Cartoon Quotes
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In American films, Russians are often portrayed like cartoon villains without clear motivations.
I still do the standard editorial cartoon: that is my bread and butter. I absolutely love doing that.
Student cartoonists as well as professionals should always be careful that they're not doing a cartoon that already has been done.
The standard way to record a meeting is to list people's names, the topics, and action items. The visual way is to doodle a rectangle (the table) populated by figures (the participants) sitting around the table with their comments as cartoon word balloons.
I just felt like there was a world of cartoon voices that had to be discovered by me.
I met Mike Judge when I was working on my own cartoon for MTV; it did not air. But I got on with Mike and then did a few voices on 'Beavis and Butt-Head' because of it.
When you do a cartoon based on news headlines, you do it based on incomplete information.
Every era has its cartoon rich guys, but most of them are actual cartoons - Daddy Warbucks, Scrooge McDuck, C. Montgomery Burns.
Garry Trudeau put me in the Doonesbury strip many years ago. So I've been a cartoon once.
I'm fully aware that not every cartoon is Pulitzer material. That said, I'm proud of my Pulitzer portfolio, the 20 that got judged.
Maybe I'll just become a cartoon character because there's nothing left for me to do in an R-rated comedy.
I really enjoyed doing the voice of Nose Marie on the cartoon series Pound Puppies. Fun, FUN cast.
If you've ever watched a television cartoon, you know that kids don't appreciate subtlety, though perhaps that's because they're not often offered it.
When I have used cartoon images, I've used them ironically to raise the question, 'Why would anyone want to do this with modern painting?'
I was the founder of the 'Cartoon Bank' in the '90s. I was interested in finding ways for cartoonists to supplement their incomes.
'The New Yorker' didn't invent the magazine cartoon, but it did really establish it.
I actually learned about Cyborg through the cartoon shows, and I think that's how most people learn about Cyborg.
I actually grew up watching a lot of these cartoons - a lot of the animated series. 'Batman: The Animated Series,' 'Justice League,' all the stuff that would come onto Cartoon Network.
I was a huge fan of that Cyborg growing up as a kid because that was when the original cartoon show was on, and Khary Payton is a master at what he does.
I can't look at TV without seeing something that's been influenced by rap. Even commercials for cereal. When I was small, I was a fan of cartoon characters - now the cartoon characters are rapping!
I was totally into cartoon babes when I was a little dude. Cheetara from the 'Thundercats,' then Jessica Rabbit, and finally I moved onto a real-life human being and was into Punky Brewster, and then Christina Applegate on 'Married with Children.'
'Boo & Hiss' has been a passion project of mine for a couple of years. I was intrigued with the idea of what would happen in a classic cartoon predator/prey relationship if the predator - in this case, a cat - got to finally do in his adversary only to have the mouse return as a ghost and bedevil the cat.
If I can finish a cartoon in 20 minutes, then that's the ideal editorial cartoon - it's to the point.
Louise Bonnet is a Los Angeles-based painter of round, fleshy, almost obscene shapes and people. But hers is a very clean, friendly cartoon world, so there's this tension between harmlessness and perversion that is totally unsettling.
I constantly watch 'The Simpsons' and an English cartoon called 'The Raccoons' and 'Gummi Bears.' I was obsessed with ninja films, and the 'Teenage Mutant Nina Turtles,' I used to love that as well.
The new Disney cartoon 'Bambi' is interesting because it's the first one that's been entirely unpleasant.
I did 14 movies in six years, I had a cartoon TV show, and I don't want to do that again. I just want to make unique pieces of art. That's why I quit everything when I was 14 and sat around for eight years before I did another movie.
When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.'
A lot of people feel that there is less artistry involved in cartoon making unless they have painstaking control of each frame.
My wife, Katey Sagal, has transformed herself from a sitcom cartoon to a dramatic powerhouse.
The Smurfs - and they're this way in Peyo's comics as well - do have a rubbery indestructibility about them. They can get bruised & battered. But they then just sort of bounce back very quickly, like those classic cartoon characters Wiley Coyote and Tom & Jerry.
I wanted to become a cartoon artist, a portrait artist, and an illustrator. This was my first idea.
