Colson Whitehead Quotes

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Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker.

In the 1930s, the government paid writers to interview 80- and 90-year-old former slaves, and I read those accounts. I came away realizing - not surprisingly - that many slave masters were sadists who spent a lot of time thinking...

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Being a slave meant never having the stability of knowing your family would be together as many years as God designed it to be. It meant you could come back from picking cotton in a field to find that your...

Having a wife and kids drove home the brutal reality of the slave system for me - the price it exacted on families. On the other hand, whenever I despair over our history, I am brought back to hope, the...

I usually have two or three ideas floating around. When I have free time, the one I end up thinking most about is the one I end up pursuing.

Generally, I walk around in a glum mood.

Once I got to college, it seemed that the Hamptons were a little bit too posh for me and didn't represent the kind of values I was embracing in my late teens. So, I didn't go out there, except to...

In fifth grade, we did 10 minutes on slavery and 40 minutes on Abraham Lincoln, and in 10th grade you might do 10 minutes on the civil rights era and 40 minutes on Martin Luther King, and that's it.

I'm someone who just likes being in my cave and thinking up weird stuff.

I'm not a representative of blackness, and I'm not a healer.

'Zone One' has one kind of an apocalypse, and 'The Underground Railroad' another. In both cases, the narrators are animated by a hope in a better place of refuge - in the last surviving human outpost, Up North. Does it...

I've always thought the Nat Turner story to be very interesting.

If you want to understand America, it's slavery.

I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird...

If you go to a big publishing house, editorial aside, it's completely white.

I try to keep each different book different from the last. So 'Sag Harbor' is very different from 'Apex Hides the Hurt;' 'The Intuitionist,' which is kind of a detective novel, is very different from 'John Henry Days.' I'm just...

In '82 and '83, that was the rise of the VCR. Every Friday, my brother and I would go to Crazy Eddie's - which was a video store in Manhattan - and rent five horror movies. And that's basically what...

'Zone One' comes out of me trying to work through some of my ideas about why, for me personally, zombies are scary.

For me, the terror of the zombie is that at any moment, your friend, your family, you neighbor, your teacher, the guy at the bodega down the street, can be revealed as the monster they've always been.

I was 7 years old when 'Roots' was first broadcast, and my parents gathered all us kids around the TV to learn about how we got here. But it wasn't until I sat down and immersed myself in the research...

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