Dance Quotes
Most Famous Dance Quotes of All Time!
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I keep all my clothes on in House on Haunted Hill, Mary Jane's Last Dance, and The Way of the Gun.
Like I went out to a predominantly black club last night and nobody said anything and I was wishing somebody would so that someone would dance with me.
I still enjoy doing the things I've always done, like going to a monthly dance party at a club downtown.
I'm a b-boy for life. I'm a dancer, I started with free style dancing and b-boying during the ‘80s and I always said to myself that when I get the chance to do my own thing, I will always have the b-boy element and the dance element because that's where I come from.
Before we had Fergie, it was me, will.i.am, and apl, and we were showcasing our dance moves in our videos.
Black Eyed Peas music appealed to everybody and that's why we incorporated EDM influences, dance influences, house influences, and we mashed it up with the Black Eyed Pea melodic pop sensibility that still has bounce to it.
Most producers who want you to dance are not looking at the long term. They see their evenings, the box office, whom they have to repay, whatever.
I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way.
I loved the atmosphere of the dance studios - the wooden floors, the big mirrors, everyone dressed in pink or black tights, the musicians accompanying us - and the feeling of ritual the classes had.
When I dance, I love the romance and sexiness of it, and love having it be clear to both dancers that the man leads! But the man has to know what he's doing!
Talent is required, but much of writing is a matter of craft, which develops with time, attention, patience and practice, like playing an instrument or learning to dance.
I had to dance topless for two years to make cash to pay my bills and save some money. But it was very enlightening, by the way. I'm talking about light from the gutter.
The only time I've really been away from my kids to do work was doing Shall We Dance because they both were in camp and it was the first time in twenty years that I haven't been with my kids.
I've trained in dance for most of my life, but ballet was the thing I left behind the earliest because they felt like I didn't have the right body for it, and I didn't like that and never felt like I could be a part of that dance structure.
I think 'Main Hoon Na' is like the comeback of a Manmohan Desai film. Farah Khan made you laugh, cry and dance.
I still dance, probably three times a week, unless I'm working on a crazy job, and then I just don't have any free time at all.
I'd like to be able to recall every J. Lo music video dance routine ever, naturally.
The monarchy is finished. It was finished a while ago, but they're still making the corpses dance.
I used to wait tables at Gladstone's, a seafood restaurant, day in and day out. I made some of my best friends there. I taught dance and acting lessons to kids. It was awesome - an outreach program, Voices Unheard. I was a messenger for a couple of months.
I prefer to talk about our problems, to be proud of them, in place of trying to hide them. Because you can't. And I prefer to dance, to smile on it, to laugh on it.
If we can listen to English music without understanding nothing, and dance on it, and feel the groove, feel the feelings, I'm sure everybody can do exactly the same for each language.
The energy that comes when you compel people to dance stays with you your whole career - whether you are playing to 100,000 people at Glastonbury or 1,000 kids in a club.
I was not naturally talented. I didn't sing, dance or act, though working around that minor detail made me inventive.
I have periods where I listen to regular rap, Jay-Z, Eminem and Lil Wayne. The next day I might have some Christian alternative music. The next day I have on some dance music. It all varies what I listen to.
I competitively ice skate, and I also dance, and I do a lot of theater, which also involves a lot, a lot of physicality, because you have to do a lot of fast changes.
The thought of bringing a cake into a dance music show is a bizarre one. The idea of rafting on top of people is just as bizarre as well. And I think whenever something bizarre comes into play, it immediately becomes an easy target. And for those reasons, I know that I have been the target of criticism.
Elvis was a seventh-degree black belt in karate. My dad knew that he couldn't dance like Elvis or sing like him, but he thought maybe he could try karate, and he fell in love with it.
On the other hand, now that I'm not dependent on fiction for my income, I've been writing more short stories despite the fact that there's no real paying market for short horror other than Cemetery Dance.
I always get excited over James Murphy's work and everything that comes out of DFA. I really like the way that Murphy and LCD Soundsystem mix electronic, dance and rock together.
'Shall We Dance?' takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good big, stupid American movie.
