Dance Quotes
Most Famous Dance Quotes of All Time!
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The record label used to try and make us do stuff, like dance, and we'd say, nah, not doing that.
I enjoy the element of pushing yourself, learning something new, whether it's a dance step, a scene, an emotion.
I have had a lifetime love affair with all types of dance. Pole dancing was always just for fun until we had a pole installed at 'The Girls Next Door' house, then we started taking it a bit more seriously and got into using it for exercise.
Dance and theatre afforded me the opportunity to discover my passion for acting, for telling stories.
My dancing idol is my dad. Growing up watching him dance to Northern Soul I used to think ‘He looks cool.'
I missed out on the crash course that everyone else gets on 'Strictly' on every dance form.
As much as I love to dance, and I still take class, aerobics and that sort of thing, and I still move very well and all of that - I'm really not a dancer anymore.
I was always performing as a child, and then I was determined to act and sing and dance, so I travelled for miles every day to go from home in Kent into London.
I can dance. I like hip hop and stuff and jazz movements, but I'm horrible in ballet. I tried.
I think it'd be the coolest thing if I could get a role in a dance movie. That's something I'm always going to love.
I lived in Meadowbrook. I went to church at Meadowbrook United Methodist Church. I went to school at Meadowbrook Elementary School and then Meadowbrook Middle School. I learned to dance at Meadowbrook Country Club. All those things grounded me in one place and I think most of Fort Worth is just like the area I grew up in.
I wanted to go to school for public relations, and I also wanted to minor in dance. And Hofstra had two really good programs for both of those, so that's why I ended up there.
'Dirty Dancing', 'Grease', those were the movies that I used to watch over and over and over at my grandma's house when I was a little girl. I just remember watching them, and I always wanted to be Sandy, and I wanted to be Baby. I wanted to be the girl who's lifted in the dance, and she's beautiful and all those things.
I am a massive fan of early electronica like Steve Reich, Pat Metheny and Thomas Dolby. I used to be a big raver, too, so anything dance. I love ambient music like Tunng. I love acoustic and classical, too.
I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
I was dancing when I was acting as well. Actors generally dance in performances like in an award function.
That's why I think that I have a big advantage, because I work on my striking a ton, but I don't forget about my wrestling, what brought me to the dance.
I recently read an article on how I was dropped from a film because I couldn't dance! It was so ridiculous that I decided to shut up about it. Let people say what they want to. It's such a waste of time.
I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
I was on Kanye's Yeezus tour as a dancer, but really, I was a Vanessa Beecroft model. I was one of the three 'dancers' who couldn't dance and was more of an accessory than an individual. Vanessa was pretty involved. Her style is about a lot of standing. It's very simple but haunting.
Balanchine was just able to strike the balance between literal narrative and abstract dance.
Musical shows are really popular because there are lots of talented kids out there that can sing and dance.
My first dance ever on 'Dancing With the Stars' was to 'Let's Hear it for the Boy.'
Concert dance is the hardest kind of dance. We tour constantly, around the world, year in and year out. It just doesn't work for everybody. It's the lifestyle, it's the stamina, it's the love, it's the dedication, it's the commitment, it's all those words.
When you step back and watch people, you realize that we use every single body part. Movement, dance - I find it genius because it's ultimate expression, really.
When I was younger, I was one of the few girls in the neighborhood who could break dance. That's kind of my local, ghetto-celebrity claim to fame.
I love dancing; my kids love to dance. I think it's just another way for children to learn they can be themselves.
I'm 24, so I'll go out and, yeah, have a few drinks and dance - I love to dance - and have a good time, but I like to do other things, too. I like going to the beach and reading and hiking.
Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.
I'm a huge Kentucky fan. So when there was a chance to do the John Wall dance, I went into character.
There are those who dance to the rhythm that is played to them, those who only dance to their own rhythm, and those who don't dance at all.
It's really cool to see glowsticks at the show, to see dance music culture infiltrating and becoming one with the metal community.
Limited points of view let the writer dispense - and the reader gather - information from various corners of the story. It all becomes a kind of dance, with the writer guiding the reader through the various twists and turns. The challenge is keeping readers in step, while still managing to surprise.
The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor.
That's the whole part about being a deejay: You've got to make sure you are prepared. At the end of the day, you do have your genre - house music, dance music - but there are many different ways of playing that.
You gotta have a good beat to survive in modern country in general. Everyone wants to feel good, laugh, dance, and cry. But at the same time, they all want it to sound happy.
'Dance to the Music' was just Sly Stone being his natural crazy self right from the beginning. The man was an original and his first AM hit was nothing if it wasn't the example per excellence of the Sly Stone music machine.
Once you see dance as a weapon - and everyone has a different weapon - it makes dance really interesting.
Everyone who shoots dance sequences does it in a different way. Everyone who shoots fight sequences does it in a different way.
When I was growing up, Asians weren't known for dancing. I knew all my older aunts and uncles did, like, ballroom dancing and stuff. And then you saw all those dance crews, like Quest and Jabbawockeez, and now they're, like, known for dance.
