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Kehinde Wiley Quotes

Most Famous Kehinde Wiley Quotes of All Time!

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My love affair with painting is bittersweet.

What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through...

Gauguin is creepy - let's just face it. He goes off into the Pacific, and he's looking at these young girls, and the colonial gaze: It's just really problematic.

We all look at the same object in different ways.

One of the things that has inspired me so much is knowing that I felt like I could never measure up.

I think the pairing of your material practice with your subject is something that is the constant concern of every artist for time immemorial.

The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely do, they try to problematize it.

My mother introduced to me as a child the world of language: the way in which translation can be a system by which you can understand others.

I taught myself to paint African-Americans, mostly people roughly my skin tone.

I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department.

My sexuality is not black and white. I'm a gay man who has occasionally drifted. I am not bi. I've had perfectly pleasant romances with women, but they weren't sustainable. My passion wasn't there. I would always be looking at...

My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.

I am interested in evolution within my thinking. I am not interested in the evolution of my paint.

There's something to be said about the art-industrial complex, the collectors who recognize that your work has some sort of future economic value.

The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what people have any interest in thinking about, talking about, or even looking at.

During 1989, my mother, who was exceedingly good at finding these free programs - you know, we were on welfare, just trying to get through - but she would find these amazing programs. She sent me to the Soviet Union...

I rarely meet a lot of the people who buy and collect my work.

The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.

It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world...

Artists should be able to thrive and allow their ideas to flourish as much as those in biotechnology or finance.

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