I am learning how to dance hip-hop. I'm a good dancer when I dance salsa.
I used to be on dance team in high school; it was called drill team in Texas. And when I started doing theater sophomore year, I had to make a decision which thing I was gonna follow. It was a big shift because I sort of had all these friends on dance squad, and when I started to do theater, my whole identity shifted.
I have never had a lap dance in Tampa or any other part of Florida. If I ever did have a lap dance, I don't think I would be discussing television ideas with the girl that was giving it to me.
Whenever you play dance music, it serves a function. It becomes a utility; you have to worry about the tempos and what you're going to play for people. But when you're playing for listening, you're free.
Soulja Boy is on his dance, down south, young, 18-year-old, comedic swag. It's really just each person's personality; if every rapper had the same swag, it would be kind of boring.
Getting up to dance to your own stuff looks pretty pretentious. And leaving the dancefloor when it comes on is just awkward.
I must confess I knew very little about the trance scene, I'm more house and commercial dance but it was really interesting and different.
Making dance music is a spiritual thing. It's about being completely absorbed by rhythm and vibration, so much so that the petty stuff of life stops mattering.
I don't know much about pop music, and we sample music from all different cultures. I was trained in West African dance, so my sense of rhythm when I move is obviously informed by that, and I obviously sing in Portuguese.
I was born in Japan, and I grew up in England, and I wanted to be an actor when I was a child because I had an uncle who was an actor. I wanted to do everything he did, and he told me to learn how to dance first. So then I learned how to dance.
People opposing dance bars claim that a lot of money is wasted in bars. I want to ask them why not target five star hotels, too, where a lot of money is spent?
The audience for 'Lootera' is far less than for my other kind of films. Just because I pulled it off doesn't mean I will change my tastes. I love to watch masala films, and I love to sing, dance and say those larger-than-life dialogues. But whenever I get a chance, and I really feel the connect, I will do a performance-oriented film.
Once I had my son, I stopped shopping in stores because it's not an easy process to try on clothes - and I'm not an impulsive buyer. I need to do the dance in front of the mirror, the whole nine yards.
I always wanted to make a pop record. I'm a dancer myself, so I want to make something that people listen to and just want to dance to.
Christmas Day we get all the dogs and the cats and make breakfast and open presents and then go to the backyard - because it is always like 100 degrees in L.A. - and we get a speaker and play fun '80s music and dance outside with all the animals.
If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.
I am somebody who has never been able to give up '60s habits. I am the inevitable old codger on the dance floor.
Get up and dance, get up and smile, get up and drink to the days that are gone in the shortest while.
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
If I'm at a party, I can put on some crazy dance moves. However, it's not synchronized, beautiful or choreographed like a ballet dancer. I'd love to be graceful like that.
My career as an actor started when I was six years old, taking dancing lessons. Then I started getting paid jobs to dance at the age of seven.
I went to James Monroe High School, a big school in the East Bronx. My first promotion was the first alumni reunion dance. I got all the names and addresses out of the yearbook. It came off very well.
My mother sent me to dance and drama classes when I was young, and then I got a stage role in 'Set To Partners' when I was 12, followed by Benjamin Britten's 'Let's Make An Opera.'
I was never interested in reality shows or dance shows, as they have become so common.
I've been interested in hip-hop since it first appeared: the fact that it was born not in the music industry but on the street, the idea of using a turntable as an instrument, singing vividly about reality instead of typical love songs, and its links to graffiti and dance.
I love to dance. But I don't like being up in front of tons of people. I didn't have the desire to be performing in front of a lot of people. So it wasn't something I ever seriously considered.
Maybe we can use a metaphor for it, out of dance. I think for many years I was aware of the need, in dance and in life, to breathe deeply and to take in more air than we usually take in.
I love the smaller clubs. I love the theaters. I love the festivals. There are things I don't like. At certain theaters, people can't get up and dance.
Until quite recently dance in America was the ragged Cinderella of the arts.
I can do a dance, adventure, or sports-based reality shows. But I cannot live in a locked house because I'm very moody.
