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I've been looking for a Broadway opportunity ever since I stopped doing theater.
I auditioned for 'The Voice' because I really wanted to try and figure out a way to get myself out there. I really couldn't imagine doing anything else - music was the only thing that I really clung to.
I love Sia and how she hides her face. If I could pull off doing that, I totally would.
You can do all the film school you want in classrooms, but if you are on the set, you are going to learn so much more because you are really in the middle of doing it.
When 'Ally McBeal' started, I went, 'Oh, my God.' It's like what I was doing. 'Bridget Jones' was in the same vein. I identify with all of them.
Part of the appeal of fantasy for me is that I don't get bored. If I want to write quasi-Medieval, that's what I write. If I feel like doing contemporary for a while, then I'll do it.
I love doing stuff in a harness. It's surprising what you can actually do. I'm reasonably coordinated, so I can do flips and the flipping kicks.
In India, at the community level, young men are playing an absolutely essential role in changing the cultural norms and deeply held practices concerning women. They are doing this in a way that not only empowers women and girls, but really empowers the young men as well.
A lot of people have been quite surprised with the stuff that I'm doing on my own, which shocks me because I've always known what I wanted to do. But people have only seen me with the Spice Girls, so I suppose it's not that surprising.
When you're with your family you're with them and when you're working you're doing that. I definitely try to separate the time when I'm working and when I have my personal time.
The social networking sites are such good way to keep in touch with your fans, it's quick and simple and it keeps your fans interested in what you're doing.
Definitely working on 'Deal or No Deal' was a learning experience, and it helped me to understand what I would rather be doing.
I basically modeled my way through college, doing local runway shows in L.A. that don't pay a lot and a couple of shows in N.Y. and S.F., and I probably made the same as the average 19-year-old waiter; I just worked less and was around beautiful girls, so it was nice.
I'm the biggest nerd - I love comic books and stuff like that! I don't have any friends who are actresses. I only had one girlfriend when I was growing up. Most of my friends were boys. I was such a tomboy. I enjoyed doing guy things.
I'm one of those people who fiercely guards their privacy, so I hate doing interviews.
The great thing about doing a series about the Broadway community is that the possibilities are endless.
I always thought Broadway's the goal, and then I moved out to L.A. with 'Wicked' and started doing guest-star spots and little recurring things, and I was like, 'Well, this is pretty great; I'm kind of digging this.'
Every time I see a live performance of something, I'm like, 'I want to be doing that!'
I've always zoomed through life in a vain attempt to keep up with my sprinting brain. If I have to choose between doing something quickly and doing it right, I often select the speedier option.
There's nothing more nourishing to the spirit than doing what you feel called to do.
I started off doing fiction in 1993. It didn't occur to me to do nonfiction because it wasn't a thing yet. So I was bumbling around, writing short stories, and then I took a nonfiction workshop, and I realized that this was what I was supposed to do.
Motherhood changed me because it is so fundamental what you're doing for another person. And you are able to do even though it takes a lot.
I didn't plan to act, but I'm glad I'm doing it - and I just want to keep getting better.
I wasn't really interested in doing television. I don't have that much ambition. My agent, Eileen Feldman, has all the ambition for me.
I have run large organizations, I know what it takes to create a healthy business climate, and I have more experience than Jerry Brown doing that. So it'll be a stark contrast, a career politician vs. someone who has met a payroll, gotten a return on investment, knows how to use technology to do more with less.
You're in the gym eight hours a day; you're not preparing for cameras and running around and doing tour stops and making acting appearances.
I wasn't expecting two seconds of me on the medal stand to go viral after the Olympics. I came back to my room after the medal ceremony, and my dad said this picture of me doing a face I don't even remember making is blowing up.
I'm an actor. I started as an actor. I started on Broadway doing 'Hair' and Shakespeare in the Park.
When the kids were growing up, they learned to be independent. I told them, 'As long as you're doing something good, it's worth pursuing.' That's why I invested in them in the first place and gave them as much as I could for their first company, Zip2.
