Colson Whitehead Quotes

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In the apocalypse, I think those average, mediocre folks are the ones who are going to live.

I was always into comic books and horror stories and a huge consumer of pop culture. And then I worked for awhile for 'The Village Voice'.

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Usually, when I write a novel, it takes me about 100 pages to figure out the voice of the narrator.

The Declaration of Independence is that sacred American text so full of meaning and purpose and yet quite empty if you examine it and pull it apart because the words 'All Men' exclude a vast number of citizens.

I am not sure the issue of race in America will ever be completely solved.

If you write about race in 1850, you end up talking about race today because in many ways, so little has changed.

I like questions that tee me up to make weird jokes, frankly.

Slavery was a violent, brutal, immoral system, and in accurately depicting how it worked, you have to include that, obviously. Or else you are lying.

I take inspiration from books, movies, television, music - it all goes in the hopper. Depending on the project, I'm drawing from this or that piece of art that has stayed with me. Toni Morrison, George Romero, Sonic Youth -...

There are good writers and bad writers. It's hard to find writers who really speak to you, but the work is out there.

I admire Vegas's purity, its entirely wholesome artificiality.

I enjoy thinking about how race plays out over the centuries, how technology evolves, how cities transform themselves. These subjects are present in some of my books and absent in others.

I do write about race a lot, but I don't think writers - of any shade or background or whatever - have to write about certain subjects.

People don't like it when you compare the miracle of childbirth to writing a book, but I think there is some overlap in the two because they are both pure agony.

A lot of early Misfits song titles are inspired by old B-movies, which were my Popeye's spinach when I was a kid.

The movie 'Rock 'n' Roll High School' was a sacred text in my household.

If self-absorption, vague yearnings, and a nagging sense of incompleteness are sins, then surely I will burn for all eternity, and I will save you a seat.

The readership for 'Sag Harbor' was different from people who'd read me before - it was linear and realistic, not as strange as 'The Intuitionist.' Did they carry over to 'Zone One,' a story about zombies in New York? Some,...

I knew that a zombie book would not particularly appeal to some of my previous readers, but it was artistically compelling, and being able to do a short nonfiction book about poker was really fun and great.

I started writing in the '90s, so I was free to just have an eccentric career and not conform to some idea of what a black writer has to do. I didn't have the burden of representation.

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