liners. I'd have done a book about the Titanic if it hadn't already been done to death by James Cameron and Celine Dion.

I do think hubris played a role here as well, the belief that the Lusitania was too big and too fast to ever be caught by any submarine, and that, in any case, no U-boat commander would think to attack the ship because to do so would violate the long-held rules governing naval warfare against merchant shipping.

To me, nuclear weapons are the secret crisis of our time. Frankly, everyone needs to reread John Hersey's 'Hiroshima.'

That's what I love about history - nuance. I don't believe in unalloyed heroes. Everyone's got warts, and everyone's got a surprise side.

I started deliberately looking for characters, ideally outsiders and ideally Americans. So I just started reading widely, as I tell my students to do: read voraciously and promiscuously.

I found a book facing out that I'd always meant to read: William Shirer's 'The Rise and Fall of the Third Reich.' About a third of the way through, I suddenly, finally caught up to the fact that Shirer had been there in Berlin, from 1934 on, and was finally kicked out when the U.S. entered the war.

The SA, that is the - shorthand, those are the storm troopers. Those are the folks who are commanded by Captain Ernst Rohm.

In 1933, the Gestapo was founded to become - to be a secret police agency to keep tabs on political opposition and so forth. Brand-new as of April 1933.

Yes, William E. Dodd was the - became the - America's first ambassador to Nazi Germany. Prior to that, he was a professor of history at the University of Chicago - mild-mannered guy.

President Hindenburg had ultimate say over whether the government would survive or not.

Digression is my passion. I'm not kidding. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten and that are kind of surprising.

Trying to find ideas is the hardest part of my job. You'd think it would be the most fun. Just sitting around reading whatever I want, going to cafes and libraries. But I always feel so unproductive. I think I was raised too well by my parents.

For 'Thunderstruck', I discarded about a dozen ideas. And then one afternoon, I was thinking about wireless. I don't know why. I guess because it's become so ubiquitous. I was thinking that maybe there's something I could do about the origin of wireless, so I did what any self-respecting person does these days: I Googled 'wireless.'

My secret weapon is my wife. She's the best judge. She's a scientist and a natural reader. We've developed a detailed code for how she marks a manuscript, and I think it's what saves me from wild digressions.

I usually look for stories with barriers to entry, something complex enough that no one else is going to do it.

I'm always looking for a sign - not in a spooky, supernatural way, but in a 'neurotic writer' kind of way.

It's like being involved in a detective story, looking for that thing that nobody else has found.

My favorite zone is from 1890 -1915, that zone that spans the overlap of the so-called Gilded Age and the Progressive Era. People had such a boundless sense of optimism; They felt they could do anything they wanted to do, and they went out and tried to do it.

The Lusitania is a monument to this optimism, to the hubris of the era. I love that, because where there is hubris, there is tragedy.

I've heard from the movie marketplace that James Cameron did such a killer job with 'Titanic' that it's almost impossible to do anything better.

I never recreate dialogue. I have often been asked by people, 'You must have made this up because this is dialogue, right?' Anything in my books that is in quotes comes from some kind of living historical document: a letter, a memoir, a court transcript, a newspaper interview.

Every time I sit down to reread 'War and Peace' - I've read it three times - I feel as though I've lived another life.

It was David McCullough's 'The Johnstown Flood' that lit my imagination as to how I might one day go about writing book-length nonfiction, though my favorite of his books is 'Mornings on Horseback,' about the young Teddy Roosevelt.

I don't really have a bucket list, but if I did, one entry would be to dust off my college Russian and spend a big chunk of a year reading, or trying to read, 'War and Peace' as it was meant to be read, in Russian, with all that rumbly rocks-on-rocks poetry inherent to the language.

I was a promiscuous reader. I loved Nancy Drew books and Tom Swift - never the Hardy Boys - but I also read Dumas, Dickens, Poe, Conan Doyle, and Cornelius Ryan's war books. As to favorite character: I'm torn between Nancy, on whom I had an unseemly crush, and Edmond Dantes, the Count of Monte Cristo.

It's not my intent to write definitive history. 'Dead Wake' isn't a definitive history of the sinking of the Lusitania. It's my account.

Anytime you look at someone in detail, you're putting the camera on that person. What I typically look for is one or two or three really strong characters who will hold the narrative throughout the work.

When I'm considering an idea, and there is an element of hubris involved, I generally feel comfortable that it's going to be a good story. Pride goeth before a fall. It's an element of a lot of big stories.

The reason I choose the stories I choose - and it's why it takes me so long to find ideas - is that I'm looking for that very thing. I want an idea that begins, I want a middle that is compelling and will bring readers along, and I definitely want an ending.

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