I pole-dance. I do. I do it at an aerobics center. Having done gymnastics for 13 years, I find it's one of the only things where I can still use my core and all my muscles. Plus, it's fun: You're a girl, and you get to dance around a pole!
If you're looking for a deep album or you're looking for me to talk about past situations, it's not even about that. It's just 14 hot records that are gonna make you dance.
I feel like Eurovision is a parallel dimension. It reminds me of 'Dance Fever' and 'Solid Gold' when I was a kid. Then when you hear these songs sung in English by someone who may or may not understand the words, the unique awesomeness hits you.
If you're sitting across the table from someone, the geometry of the situation says 'confrontation.' If you're walking with somebody, you're heading in the same direction, and the spatial dance you're doing is a little more cooperative.
I love to dance. I think it's so much fun! I love classic Motown, hip-hop, pop, whatever has a good beat and is uplifting.
Justin Bieber was born with the Superman powers. He could sing, he could dance, he could play instruments. I wasn't born with those gifts, so I had to become a different kind of superhero... I'm a normal Joe. But, with a lot of effort, I've got a shot at being Bruce Wayne.
I make sure that I laugh as much as possible, as its the best exercise, and if I'm really feeling the need to do some exercise, I'll go out with my best girls and dance the night away.
When I'm not at the keyboard, I'm generally reading, practicing tai chi or middle eastern dance, or cooking.
The conventional Indian movie industry is not for me: I cannot dance around trees or the water-fountain.
I would do Bollywood, but I don't know if I could do that - the dance, the singing, the kind of flirting with your eyes, the outfits.
I live in New York. I go to dance class; I do theatre. When things are sent to me, if I like them, I push to do them. And I would absolutely love to do anything that's part of my dad's homeland.
I think guys, because we share a history growing up of being stereotyped, because there are fewer of us in the dance world, that contributes early on to a bond among us. A lot of us share stories of being harassed or teased growing up - there's a certain deep camaraderie that's formed through that shared struggle.
People come and go, and I've certainly had experiences with overbearing figures and conflicts here and there, but for the most part I've found the dance community to be really supportive and I've formed some lifelong bonds, like with Ethan.
My earliest memory is of sitting at Mum's dance school, watching her teach a ballet class.
I have an amazing spouse; we're a team. He works, and I work, and we sort of do this dance with each other so that we can be present to our kids. But I think the whole 'balance' thing is an illusion; we just embrace the imbalance.
Over-the-top dance reality shows are hard for me to watch. The real drama in our world is much more emotional, personal, and extreme. There is manipulation and sneakiness.
I had some struggles to find my footing. I couldn't really find a place to appreciate me - I'm a little bit curvy for the dance world.
I would have to change my entire life if I went into acting. I dance eight hours a day, and then suddenly to be sitting on a set for 12 hours a day is a big difference for my health.
I think that 'Flesh and Bone' represents the dance world very authentically. There's always this aspect of drama put on top of it, and it's showcasing the problems of the dance world, but I've had experiences in reality that were written into the show.
In the dance world, you have to have a certain muscular shape; you have to have long limbs and willowy shoulders. It's hard to have breasts.
There's always very high tension with dance auditions! You're in a group, watching the people in the front of the room, hoping you'll get something, anything that will relieve a bit of the stress.
I've been with Semperoper Ballet in Dresden, Germany, for five years - I wanted to escape the competitive dance world and go somewhere where I felt appreciated for my talents. Stateside, it was always kind of a struggle. And the competition? Not into it.
I'm always hopeful. I feel like I'm at the prom sitting against the wall waiting for someone to ask me to dance.
I have grown up watching films in single screens where people would get up and dance in the aisles. With 'Rowdy Rathore,' I want to recreate the same magic.
Dance is a universal language which allows you to express yourself without words and I think that is why everyone is so enamoured by dance.
I love to perform at various award functions and one day I would like to open a dance academy.
I had never picked up a basketball before. I went through a grueling audition process. It was almost as if I was learning to walk. It would be like teaching somebody to dance ballet for a role.
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Today's Quote
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