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Gurinder Chadha Quotes

Most Famous Gurinder Chadha Quotes of All Time!

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Writing film scripts is the hardest thing in the world. A script has to go to five or six drafts, and you need the feedback of other people and to keep coming back with a fresh eye, honing it down.

I knew from an early age that people didn't see the different sides of me. I formulated a kind of bi-cultural identity quite early, and I was always very comfortable with it, but I knew people didn't quite see that.

I know it sounds really weedy, but we are all children who seek approval from our parents.

The fact that it's hard to create an original British musical doesn't mean you shouldn't try.

There are very few people who are Asian who have the kind of global reach that I have, not just with Asians but with non-Asians. I've worked hard for what my name represents, my brand, not just in Britain but...

Third-generation Indians love maintaining their cultural traditions, but they can also go down the pub, shop till they drop, do whatever anyone else does.

One of the best things about the award season is that when a British film succeeds at the Oscars and BAFTAs, such as 'Slumdog Millionaire' in 2009 and 'The King's Speech' this year, the British public get right behind it...

It's not simply that British films do well at the box office and generate revenue, it's that they provide a window to the world of what Britain and its culture is about.

Our films have the ability to tell global audiences who we are, and this is something the government should feel compelled to protect. My film, 'Bend it Like Beckham,' for example, would not have been made without the backing and...

I was a journalist when I made 'I'm British But...' I'd seen how important the media was in terms of defining Indians - after the riots in the '80s, I was like, 'Oh my God!'

I love 'I'm British But...' It's such a sweet, innocent, open-hearted film, and it has the sort of openness that I still aspire to with everything I do. It wears its heart, head, everything on its sleeve.

I'm absolutely delighted because I'm part of the process that has made Asians very much part of the mainstream fabric of Britain, whereas, when I first started, we were completely on the margin.

'Up the Junction' went on to inform my love of British social realism. It was the first film I saw of this ilk, a very stark, visceral reflection of England, an England I didn't necessarily feel a part of but...

'Up the Junction' really made me understand the power of cinema to create a vivid sense of a community. When I went on to make 'Bhaji on the Beach,' it was this sense I tried to recreate.

I tell stories about people audiences might think they have nothing in common with, then they emotionally connect with them and find they're not different at all.

One of the head guys at Disney categorically said to me, 'We don't want to make children's films any more. We want to make films that are going to appeal to all quadrants.' Hence you have films like 'Shrek' and...

DVDs have their place, but the cinema is a tangible, emotional experience that I would hate my children not to have.

For British cinema to survive, you really need a British film culture, and it's got to start down there, with young kids watching films in the cinema - so they can be transported to a different world.

I was a good Indian girl, but naughty in that I would often sneak out of the back door and into the garden and go off with my friends when I should have been at home cooking or cleaning.

All my films are about kind of being seen to be one thing when you're actually something else, and the power of the female spirit to make things work your way on your terms. Which is what I do.

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