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Rabindranath Tagore Jayanti 2026
It would be impossible to be a woman in Western culture and not have your own issues about your image and what you look like.
I hope people online understand that the celebrity culture we've created is not really real. So when they're speaking to and about me, I'm a person, so I'm going to make mistakes. It's inevitable because I'm human.
I was on an army show, and in the army - especially in Korean culture - there's a very, very strict hierarchy. Obviously, you would not talk informally or disrespectfully to your commanding officer. But me, in my limited Korean, I basically told my commanding officer, 'Thou shalt forget!' The Korean public thought it was really funny.
Contemporary culture is like the weather - we have to be open to it. I don't like the way it is dismissed or closed down.
Teen fandom is so potent. Any choice they make in pop culture forces the rest of the world to take notice.
With any sort of minority, issues of ostracization or misrepresentation are clearly rampant. It's just so deeply rooted in our culture, and there are so many levels that it trickles down from.
Aaron Spelling always had his finger on the pulse of pop culture, he knew what the public wanted to see. He was one of the most loyal men in this business and believed in me at a time in my career when no one else would.
Viking women, if they were left behind, were ruling their town. They were earls in their own right; they owned land in their own right. They could divorce their husbands if they wanted to. All of those wonderful allowances that were made for women in the Viking culture weren't really part of the Christian culture at the time.
Everyone is born with it but, unfortunately, our society and culture are programmed to kill creativity.
It's incredible being a woman. I was, of course, fortunate to have an Irish mother who is an empowered woman. She comes from the western culture where women's rights and empowerment happened much earlier in the 19th century.
I have always regarded global development as a struggle between the forces of good and evil. Not to be simplified as a struggle between Jesus and Satan, since I do not consider that the process is restricted to our own sphere of culture.
I wanted to explore black culture, and I wanted that culture to be a revelation.
Its roots are in American Negro culture, which is part of the whole country's heritage, but the dance speaks to everyone... Otherwise, it wouldn't work.
The Law of Raspberry Jam: the wider any culture is spread, the thinner it gets.
At times, I might have been too young; I might have been too naive at times and didn't understand who I really was to a whole culture.
I worked for three years in a small IT firm in Chicago. I managed our client base, so I translated into human speak for our technicians. But our company was sold, and the atmosphere and the culture really changed, so I quit without having anything else lined up.
'The Practical Heart' was published one week before the World Trade towers collapsed. Book reviewing and all else in our culture stopped dead-still for half a year. I went on the book tour anyway. But I felt like the apostle Paul going unto the catacombs where scared believers hid and prayed.
The Southern California arena rock, hair metal, laidback hippie garden culture - for many growing up in the '70s and '80s, none of it made us who we were like Lou Reed did.
I think cool originates with the jazz culture in the '40s. There was probably cool before that, but that's when people started talking about cool - Miles Davis and Charlie Parker and a bunch of other early, cool jazz folk.
Culture is our nature, and the ability to learn and change is our most important and fundamental instinct.
Because Bin Laden's culture doesn't permit the worship of images, they understand how powerful images are. We wouldn't have thought of creating a visual bomb. In a way, he's chopped down two iconic buildings, and used our very truth imagery, to express himself. It's fascinating... I mean, dreadful.
I love the natural world - it comes from my culture, which grew out of a people enslaved.
My parents taught me service - not by saying, but by doing. That was my culture, the culture of my family.
Food culture is like listening to the Beatles - it's international, it's very positive, it's inventive and creative.
We have to bring children into a new relationship to food that connects them to culture and agriculture.
I think America's food culture is embedded in fast-food culture. And the real question that we have is: How are we going to teach slow-food values in a fast-food world? Of course, it's very, very difficult to do, especially when children have grown up eating fast food and the values that go with that.
We eat every day, and if we do it in a way that doesn't recognize value, it's contributing to the destruction of our culture and of agriculture. But if it's done with a focus and care, it can be a wonderful thing. It changes the quality of your life.
I feel it is an obligation to help people understand the relation of food to agriculture and the relationship of food to culture.
There is hope for humanity, but in order for us to get there, we really have to interrogate not just what it takes to change laws, but what it takes to change culture that supports laws that uplift humanity and also supports laws that serve to denigrate it.
