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Kehinde Wiley Quotes

Most Famous Kehinde Wiley Quotes of All Time!

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There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.

I'm like a gypsy. I've got a place in Beijing, a place in New York, a place in west Africa; I'm working on a place in Colombia. I like the fact that painting is portable - and I've wanted my...

My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at...

The reality of Barack Obama being the president of the United States - quite possibly the most powerful nation in the world - means that the image of power is completely new for an entire generation of not only black...

There is - and always will be - the legacy of chattel slavery in this nation, an obsession with racial and gender differences, but I think that, at its best, this nation is capable of creating standards for itself and...

Obama stands as a signal that this nation will continue to redefine what it means to push beyond the borders of what's possible.

The way we think about a presidential portrait is one that is imbued with dignity from the outset.

Portraits are about revealing aspects of an individual.

You don't hire Kehinde Wiley to have a tame painting.

Artists have been very good at working for the church and for the state; communicating the aspirations of a society.

What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.

I understand blackness from the inside out. What my goal is, is to allow the world to see the humanity that I know personally to be the truth.

I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all...

It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental...

I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art.

When I was growing up and going to art school and learning about African-American art, much of it was a type of political art that was very didactic and based on the '60s, and a social collective.

I think there's something important in going against the grain and perhaps finding value in things that aren't necessarily institutionally recognized.

Painting does more than just point to things. The very act of pointing is a value statement.

I grew up in this weird, educationally elite but economically impoverished environment. Total 'Oprah' story.

I thought I'd be a chef by night and paint by day. Now I just have fabulous dinner parties.

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