People in Britain see Richard Quest as a kind of an offensive cartoon character.
I learned through the 'Jack Nicklaus Lesson Tee,' the cartoon. Back then, it was 1970 or '69 when it came out. Learned the grip that way and everything in the cartoon... So that's kind of how it all started for me.
Beanie and Cecil was the first cartoon I remember watching and I think there are analogies.
They wanted to make her less rural, less of a cartoon. Not that Southern woman are cartoonish - they're the strongest women in this country, but with Val they wanted to take the stereotypical things out.
You can take charge, kick ass, do whatever you have to do and it's okay. You can blow people up. These are things that are okay for cartoon characters to do.
For me, I think 'Jem' fans were expecting a remake of the cartoon, and the movie really is inspired by the cartoon based in a 2015, modern-day setting. It is going to be very different, but it's also going to be very familiar as well.
The Dicky Dollar Scholars are a little bit of a cartoon bromance. 'Everybody Wants Some!' is probably a little more realistic. I didn't realize that my brand was bromance!
I was traumatized by the cartoon version of 'The Hobbit.' It's not supposed to be scary, I don't think, but literally I think that's the most scared I've ever been.
When we constantly ask for miracles, we're unraveling the fabric of the world. A world of continuous miracles would not be a world, it would be a cartoon.
Honestly, at one time I though Babe Ruth was a cartoon character. I really did, I mean I wasn't born until 1961 and I grew up in Indiana.
Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read.
Kurt Russell is the guy you know. He's not something out of a weight-lifting magazine or a cartoon character. The closest thing to him would have been Steve McQueen.
It took a while for the first 'Blade' to get made, and Marvel decided they liked the Whistler character so much, when Blade guest starred on the 'Spider-Man' cartoon, they put Whistler on the cartoon, and the movie hadn't come out yet.
Everybody has a cartoon of themselves. Mine is: I write very fast, and I'm ruthlessly efficient with my time.
Making a cartoon occupied usually about three full days, two spent in labour and one in removing the appearance of labour.
Well, we certainly weren't making a cartoon show for kids. It was a completely different kind of idea.
I don't know why there hasn't been a 'Spy Kids' cartoon. You have to bring that up to Robert Rodriguez and see what he has to say. That would be an interesting thing to do with this series.
So, this is my plea to all Western editors and producers: Display the Muhammad cartoon daily, until the Islamists become accustomed to the fact that we turn sacred cows into hamburger.
The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.
I can do a really high-pitched cartoon voice. Everybody always say they like that.
No politician would ever comment on a cartoon unless it was to show what a great sense of humour they have, that they can laugh at themselves.
I probably would be continuing to do voice-overs, continuing to do cartoon shows, and at the same time I'd probably be on a sitcom or a dramatic television show.
Anorexia is a response to cultural images of the female body - waiflike, angular - that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone.
If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.
It was memorable the first time 'The New Yorker' bought a cartoon from me. I had been sending them batches for years every week, and they didn't respond to them.
George of the Jungle is a cartoon. He's a guy who swings around on a vine all day. Are you not buying that?
When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.
Some of my favorite media is the still cartoon that you can sit and study. You can get amazing metaphors across really quickly. I'm in awe of a Charles Schulz.
My cartoon strips in college strived to have the Schulzian mix of surrealism and Charlie Brown angst. A bit of that combo shows up in 'Up.'
There probably won't be an animated The Roots or Black Thought as there was, say, an animated Michael Jackson when ‘The Jackson 5' cartoon show was on when we were kids.
I don't see why it's such a stretch for distributors, buyers, and studios to put cartoon characters into adult situations on film.
I think it's a novelty for cartoon characters to cross over into another strip or panel occasionally.
Over the years, I have been approached about making Ramona into a cartoon or movie, but I was afraid that no one could really capture the spunky character of Ramona.
Nixon is fascinating because he's our most alienated president. Everybody felt that they never knew who he was - that's palpable in the histories. His face is so cartoony that he's become this cartoon figure. I never really related to the romanticization of J.F.K., and I knew too much about Reagan to idealize him. Nixon falls in between.
I can speak to my experience and say that CalArts worked out very well for me. After CalArts, I went to Cartoon Network, and then came to Disney.
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