Christopher Priest Quotes

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I didn't want to write a 'black' book because black characters are a tough sell.

If I could make Panther tough, mysterious, wily, and often at odds with his 'Avengers' comrades, that was a character I'd find interesting.

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It made absolutely no sense to me why Panther would ever join a super-hero team; he's not a super-hero, and the record shows he did a whole lot of nothing most of the time.

Denys Cowan and Dwayne Turner's visions of Wakanda as an ersatz African Epcot Center opened my eyes to the unexploited possibilities; these men, both of whom are African American, together with writer Peter B. Gillis, created an African Asgard of...

If you could access 90 percent of your brain, you'd be Charles Xavier.

I think every writer is in search of the truth. We are trying to psychoanalyze ourselves.

The way that I process and make writing work is I'm really telling true stories; I'm just putting them in a cape and putting an 'S' on its chest.

I think everybody wants to feel validated in some way, and when you're looking for leisure activities or if you're looking for escapism or things like that, you want to read about characters you can identify with.

Literally everything that could be done with the 'Justice League' has been done with the 'Justice League.'

'Justice' actually means different things to different people.

If the League were real, today, they'd most likely be sued by every person they ever saved. They'd be subpoenaed by every authority in every jurisdiction imaginable; hearings upon hearings. There'd be waves of accolades followed by tsunamis of boos...

Escapism has its place. I used to write 'Conan the Barbarian' for Marvel, which takes place in an environment completely removed from the real world.

With all due respect to the other writers, I don't want to disparage any other writers; I don't want to have to invent a bigger villain than Deathstroke so Deathstroke can seem heroic fighting this bigger villain. I'd rather just...

In comics, my experience has been mostly artists whose visual storytelling chops are either weak or they're more invested in rushing to a paycheck than in doing work they can be proud of.

All people - white, black, whatever - are tribal in the sense that we relate to that which is familiar to us.

I was trained in storytelling by Jim Shooter, Stan Lee, and Larry Hama. Doesn't make me a genius, and there really isn't anything fancy about the stage direction in my scripts.

Hollywood is, of course, loaded with egos, but it's amazing to see how, despite the egos, those collaborators pull together and focus on telling a story rather than butt heads and sabotage what is extremely hard work and investment just...

Writing 'Deathstroke' presents a number of challenges to me. As a Christian, as a minister, it's difficult for me to write a comic book that all but glorifies violence. So my take on 'Deathstroke' has been to not so much...

I think, personally, nothing comes from violence other than more violence.

There is no such thing as Christian art or secular art - writing, painting, drawing, whatever it is.

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