The first thing I remember hearing was just the dance music that was in the charts when I was growing up. I don't remember many of the names of specific tracks - they were just kind of early acid house things.
I should be on Broadway. You have to sing, you have to dance, you have to speak well, and I'm good at all of those!
Literally, 'Dance Moms' was so amazing, and I have the world to thank for that. They were so awesome - the set, the cast, the crew - it was amazing.
Years of drought and famine come and years of flood and famine come, and the climate is not changed with dance, libation or prayer.
I've always had an innate ability to dance, but I'm not as spiffy as those cinema legends like Gene Kelly and Fred Astaire.
Not many skeletons left in my closet because I invite them to dance all over the front room!
I grew up walking out with no music. I wish I had the bottle to dance on but I can't dance.
I've studied a lot of great people over the years - Pete Seeger, James Brown - and tried to incorporate elements that I've admired, though I can't say I dance like James.
I'm more an actor who can dance and sing if I absolutely have to. I studied theatre in college, but I studied drama, but I don't have that Broadway voice, and I'm not a trained dancer or anything like that. I identify mostly as an actor first and foremost.
I was married to a dancer who had a dance company in New York City, and she toured.
I was a reporter for Gannett and the 'N.Y. Daily News' covering Gov. Mario Cuomo's dance with presidential races in both 1988 and 1991.
I wasn't one of those kids who get up on the table and dance at a young age, but I always wanted to be an actor.
Ask anyone committed to Marxist analysis how many angels dance on the head of a pin, and you will be asked in return to never mind the angels, tell me who controls the production of pins.
My father was the captain of a cargo ship. When I was about two years old, we used to sail with him. The crew of his ship would dress me up in fancy dress and make me dance for them. I was a performing monkey!
For dance recitals, my mom would do my makeup all extravagant because obviously I was really little and where else would I be wearing makeup? We would always be in her bathroom before the dance recital, and she'd do our hair and makeup.
You must understand the whole of life, not just one little part of it. That is why you must read, that is why you must look at the skies, that is why you must sing and dance, and write poems and suffer and understand, for all that is life.
I'd get out at school at 3:00 P.M., show up to dance practice at 6:30 P.M., practice for three hours till 9:00 P.M., get home at midnight, and try to do whatever homework I could before getting back up for 7:00 A.M. But I did it because I liked dancing, and I loved the music.
I love getting to work with the stunt coordinator. It's like choreography, like a dance.
My mother and my father always had me in ballet and dance, and I sang in a girl's group.
For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting.
I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.
Oftentimes, I feel like the clock is on, and there's money at stake, and you gotta get up there and dance for grandma, and it better be great, and you better get it right.
I was always a show-off with my friends; we used to have interpretive dance nights to Christina Milian and Sean Paul where we’d film it.
But I think there's a genuine joy, too, a sense that no matter what, even if my stomach's growling, I'm going to dance. That's what I want to leave people with at the end of the play. After all this, people still know how to live.
I've been this voice of a lot of upbeat dance tracks, but people don't really know me.
Many of the writers I admire - Melville, Dickinson, Kafka - were virtually invisible during their lifetimes. Art, I think, often has to dance around in the void.
I'd go dance at talent shows, and because I was young I had the upper hand on a lot of other crews. People thought it was cute. I used that to my advantage.
The fun thing about 'Chicago' is that there's so much dance and, very specifically, Roxie. So you might see a little bit of Roxie on the Sugarland stage. Who knows.
I'm quite sure we all have a sweet love song that we dance to or recall from our wedding or something, like 'At Last,' but I think that it is the love-gone-wrong songs that touch even men.
But from the time I was very little, it was something I would do all the time, just sing, dance and act. So it wasn't something that was fake or contrived as I got older.
I came out of the womb born to sing and dance. I have to follow my heart.
I worked as a secretary, a waitress and a dance teacher - all in high school.
I'm from Texas and actually went to a regular high school, but every day after school I'd run to dance class and practice a lot and then go back the next day and stuff like that.
I was very personable and outgoing and was friends with most everybody in my class but I was a diehard dancer so I was constantly at dance classes and working toward my passion of dance.
I think the dance world is really hard, we put a lot of pressure on ourselves to look a certain way, and so that was a battle that I had to figure out for myself.
Sometimes learning simple little steps kind of gives couples a pattern that they can follow, and they feel a bit more confident. I literally melt every time I help a couple with their first dance, and they’re not dancers.
Think about the energy that you want to bring and create for everyone and stay true to that. At our wedding, we wanted everyone to enjoy the party and dance!
I think people are so nervous to try an actual dance class because maybe they don’t have the right technique or they’re at a certain level, but I think anyone should dance and should try it.
Salsa is a Latin dance and it’s great for stamina and cardio. There’s a lot of movement in the core area and so I feel like it’s awesome for sculpting your obliques and your back and just getting that area moving in general.
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