Both Alton Sterling and Philando Castile had guns on them, which is part of their Second Amendment right. It is a part of a culture that is largely protected by special-interest groups like the N.R.A., but the right to bear arms, it seems, only exists for white people.
I guess, like most foreigners, when you're away, you see your own culture being even more strange. But where I come from and my roots mean a lot. I miss my family and my friends. Something I've realized as I've been traveling is that it's more about the actual people than the actual place.
I feel more influenced in my own work by dreams than I do by other writers' works in a way. Or by popular culture, movies - what else is there to write about than love and loss?
Even when writing your own poems, you need to talk to people; you need to magpie around, getting words and things. I'm very against the celebrity culture that wants to say: 'this is a genius, this is one person who has done something brilliant.' There are always a hundred people in the background who have helped to make it.
I've always felt, with 'The Iliad,' a real frustration that it's read wrong. That it's turned into this public school poem, which I don't think it is. That glamorising of war, and white-limbed, flowing-haired Greek heroes - it's become a cliched, British empire part of our culture.
We have been talking about public engagement for a decade. For me it is about recognising that the mission of science has to be embedded within our culture - the direction in which science is going has to be determined by all of us, and so we need a dialogue with the public.
Doctors and scientists, being part of that two-sex culture, have done everything they can to try to force people who are in-between into one of the two clear types. Intersex people themselves have also generally wanted to fit into one of the two clear categories; most are not interested in being in a 'third' type.
I love to hang out with boys - I've got brothers - but I'm a girl's girl, in all the ways you can be girlie. Nails and chats and gossip magazines and reality TV and pop culture.
American culture is very good at interpersonal relationships and people skills, whereas we're incredibly adept at academics and straightforward 19th-century Victorian education.
We are fighting corruption and all illegal activities and building a culture of transparency and ethical governance.
We have a political culture of intimidation, of favoring, of patronage, and of fear, and that is no way for a community to be governed.
People were expecting Rouge to go bankrupt, so there was a lot of anxiety. The corporate culture problem was even worse than in Russia. And at the same time, the work rules were more difficult.
I spent two months in Fredericksburg, Texas, when I was 8, while my father shot a movie, and I loved it. I just embraced the whole cowboy culture. I got myself a pair of awesome boots and a cowboy hat.
Retaining culture takes effort and persistence and discipline. It's a commitment, not a flag. You can't just pull it out and wave it about when it's convenient.
Marketing has supplanted story as the primary force behind the worthiness of making a film, and that's a very sad thing. It's film only as a function of consumerism rather than as an important component of our culture, and that's everywhere around the world.
American pop culture is perpetually in adolescent mode. The notions of what it takes to be a man, as depicted in pop culture, are very superficial, one-dimensional, and adolescent.
One of the things I love about wen wu is its encouragement of developing the spiritual and intellectual aspects of the self that are actually more important than the development of the body and the capacity to commit violence - which is how much of Western pop culture defines a man.
Like I said about Freaked, people tend to find these films, and I think that in the end the cool thing about a movie is that it can be sort of burnt temporarily, but then it's burnt into the fabric of your culture.
The trick of making movies in this culture is how to not give up everything that makes them worthwhile in order to get them made - and that's a tricky balance.
People use us for their weddings, their university convocations - you become a part of culture. That's a big part of people's lives, and it's actually a really big honor for us. All their memories around that process are stored in Paperless Post.
The United States and Turkey are the only two countries that don't have some kind of subsidy for the Arts. The whole culture in society has made certain films more acceptable. I turned down so many films in the '60s and '70s.
Most of us don't think forwarding a racist joke or speaking in an insulting 'comedic' accent is appropriate at the workplace. Unfortunately, for those raised in the toxic culture of conservatism, the sort of mentality that leads government employees to do those things is widespread.
Conservatives frequently complain of being frozen out of the culture industry, though, like all industries, the culture industry will produce or sell anything it expects to profit from.
Vaccine conspiracies, like so much modern cult conspiracy culture, perpetuates itself and lives on indefinitely thanks to the community-building and archiving of the Internet.
Festival culture is all about evolving consciousness and generating a sense of unity, hope, and possibility.
'Dirtbag' is just the term we use, like a 'gnarly dude' in surfing. Within the climbing culture, it means being a committed lifer: someone who has embraced a minimalist ethic in order to rock climb. It basically means you're a homeless person by choice.