I've been really lucky to have had my fair share of relationships over the years and experiences to draw from. But I would say that I generally am not the one doing the heartbreaking.
I learn the most from trial and error. I learn about what I'd like to be able to do from people like Barbara Mason. Saying I want to sing like Barbara Mason and doing it, it's two very different scenarios.
To be honest, it's considered very late to start acting at 11 and a half, for the industry. Most kids are doing it from toddlerhood on.
Any standup that you see who you go, 'Oh, wow, that guy's, you know, that guy's making it.' Inevitably, they've been doing it 10, 12 years - 10, 15 years. Because it takes time.
There are people getting screwed in our country every single second, minute, hour of the day. And if by our work, we can decrease that number, we'll make a difference; we'll be doing our jobs.
That's the biggest gift I can give anybody: 'Wake up, be aware of who you are, what you're doing and what you can do to prevent yourself from becoming ill.'
I'm not super aware of what's the coolest thing and what everybody's doing or listening to or watching at any given time.
I know many Canadians are fed up with the traditional way of doing politics.
Do we want to emphasize our ethnic and religious differences, and exploit them to buy votes, as the Liberals are doing? Or emphasize what unites us and the values that can guarantee social cohesion?
The politicians, they try to please everybody and when you want to please everybody, you won't please everybody. That's not my way of doing politics.
I don't have them down here asking me what my urban agenda is. I don't find them really doing in-depth stories on community-based organizations that have been struggling for a long time and who are out trying to get funds. They aren't interested in those stories.
When we go to sleep ordinarily, we're doing something really private. It's kind of an intimate, private connection with our sort of physical humanity.
'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening, I might as well keep doing what I'm doing'.
It feels like when novelists say they find their characters are doing things they never thought they'd do, the material comes alive, and that's how I feel making music.
I love finding and doing new things and trying stuff out; that's my favorite thing to do.
I was a handyman in an office building across from Penn Station for two entire summers while I was still in school and the summer after. I had to wear a big, gray jumpsuit kind of thing that had the name of the company in a big patch on my chest, and I was sent to fix things and didn't know what I was doing.
I grew up with the movies of Gene Kelly and Fred Astaire and Judy Garland - these are the kinds of shows and the kinds of numbers in shows that I dreamed of being in and doing when I was a kid.
I think people throw the term 'sociopath' around a lot without knowing what it means - but people who don't understand that what they're doing is mean and wrong and cruel, they need to be made to understand that.
For basically three years, I was doing 'Catfish' and 'We Are Your Friends' at the same time - it was like straddling two very long-term creative marriages. And when you're in a long-term creative commitment, you tend to daydream and fantasize about smaller creative flings that you want to have.
Anything that is worth doing has been done frequently. Things hitherto undone should be given, I suspect, a wide berth.
I wrote 'The Zombie Survival Guide' because I wanted to read it, and nobody else was writing it. All I've been doing with everything I've written is answering questions that I had.
I have my struggles. But I'm doing whatever it takes to be an artist, to be the best technical jumper I can be, the best spinner I can be. Nothing is easy about that. But I'm doing whatever I can to be the best.
For me, one of the biggest designers is Azzedine Alaia. Everything he is doing is fantastic.
Based on my experience, it's considerably difficult to force a donkey into doing something it perceives to be dangerous for whatever reason.
Well, I'm still looking for Maurice Ashley. My essential qualities. I think that more than anything, I try to do the right thing, I think about doing the right thing.
I tend to focus on what I'm doing at the moment, and that takes up the entire span of my focus.
I've been inspired by Coco Chanel. She broke all the rules of her time when she was designing. She pretty much revolutionized the way that women dressed at the time, and in doing that, she modernized the way they looked because they could move more freely in their clothes.
My rule is: the second you find yourself doing something you hate, quit doing it.
As soon as I hear the word 'competition' I get serious and start doing everything that I can do.
