Broadcasters Quotes
Most Famous Broadcasters Quotes of All Time!
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Advertising revenue available for all programmers, all broadcasters is not enough to create quality programming, and subscription revenues are very, very minimal which come to all programmers.
While the documentary community is way ahead of Hollywood, it is still nowhere near where it needs to be. Filmmakers of color rarely get hired by the powerful production companies, and they are not getting supported enough by broadcasters and funders to tell their own stories.
If you look at the history of broadcasting, what you find is the National Association of Broadcasters is a trade association whose mission is to protect the interests of the commercial broadcasters.
The commercial broadcasters have tremendous influence in Washington, D.C., for a couple of reasons. First, they're extremely rich and they have lots of money and they have had for a long time, so they can give money to politicians, which gets their attention.
The public owns the airwaves; Congress gave them to broadcasters for free, with the understanding that they would serve the public interest while trying to maximize profit. An aspect of serving the public is to use the immense power of electronic media to reflect evolving standards of respect for other people.
Isn't it only appropriate that, in return for the free use of the public spectrum, broadcasters provide something substantial, something that wouldn't otherwise be provided by marketplace competition?
It is now a pleasure to go to any of the Premier League grounds. They are so welcoming, not just to me but to all the broadcasters - all media, really, you have to say.
I've always thought Wrestlemania is a special event that brings the best out of everybody, whether it's the wrestlers or the broadcasters or whomever, and I still believe that.
I don't think the BBC supporting digital switchover is top slicing. Top slicing is putting the license fee up for grabs for other broadcasters to bid for.
For those broadcasters who are less than responsible, the FCC needs to have sharper teeth to enforce the law.
For me, the main principle for broadcasters has to be that if people stand to benefit from an interview, they should be prepared to face some downside as well.
Twitch launched in June of 2011, and our growth ever since has exceeded even my expectations, which were not small. A year and a half later, the community of broadcasters and viewers has multiplied hundreds of percent.
Every time the conservatives get in trouble, they start pounding on this ridiculous idea that the liberals want to take their microphones. They want to get Rush Limbaugh and Sean Hannity off the air. That is a straw man argument throw out by the conservative broadcasters who are so out of material they are going to fear-monger their listeners.
Both traditional broadcasters and podcasters are betting heavily on the growth of voice-driven technology and so-called smart speakers, the theory being that it is as easy to ask Amazon's Alexa to play you the 'Guardian Books' podcast as it is to get it to play Capital FM.
There's broadcasters that make me enjoy what I'm seeing because of their energy and how they explain what's happening and paint that picture.
Ultimately, broadcasters and advertisers have to change the way they do business or they run the risk of linear TV becoming obsolete.
Some people are averse to change, but the advertising model is going to change with or without the Hopper. What we're saying to the broadcasters is, 'There's a way for you not to put your head in the sand.'
We've always been a slightly specialist interest, and as you get older, for specialist interest programmes I think broadcasters are probably looking for younger talent, really.
I sometimes wonder, with the Oxbridge comics, the broadcasters seem to say, at some point, now I trust you to do a documentary, you can be the voice for a maths show, or whatever. I don't think we're ever considered in that way.
In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
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