Box Office Quotes
Most Famous Box Office Quotes of All Time!
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Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.
I wish, to be honest with you, for African American films that we could get a few more theaters. They only open them in 1500 to 2000 for an opening weekend, and how do you expect us to compete. How can we go to certain box office levels if they don't give us more theaters?
Hollywood is not known as a culture of grace. Dog-eat-dog is more like it. People love you one day and hate you the next. Personal value is very much attached to box office revenues and the unpredictable and often cruel winds of fashion.
I would do 'John Carter' again tomorrow. I'm very proud of 'John Carter.' Box office doesn't validate me as a person, or as an actor.
Of course it's difficult to top a box office success like Emmanuelle, so it will always be my most important work. But that's nothing to be ashamed of.
I'm gonna see 'Mission Impossible' Part 9 because I like Tom Cruise movies! But just because the box office has that one receipt from the ticket I purchased, doesn't mean it represents someone who liked it.
As far as a Latin explosion, I'm sorry, I'm the only Latino who's going to say it, but there is no Latin explosion. I'm sorry. Four or five top box office people do not make it an explosion, and it's disgusting to me that people will perceive it that way.
I was the first wrestler ever in the history of wrestling to star in a major motion studio picture that became #1 box office of the weekend, and that gave the itch to I don't know how many wrestlers.
I think the success of a film is very important to an actor. It depends on how many people go to watch your movies; the more the merrier. Nobody wants to do a film for five people. You work so hard that millions of people watch the movie; this is directly related to box office success.
Any film, whether it worked at the box office or not, I'll have my favourite moments from it.
What I believe is to keep working. How a film performs at the box office is not in my control: what is in my control is my work, how much honesty I can bring on-screen. I am happy people love me.
Of course, Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world, but these films are exceptions, judging from box office returns and press reviews.
At the end of the day, successful box office just means that more people saw what you did and liked it, and that to me is the most important thing. That a lot of people saw it and liked it.
I pay a lot of attention to box office because I understand it. TV ratings? I don't know how to interpret them, since I'm new to TV, so I'm just going to wait for somebody to tell me.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
The box office performance of a film is instrumental in an actor being perceived as saleable.
I don't see myself doing slapstick movies or being a part of them, even if they get the box office ringing. It's not my space; I haven't reached that point.
The standard entertainment industry reaction to Hollywood's box office slump reveals the same shallow, materialistic mindset that helped create the problem in the first place.
I guess in the independent market, I'd be getting offers, but in terms of big studio films, I still have to audition. I don't think my name is that well-known, I don't have much of a following to guarantee box office success yet.
So what 'Twilight' does is show how women/girls can drive box office and they can support a tent pole movie. They're an extremely passionate fan base. This coincided with the 13 year old boys starting to stay home and play video games and work on their home media stuff. They're no longer going to theaters in droves.
Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
I didn't follow big box office ideas. That eventually led me to witches. It's led me to find interesting roles.
It's funny because I remember when I came to the U.S. with 'Swimming Pool,' the movie did well, and it was great box office for a French movie, but I remember I was a bit upset because all people talked to me about was the nudity.
A friend of mine rang the box office to collect a ticket I'd reserved for her, and the girl said, 'Who's Lesley Manville?'
Books on horse racing subjects have never done well, and I am told that publishers had come to think of them as the literary version of box office poison.
I really don't consider myself to be a conventional Hollywood star. I've never really been marketed by the big studios to do mass market box office films.
As a child working in films was like a hobby but now it has turned into a profession. And with that, it's become a life that's full of pressure and nervousness about Box Office results, competition.
Now, there is no business like show business, and there is no publicity like word of mouth. What is word of mouth, you may ask? Well, word of mouth is gold to Hollywood bigwigs, and it equates to box office bonanzas and hit TV shows.
Whenever we actors become part of a Bollywood film, there is a certain pressure of earning a box office success.
Actors are greedy. They can never be satisfied. I want praise as well as box office returns.
I'd love to make a sequel to 'The Rocketeer.' The film didn't do as well at the box office as we all hoped, but it has endured and generated a following.
When a film does well, everyone is usually happy and grateful, but for me, the impression the film leaves upon my mind is created during the process of filming; my memories are not a reflection of critics' reviews and box office figures.
My goal is to get another 30 years out of this business. So I need to figure out the fuel to do that. And so far, I think it's respect and quality and company, not celebrity or box office or stardom. It's not a sprinter's approach. It's more like a long-distance thing. You can stick around a lot longer if you kind of slow-play it.
When it's the same team that's created magic at the box office in the past, you know you are in safe hands.
I've never had a career of that kind of box office power. I've always learned the hard way.
Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.
If my films did better at the box office in Japan, it would be easier to get them made.
Women were real box office stars in the '40s, more so than men. People loved to see women's films. I think it was better then, except for the studio system.
It's not simply that British films do well at the box office and generate revenue, it's that they provide a window to the world of what Britain and its culture is about.
The box office has become global. I think that factors in to the question of how to portray different ethnicities and cultures.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
Before my acting took off, I drove a truck for an inventory company throughout the northeast, but my favorite non-acting job was working in the box office at the Public Theater.
At some level, I feel it is nice to know that a film of yours is doing well at the box office and has also got great reviews. That feels like success.
People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.
It's a myth that you'll know the box office result of any film. I don't think anybody can predict a film's fate accurately, otherwise nobody would make unsuccessful or flop films.
If I could, I want to take a page from the George Clooney-like actors of the world. They do things that are relevant, things that don't necessarily have huge box office appeal, but they matter.
You don't leave behind box office scores or how many dollars changed hands.
The success of a film at the box office will ensure happiness to the entire unit, but individual awards are like vitamin shots that will help boost the morale of an actor.
A film's success does not depend on box office collection and the number of days it was screened but on the amount of satisfaction an actor can draw from it.
There's only one barometer for the commercial success of a film and that's the box office. The obsession with box office doesn't annoy me. It's the main part of the business, if you get irritated with the main part then you're in trouble.
If I want to be a leading man in a film, box office numbers count because producers have invested money. I see no wrong in that process.
If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
I don't have any interest in being in Warner Brothers' newest comedy if it's going to suck but still be a box office hit and make me famous. I want to do things that are cool and that I can be proud of.
I have never had the problem of finding a producer for my films. I think I am just lucky because my first film didn’t do great box office business.
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