No aspect of our biology is left unscathed by sleep deprivation. It sinks down into every possible nook and cranny. And yet no one is doing anything about it.
Your subjective sense of how well you're doing under conditions of sleep deprivation is a miserable predictor of, objectively, how you actually are doing.
This sounds really craven on some level, but on some level, a lot of what I'm doing is trying to not do a typical TV show.
You know, it's kind of hard because I really - I see kids on their Rollerblades and their bikes, and just running around, climbing trees, and I used to do that. And I loved doing that.
I'm certainly not one of those actors who remain in a dark place the entire time in order to be doing the scene. I sort of come in and out of it. It can be to the detriment of my performance sometimes!
In Detroit, the quarterbacks lift with all the linebackers and running backs and everybody else, so I'm doing that whole thing.
I wouldn't want to leave it so long before doing a play again, I get very stolid and sluggish if I do too much telly.
I've worried more and more as the years have gone on. The more you're seen to be doing well, the more stress there is. You feel you ought to consider things more, and be more fussy - there's further to fall. All these little worries.
I did four or five years in telly, and by the end of it was drained. I was a bit sick of myself. I didn't feel like an actor anymore. That sounds silly, but when you're doing a play you're using different muscles, and it blew all the cobwebs away.
I love TV and I love making films and I love doing plays. I feel very lucky to be able to do all three.
I try to be fussy about the parts I play. I think that's quite prudent, it means you're stretching different muscles, and you're scaring yourself by doing something which is out of your comfort zone.
Well, I see myself in the same business but a lot more successful and doing more movies maybe behind the camera. I plan to do some growing in this industry and take it as far as I can.
The important thing for me as an artist is to keep going back to the page and doing what I do.
I'm either going to have the career I want doing films, or I'll do something else - I'll be gone.
I've thought about writing, but it hasn't happened yet. It's like schoolwork - you start doing your revisions two nights before you're compelled to turn it in.
I never imagined I would have one fan, and there seems to be a few. I just couldn't be happier that people seem to like what I'm doing and seem to respond to it. If they weren't there, I don't know what I'd be doing right now.
Teachers can go on cruises with the National Oceanographic and Atmospheric Administration and anyone can spend the summer as a volunteer in a National Parks and even earn money doing it.
As an actor, you always want to feel like what you're doing is making a difference to the story.
To be fair, when I started doing 'Verdict' I literally had no idea what I was doing. I wanted to do some theatre, as I wanted to do something different. I wanted to learn and get an understanding of the craft.
Being onstage is like being rock star. Whereas if you're doing a movie, it's such a confined space. You know, you do a comedy, it's so hard, too, 'cause with a comedy, there's no vocal reaction, there's no energy that you get back that spurs you on to be funnier because everyone has to be quiet.
When I draw a character, very often as I'm doing a face, my face mirrors the expression.
For me, the joy of doing it is doodling when I want to. But if I had to do it, I'd lose the joy.
After doing this, going away, trying other things and working on other shows, this character, and working within Days of Our Lives, has been one of the most enjoyable experiences in my career.
'The Road to Wellville'... it had Anthony Hopkins, Bridget Fonda, directed by Alan Parker. I hadn't been doing all that well, and I was thrilled to get it, and it just didn't work. It was a terrible movie, but I don't think it's anyone's fault.
If I wasn't acting, I would own a farm. Not like growing crops but maybe have a few animals like cows, and maybe an alpaca or a llama. I would chop wood all day. I would make a living doing that; it's, like, an idealistic scenario for me. It's very contrary to my upbringing, but maybe that's the appeal to it.
When I started doing improv in Chicago, for every five teams, one or two would have one woman.
Government can encourage innovation, but mainly by doing less, not doing more.
Once you secure that border, then we can start doing an analysis of what we are going to do with all of the folks that got here illegally.
Acting with someone else, I can't tell how good they are because if I'm doing my job right, I'm just fully invested in everything that person's saying.
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