I've not been anywhere in Central or South America before. The closest I've been is Cancun and Cabo in Mexico. But I think I'd love the culture, the sprit, and the energy of Brazil.
I adore the classical pieces of our culture. The Greek and Roman are still inside and everywhere; it's impossible to disconnect.
With a brand like Gucci, you have to give something that belongs to beautiful Italian culture in terms of craftsmanship and materials.
My family is from the south of Italy in this little place called Calabria. It's a big part of my family, the Italian culture. I grew up around it. My parents speak Italian, and I speak Italian.
Over the past several years, all of us as Canadians, and as members of the North American cultural and economic environment, have been to a greater or lesser extent party to a significant attitudinal change towards our culture.
Like every other good thing in this world, leisure and culture have to be paid for. Fortunately, however, it is not the leisured and the cultured who have to pay.
Every one of us is a perfect human being, deformed by the family, the society and the culture.
Having arrived in London to seek refuge during the civil war in Sudan, where I was born, the thing I'm most proud of is having totally evolved. I came here not knowing how to speak English, but I went to school and learned; I adapted to this new culture.
It's typical of Italian culture that we only start to feel emotional about something when we have the possibility to see it in front of us. By February, Italy will have Olympic fever.
I really think that movies are the most popular form of story telling ever and have such a huge impact on culture when they do. So I really want to be a part of those movies that say something good to a lot of people.
If men were meant to be a dominant power, men would be on this earth by themselves. So, I don't understand when women's rights are challenged - because you're talking about human rights. You talk about subjugating an entire culture that we heavily depend on for everything we need for survival.
Considered now as a possession, one may define culture as the residuum of a large body of useless knowledge that has been well and truly forgotten.
Diligent as one must be in learning, one must be as diligent in forgetting; otherwise the process is one of pedantry, not culture.
Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.
Learning has always been made much of, but forgetting has always been deprecated; therefore pedantry has pretty well established itself throughout the modern world at the expense of culture.
For all of her influence on popular culture, and the remarkable performances she left behind, perhaps Farrah Fawcett's greatest legacy was her raw, intimate, honest portrait of a woman fighting for her life - against cancer.
Canada has a passive-aggressive culture, with a lot of sarcasm and righteousness. That went with my weird messianic complex. The ego is a fascinating monster. I was taught from a young age that I had to serve, so that turned into me thinking I had to save the planet.
We live, in North America in general, if I'm given the indulgence of selling us down the river, in a culture of fear of this connective sense of spirit.
Really, drag is like, 'Oh, I'm putting on women's clothing,' but it's just clothing. The people who assign it as being for women is the culture and society.
There has been a shift to what may be defined as a culture of negativity which goes well beyond coverage of politics.
Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.
Without culture, and the relative freedom it implies, society, even when perfect, is but a jungle. This is why any authentic creation is a gift to the future.
Geek culture is all about being super passionate about your interests and not afraid to express them, even if your interests are unpopular.
In many ways, products are a reflection of their founders, and I consider myself a geek. But aside from that, Imgur just organically evolved into the epicenter of geek culture.
Among some of the youngsters, I think reality TV has installed that culture into them and inspired a few of them into wanting to be 'TV celebrities.'
There's too much of a culture that exists out there, what I call an expectancy culture, of things being provided.
The myths underlying our culture and underlying our common sense have not taught us to feel identical with the universe, but only parts of it, only in it, only confronting it - aliens.
Any musical form that has been around long enough to have cultural resonance beyond just being a cutting edge kind of communication - but, especially, when it begins to reflect on a time and reflect on a culture - is effective in a musical.
Here's the thing: If you're monitoring every single thing that goes on in a given culture, if you have all the information that is there to be had, then that is the equivalent of having none of it. How are you going to process that amount of information?
Culture is just a shambling zombie that repeats what it did in life; bits of it drop off, and it doesn't appear to notice.
One of the things I don't like about film is its incredible immersive quality. It's kind of bullying - it's very big, it's very flashy, it's got a lot of weight and it throws it around almost to the detriment of the rest of our culture.
There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future.
If you look at that incredible burst of fantastic characters that emerged in the late 19th century/early 20th century, you can see so many of the fears and hopes of those times embedded in those characters. Even in throwaway bits of contemporary culture you can often find some penetrating insights into the real world around us.
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